Ajouter une intrigue dans votre langueIn Arizona, a train's baggage car is robbed of a large payroll, prompting an investigation led by a railroad official-insurance investigator team.In Arizona, a train's baggage car is robbed of a large payroll, prompting an investigation led by a railroad official-insurance investigator team.In Arizona, a train's baggage car is robbed of a large payroll, prompting an investigation led by a railroad official-insurance investigator team.
- Réalisation
- Scénario
- Casting principal
Rodolfo Hoyos Jr.
- Lt. Castro
- (as Rudolpho Hoyos)
Robert Anderson
- Sheriff Jack of Winston
- (non crédité)
Raymond Bailey
- Sam Hendricks
- (non crédité)
Art Balinger
- Jail Officer
- (non crédité)
Howard Culver
- Pete the detective
- (non crédité)
Roy Glenn
- Train Porter
- (non crédité)
William Kendis
- Eddie, baggage handler
- (non crédité)
John Maxwell
- Train Conductor
- (non crédité)
Anna Navarro
- Mexican Bar Fly
- (non crédité)
Avis à la une
This is a neat, no-frills thriller about an intricately planned train heist, the turbulent insurance investigator assigned to the case, and his hard-nosed boss whose motto is "There's no such thing as a perfect crime." Filmed in the flat, greyish TV style of the 50s with occasional expressionist touches, it is rife with plot twists and intriguing characters, and features a supporting cast of familiar faces (Alan Reed, Jack Klugman, etc). It should appeal to those who prefer story over stylishness. Tough-guy Stevens starred in several top-notch noirs of the 40s, and directed a couple of good second-feature thrillers in the 50s, including Cry Vengeance.
The film gets off to a really good start. A slick crime with no clues appearing and you're wondering how the investigators are going to solve it. I'm thinking this is great (8 or 9 out of 10); a real puzzle but out of the blue they catch a member of the gang with no explanation as to how they found him. Then other members of the gang start making mistakes by not following orders. If the crime had been solved by deduction it could have been a great movie. Gripping start but soon disappoints.
The Quick Pitch: $500,000 in cash is stolen from a train's baggage car.
Not a lot to say other than that this is a good one. My little plot summary may be shorter than usual, but I don't want to spoil anything. Time Table has a couple of plot twists that are about as good as any I've seen. The first comes early on in the film. While I may have had an inkling of what was about to happen, I still enjoyed watching the events unfold. But the second twist caught me by complete surprise. What fun!
Time Table is one of those films that proves you can (or at least you could in 1956) make a quality little movie without breaking the bank. Given budgetary constraints, director Mark Stevens created a tense, atmospheric crime/noir/thriller that moves at a brisk pace and is entertaining throughout. Not only does Stevens direct, but he also stars in Time Table. His performance is just as solid as his direction. The mostly no-name supporting cast is equal to the challenge. I'm sure I could pick a few things to complain about, but why bother when a movie is this enjoyable.
7/10
Not a lot to say other than that this is a good one. My little plot summary may be shorter than usual, but I don't want to spoil anything. Time Table has a couple of plot twists that are about as good as any I've seen. The first comes early on in the film. While I may have had an inkling of what was about to happen, I still enjoyed watching the events unfold. But the second twist caught me by complete surprise. What fun!
Time Table is one of those films that proves you can (or at least you could in 1956) make a quality little movie without breaking the bank. Given budgetary constraints, director Mark Stevens created a tense, atmospheric crime/noir/thriller that moves at a brisk pace and is entertaining throughout. Not only does Stevens direct, but he also stars in Time Table. His performance is just as solid as his direction. The mostly no-name supporting cast is equal to the challenge. I'm sure I could pick a few things to complain about, but why bother when a movie is this enjoyable.
7/10
Gang executes intricate train robbery, putting two insurance investigators on their trail, with a major twist.
At about the time Kubrick was making a reputation with his heist film The Killing (1956), Mark Stevens put together this little gem. Unlike Kubrick's classic, this caper film doesn't rise to semi-artistic heights, but it is tight, tough, and well-acted, with some nice touches. For example, there're the surly baggage handler and the brusque airplane mechanic, both colorful bits that could have easily remained routine.
