X the Unknown

X: The Unknown from Hammer Films was intended to be a sequel to the film, The Quatermass Xperiment. Objections from the writer Nigel Kneale meant that the plot of the film was reworked.

The original director was slated to be the noted American blacklisted Joseph Losey who started shooting the film but due to illness had to be replaced by Leslie Norman (Father of film critic Barry Norman.)

This is an unpretentious film dealing with issues with nuclear radiation very much in vogue in the 1950s in horror and sci-fi films. The films also predates The Blob by a few years which was more campy.

Soldiers in Scotland discover a bottomless crack in the ground with a mysterious source of radiation activity. An explosion kills a few of the soldiers from radiation burns. Soon several more people die of radiation burns.

American actor Dean Jagger plays Dr Royston from an Atomic Laboratory who hypothesized that a form of life from prehistory trapped in the crust of the Earth, tries to reach the surface every 50 years depending on the alignment of the sun and tidal waves in order to find food from radioactive sources.

As the entity, a glowing blob feeds on radiation its mass increases as it tries to make its way to nuclear plants to find more radiation.

The film has a mix of good special effects especially with people melting and some ropey ones as the blob moves taking over the town or with fire explosions that look like a match going off. A lot of the horror is off camera but the film maintain its thrills.

The acting from Dean Jagger and Leo McKern is straightforward. It has a fair amount of thrills such as a little girl being left behind in a church as the blob approaches or at the climax when a jeep gets stuck in the mud.

Back in the days when "Prince Valiant" still covered most of a page in the Sunday funnies, I first saw this wonderfully creepy SF sleeper. From the opening scenes of a stretch of the Scottish moors opening up under a British soldier's feet, I was hooked. I was very lucky that my parents didn't send me to bed then(although they did right in the middle of "From Hell It Came", but that's another story); I was resolved to catch it again just to get that creepy feeling! The ominous P.O.V. shots of the "X" monster shambling through the barren woods at night, the outrageous "melting" death by hard radiation of the medical tech in the X-ray room, Dean Jagger as Dr. Royston, describing his new invention that can (theoretically) speed up decay of radioactive materials without causing flare-ups(!) simply by leeching away its' energy, and the film's creepy, near-ambiguous ending ("We did destroy it...didn't we?") showed just what you could--and can!--still do with a small budget and respect for the material.

X the Unknown is an excellent sci fi movie from Hammer. It was made a year after The Quatermass Experiment.

Drilling at a remote location in the Scottish Highlands attracts a strange force from below. It turns out to be a blob like creature that feeds on radiation, which gets bigger as a result. After several people are killed by it including a young boy, a scientist finds a way to kill it and succeeds at the end.

This films stars American actor Dean Jagger and is joined by several familiar British stars: Leo McKern (The Day The Earth Caught Fire), Anthony Newly (Killers of Kilimanjaro), a young Frazer Hines (Dr Who, Emmerdale) and Hammer regular Michael Ripper (Curse of the Werewolf, The Mummy).

The movie has a very creepy score and location photography, a lot of which was shot at night.

This movie is a must if you are a fan of 1950's science fiction and Hammer.

Rating: 4 stars out of 5.

The plot: In the remote Scottish Highlands, a living radioactive mass seethes out of the depths of the earth and kills everyone in its path as it seeks fresh radioactive energy. Luckily an American scientist is about the place and kicks the 'thing' back down from whence it came.

X the Unknown, while not having the innate intelligence of the Quatermass movies, is a good example of 1950's British pulp science-fiction cinema. While most of its American counterparts visited fantastic worlds inhabited by outlandish monsters and gorgeous 'space-babes', X the Unknown was a truly British effort: our monster was dollop of mud out of a hole in the ground doing a slow crawl around a dingy moor.

It's effective though. It has the same austere, grim intensity which made the Quatermass movies so memorable. The film also benefits from moody, high-contrast black and white photography, a typically acerbic score from James Bernard, and a good cast; Leo Mckern turns in a very good, naturalistic performance, much like his turn in The Day The Earth Caught Fire.

I first saw this movie when I was about six and the extraordinarily graphic scene depicting the monster 'devouring' a hospital doctor gave me a few... err....sleepless nights (there's a particularly ruthless zoom-in to the poor guys hand as it expands and melts!). Perhaps I should have stuck to Bugs Bunny.

Overall, a decent chiller, well directed by Leslie Norman (late father of the superb British film critic Barry Norman).

One last memory of a six year-old's first viewing of this picture: I remember sitting there stunned and horrified as the end credits rolled; I was not looking forward to a good nights sleep. The statutorily paternal BBC announcer came on and cracked the following nervous joke: "Well, I'll never eat cheese on toast again" (see the film and you'll know what he meant). I laughed with relief and my childhood was thus saved a terrible trauma! Thanks Uncle Beeb.

Dean Jagger battles radioactive goo from the center of the earth in this 1956 Hammer outing. Unlike "The Blob", released 2 years later, this creepy little horror story is played straight; no attempt at camp here! Dean Jagger, Leo McKern, and Anthony Newley play their parts with a subtlety and professionalism that's rarely matched in similar period pieces. While this film was overshadowed by it's American counterpart (see above), it remains one of Hammer's better efforts and should be judged on it's own. Yes, the premise is a bit hard to believe, but, once you get past that, everything else in this film works, from the direction to the score to the dialog, and of course the acting. In short, this is an underexposed, tight little chiller that has just the right amount of genuine suspense and believable characters. Don't miss it.