Le Satellite mystérieux

Ironically, there is no irony in this review or in the movie. I bought this movie as part of a collection and didn't realize it was Japanese. The story is almost total nonsense, I would imagine that has a lot to do with it being re-dubbed in English for western audiences. The plot is typical of many "beings from a far away planet must save humanity from itself" movies, but it is almost completely lacking exposition. The humans and aliens act in an almost cryptic way, I was never quite sure of why they were doing anything they did. Had it not been for my watching the extra features on the re-release of THX-1138 I would be completely lost. For those who haven't seen THX-1138 there is an interview with George Lucas where he is explaining the style of THX. He says the Japanese don't explain anything in their movies, they just do it. Some odd little cultural aspect often comes off as a complete mystery to people not acquainted with eastern culture. This movie is one of those odd things. Imagine this... a samurai and a geisha drink tea, but go through a long and complex ritual of setting all the clocks in the house before sitting down for tea. Why the hell did they do that!?! Just drink the shizbangin' tea for God's sake! My son likes the starfish shaped aliens.

Weird aliens from a planet called Pairan who look a lot like man-sized starfish creatures with a huge eye in the center show up in Japan and scare people. But their real intention is not to invade earth; instead they try to warn a scientist about his newly created weapon. To do so, one of them changes his look to that of a famous Japanese singer. But then the aliens discover a giant glowing meteor heading towards Earth! Can the starfish monsters help mankind to destroy the meteor before it crashes into Earth? It soon is discovered that there's only one way to destroy it...

Made by Daiei studios (later creators of the flying turtle Gamera, a popular movie monster in Japan) in 1956, this was the fist color science-fiction film from Japan. Supported by a then huge budget it was a serious effort to compete with enemy Toho studios and their 1954 hit "Godzilla". In 1957, Toho studios even made a somewhat similar movie, "Chikyû bôeigun", also known as "The Mysterians". "Space Men Appear in Tokyo" has far less special effects footage than Toho's movies, but the relatively few special effects seen in this film are of pretty good quality, especially considering their age! Filmed in beautiful colors, the film is still well worth watching. Story-wise, it is similar to the American production "When Worlds Collide", but it's actually based on a Japanese novel by Gentarô Nakajima.

Forgive me please-not the first English. What Japan when threatened and if Starman is not available? Well Japan in the 1950s, was inhabited by the researcher Dr. professors, so it takes them to the grill to speculate what's going down.

Over some Starfish eyes on their bellies are planning to go and, in particular, the contact with the ground of the doctor. Why? Well, that's not revealed so far, but if they are going to speak directly to people than frightening about crap of them flying around in space or emerges from the water and blue glowing does not seem to be the best idea.

Our three heroes are all the doctor or scientist or something, including tobacco, sugar cane, the guy is working on a new formula to create energy and tobacco, sugarcane driving guy who works at the Observatory, and flogging, smoke, keeping the other guy, who did a few other things. You guys are like ' Wow, this is a spaceship, and then further then the then the next minute they are like 'obcy? Toshiba! '. They all had families and children and all that, but for God this three interchangeable average age of men we're talking about here, so don't ask me to go into the specifics.

When you are dancing/singing routine starring some of the famous lady, one of the alien gets her photo (nice photo archive, no less), and somehow assume that her character. What follows is a stranger to cheating in the game of tennis, walking through walls and the oncoming threat of terrible sounds of the planet.

Warning: the space is not the most action movie you will ever see, but it has a bunch of randomness and strange visuals, as well as the scene where some picnickers yelling at some foreigners that absolutely leads nowhere. The alien Starfish get ups are quite funny (also appear in the film Starman and can have some cultural significance of oil, which is passed my by), and the second part of the approach is the planet's movie feel more suspenseful. It is also necessary to introduce song and gets bonus points from me.

Well, I just viewed this Japanese film for the first time on the ALPHA VIDEO DVD release and was able to sit through it without being completely bored.

So, all is good with this film. But keep in mind: It's nowhere near as good as "THE MYSTERIONS" (Toho's alien film from the late fifties). There are NO GIANT MONSTERS IN THIS FILM.

I understand it's Japan's FIRST COLOR SCI-FI MOVIE; so that's something to keep in mind. The budget was quite high for this movie.

And here's an open letter to ALPHA VIDEO: What's with the video transfer that looks like it was copied from a VHS tape? It's not as bad as numerous generation dubs of some schlock I've seen because the audio and video are a bit noisy yet passable, but could your company not find a better master copy?? Just curious...

Anyways, the star creatures from some UFOs try to warn Earth that a planet is going to collide with the Earth (or something like that), and they try to help the Earthlings with this by sharing the news. The problem is that most people find human-sized Starfish to be quite shocking and won't be inviting any over for sushi anytime soon. So, the Star creatures realize that "sex sells" and decide to transform one of their own as Japan's version of Celine Dion (or Charro, depending on your preference) and this "woman" tries to warn Earth of what's happening.

If you're into this sort of thing, by all means check it out for its historical film merit.

Lately I find I have a special place in my heart for the Japanese disaster movie of days gone by. They are so much fun, and their filmmakers throw everything but the kitchen sink in, both so that there's something to please everybody and because they're frankly just so chock-full of bizarre yet interesting ideas. It seems like it would have been a great time to make movies there! I enjoyed this a lot, though many aspects weren't understandable to me, like why as the meteor got ever closer to Earth it got so incredibly hot. I can understand, since the Moon influences tides through its gravitational pulls, why there could have been flooding, but the impact on temperature...I suppose it's simply one of those aspects of watching pre-manned space flight science-fiction films in which you have to approach simply with fun and acceptance, and turn off your disbelief, to simply enjoy the ride. I have no problem with that approach for these films.

Cool ideas I really liked were the way one of the aliens altered its appearance so that the warning would be listened to, so that both worlds could be saved, and the concept that when a world crisis occurs, different countries and cultures--and various planets, for that matter--can sit down and work things out together, that all is not lost for civilization and its discontents in 2016. It's thoughts like that that help me sleep at night.

This would make a great double bill with 'Melancholia'.