Aben Kandel's script is carefully plotted, dribbling out pieces of information that keep us glued to developments-- plus that great opening hook with its careful staging. But what I especially like is his and Stevens' attention to jilted wife Ruth (Stewart). It would have been so easy to shove this plain-faced woman aside as Stevens cavorts with the lovely Linda (Farr). Instead they play up her heartbreak as this drably devoted wife watches the collapse of everything she holds dear. In my book, it's a sensitive dimension that helps lift this 80- minutes beyond the simply well-crafted.
In addition to Stewart's fine performance is King Calder's (Armstong). His humorless, Bassett hound face is perfect for the dogged investigator who knows the importance of visualizing and goes where the evidence takes him, regardless. Look too for Jack Klugman (Frankie) in one of his earliest film roles.
Judging from Stevens' list of credits (IMDB), he's one of those contract players trying his best after the break up of the old studio system and the decline of the B-movie. Whatever his later misfortunes (Gunsight Ridge {1957}; Gun Fever {1958})-- he and Kandel team up to score solidly with this overlooked little caper gem.
At about the time Kubrick was making a reputation with his heist film The Killing (1956), Mark Stevens put together this little gem. Unlike Kubrick's classic, this caper film doesn't rise to semi-artistic heights, but it is tight, tough, and well-acted, with some nice touches. For example, there're the surly baggage handler and the brusque airplane mechanic, both colorful bits that could have easily remained routine.
Aben Kandel's script is carefully plotted, dribbling out pieces of information that keep us glued to developments-- plus that great opening hook with its careful staging. But what I especially like is his and Stevens' attention to jilted wife Ruth (Stewart). It would have been so easy to shove this plain-faced woman aside as Stevens cavorts with the lovely Linda (Farr). Instead they play up her heartbreak as this drably devoted wife watches the collapse of everything she holds dear. In my book, it's a sensitive dimension that helps lift this 80- minutes beyond the simply well-crafted.
In addition to Stewart's fine performance is King Calder's (Armstong). His humorless, Bassett hound face is perfect for the dogged investigator who knows the importance of visualizing and goes where the evidence takes him, regardless. Look too for Jack Klugman (Frankie) in one of his earliest film roles.
Judging from Stevens' list of credits (IMDB), he's one of those contract players trying his best after the break up of the old studio system and the decline of the B-movie. Whatever his later misfortunes (Gunsight Ridge {1957}; Gun Fever {1958})-- he and Kandel team up to score solidly with this overlooked little caper gem.
After robbers steal $50,000 from a train, an insurance investigator (Mark Stevens) is assigned to investigate, who in fact one of the ring leaders of the train robbery and needs to make the investigation seem credible.
Produced, directed by and starring Stevens, this is an interestingly plotted crime thriller written by Aben Kendel that contains plenty of twists and turns with some decent changes in direction with Stevens' character trying to double cross his co-thieves.
Produced, directed by and starring Stevens, this is an interestingly plotted crime thriller written by Aben Kendel that contains plenty of twists and turns with some decent changes in direction with Stevens' character trying to double cross his co-thieves.
Le saviez-vous
- AnecdotesThe $500,000 payroll stolen would be the equivalent of $4,400,000 in 2016.
- GaffesIn the robbery, Dr. Paul Brucker removes three small cash bags from the safe and puts them in his suitcase. But the heist was $500,000 in small bills. Even all new $20 bills wrapped and stacked together would make a pile more than nine feet high. With mixed used small bills ($5 to $20) that couldn't be traced, it would take a large suitcase to handle the money. And, it would weigh at least 60 pounds.
- Citations
Joe Armstrong: There's no such thing as a perfect crime. Just a lucky one. But their luck will run out.
- ConnexionsFeatured in The World Famous Kid Detective (2014)
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- How long is Time Table?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Timetable
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 20 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Time Table (1956) officially released in India in English?
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