X the Unknown

The plot: In the remote Scottish Highlands, a living radioactive mass seethes out of the depths of the earth and kills everyone in its path as it seeks fresh radioactive energy. Luckily an American scientist is about the place and kicks the 'thing' back down from whence it came.

X the Unknown, while not having the innate intelligence of the Quatermass movies, is a good example of 1950's British pulp science-fiction cinema. While most of its American counterparts visited fantastic worlds inhabited by outlandish monsters and gorgeous 'space-babes', X the Unknown was a truly British effort: our monster was dollop of mud out of a hole in the ground doing a slow crawl around a dingy moor.

It's effective though. It has the same austere, grim intensity which made the Quatermass movies so memorable. The film also benefits from moody, high-contrast black and white photography, a typically acerbic score from James Bernard, and a good cast; Leo Mckern turns in a very good, naturalistic performance, much like his turn in The Day The Earth Caught Fire.

I first saw this movie when I was about six and the extraordinarily graphic scene depicting the monster 'devouring' a hospital doctor gave me a few... err....sleepless nights (there's a particularly ruthless zoom-in to the poor guys hand as it expands and melts!). Perhaps I should have stuck to Bugs Bunny.

Overall, a decent chiller, well directed by Leslie Norman (late father of the superb British film critic Barry Norman).

One last memory of a six year-old's first viewing of this picture: I remember sitting there stunned and horrified as the end credits rolled; I was not looking forward to a good nights sleep. The statutorily paternal BBC announcer came on and cracked the following nervous joke: "Well, I'll never eat cheese on toast again" (see the film and you'll know what he meant). I laughed with relief and my childhood was thus saved a terrible trauma! Thanks Uncle Beeb.

X: The Unknown from Hammer Films was intended to be a sequel to the film, The Quatermass Xperiment. Objections from the writer Nigel Kneale meant that the plot of the film was reworked.

The original director was slated to be the noted American blacklisted Joseph Losey who started shooting the film but due to illness had to be replaced by Leslie Norman (Father of film critic Barry Norman.)

This is an unpretentious film dealing with issues with nuclear radiation very much in vogue in the 1950s in horror and sci-fi films. The films also predates The Blob by a few years which was more campy.

Soldiers in Scotland discover a bottomless crack in the ground with a mysterious source of radiation activity. An explosion kills a few of the soldiers from radiation burns. Soon several more people die of radiation burns.

American actor Dean Jagger plays Dr Royston from an Atomic Laboratory who hypothesized that a form of life from prehistory trapped in the crust of the Earth, tries to reach the surface every 50 years depending on the alignment of the sun and tidal waves in order to find food from radioactive sources.

As the entity, a glowing blob feeds on radiation its mass increases as it tries to make its way to nuclear plants to find more radiation.

The film has a mix of good special effects especially with people melting and some ropey ones as the blob moves taking over the town or with fire explosions that look like a match going off. A lot of the horror is off camera but the film maintain its thrills.

The acting from Dean Jagger and Leo McKern is straightforward. It has a fair amount of thrills such as a little girl being left behind in a church as the blob approaches or at the climax when a jeep gets stuck in the mud.

Sometimes these low-budget science fiction features are amusing for unintended reasons, but this one is enjoyable because it has an interesting story and because it is well-crafted for such a low-budget movie. Since its effectiveness comes mostly from the story and from the solid acting, even with a bigger budget it might not have been significantly better.

The menace of "X the Unknown" is based on a far-fetched but interesting concept, and the story gets good mileage out of the premise, without pushing it too far. There are a couple of plot holes, but not so bad that they pull it down, and in general the story has the kind of internal logic that holds it together as long as you grant the premise for the sake of a good story.

The cast does surprisingly well. The characters are not the kind of roles that are particularly difficult to play, but they are the kind of roles that are easy to overplay, and that often are overplayed. Here the actors make their characters lifelike without trying to grab the attention, and it works pretty well.

Dean Jagger has good presence as Professor Royston, yet he avoids the kinds of stereotypes that sometimes make such characters annoying. Some of his little habits and mannerisms help to make the professor more human. Leo McKern also turns in a good performance. Edward Chapman's character is quite one-dimensional, yet he does a creditable job with it. It's also rather fun to see a very young-looking Anthony Newley in a small but entertaining role.

All of the cast members do a good job with a script that is plain but workmanlike. The special effects are rudimentary in technique, but they are good enough, and it's certainly preferable to have plain-looking special effects and a good story than to have flashy visuals and a dreary, pointless story. As a whole, "X the Unknown" delivers good science fiction without frills or padding, and it's easily among the better of the 1950s low-budget sci-fi movies.

Often overlooked even by those who enjoy the sci-fi films of the fifties, "X The Unknown" is one of those sleepers that real afficionados will watch over and over. Starring Dean Jagger, the cast also features a very young Anthony Newly as a British Army corporal.

There's not much that professional critics would find either amusing or compelling about this film, but when considered in its place as a landmark movie both for the sci-fi genre and for Hammer films, it shines somewhat brighter.

As has aready been mentioned, this film occupies a prominent role among those that feature a "blob" monster. The special effects, incidentally, are not bad for the year (1956), and the concept of a radioactive blob is perhaps even more interesting than one that merely gobbles up people.

I understand that this was one of the early films produced by Hammer, as a step toward making more sci-fi entries. I'm glad they took the chance. This film and those that followed it enriched the genre for all fans of 1950's and 1960's sci-fi films.

Back in the days when "Prince Valiant" still covered most of a page in the Sunday funnies, I first saw this wonderfully creepy SF sleeper. From the opening scenes of a stretch of the Scottish moors opening up under a British soldier's feet, I was hooked. I was very lucky that my parents didn't send me to bed then(although they did right in the middle of "From Hell It Came", but that's another story); I was resolved to catch it again just to get that creepy feeling! The ominous P.O.V. shots of the "X" monster shambling through the barren woods at night, the outrageous "melting" death by hard radiation of the medical tech in the X-ray room, Dean Jagger as Dr. Royston, describing his new invention that can (theoretically) speed up decay of radioactive materials without causing flare-ups(!) simply by leeching away its' energy, and the film's creepy, near-ambiguous ending ("We did destroy it...didn't we?") showed just what you could--and can!--still do with a small budget and respect for the material.