Le peuple de l'enfer

Charmingly silly and inconsequential monster movie has archaeologists in Asia discovering secluded mountain city run by snarling, villainous humans who have mole people as slaves. Fair B-movie production with good cinematography by Ellis Carter, but a sluggish direction from barely-imaginative Virgil Vogel. Screenplay by Laszlo Gorog may have been intended as an antidote for non-fans of "Lost Horizon": this city looks like the flip-side to Shangri-La! Not a classic by any means, with predictably wooden performances by John Agar and Hugh Beaumont, though not terrible.

** from ****

After opening with what, in spite of its nutty theories, could easily be confused with one of those educational films so many of us slept through in school, THE MOLE PEOPLE begins.

While attempting to discover the origin of an ancient artifact, archaeologists John Agar, Hugh Beaumont, and their team of extras (including that crusty boat captain from CREATURE FROM THE BLACK LAGOON!), venture forth into the subterranean unknown, in search of a comrade lost in a deep crevasse. This, after enduring multiple natural disasters- all in the first fifteen minutes! Our intrepid explorers soon encounter the goggle-eyed creatures of the title, and we're off to their underground la-la land.

Alas, fooled by the title and promotional movie posters, viewers may expect tons of actual monster action, getting mostly dull humans and their endless palaver instead. More a study of class warfare than a creature feature, this film seems like an episode of some lost, 1950's sci-fi TV drama. An enjoyable enough slab of fantastical cheeeze.

P.S.- You'll never look at high-powered flashlights or hats made from tea cozies in quite the same way again! Ever!...

Now this movie gave me nightmares when I was about eight years old. But when I saw it again in my thirties, it still kinda creep-ed me out, but it also gave me a laugh attack. Though no doubt innovative for it's time, it has lost some...OK a lot...of that now. Still, I recommend this movie because it does evoke an atmosphere of delicious creepiness, laced with just the right amount of claustrophobia (it takes place down under...everything), and afraid-of-the-dark-jitters. Strictly low budget fare, but interesting ideas, cool camera work, along with effective lighting make it work. I don't remember the music, but I am sure it is pretty standard for such a flick of the mid 50's. When the Mole Men come up out of the...well I don't want to spoil it for you, but it really scared me as a child for weeks on end. Nearly drove my parents crazy with that one. It has a pretty decent ending unlike most B-flicks of that era. Check it out if you can find it, and have plenty of snacks on hand. You may want to throw some popcorn at the screen to try and distract Wally and The Beav's dad, Hugh Beaumont, so the Mole Men will thankfully get him, and relieve you from his, now this is where I clear my throat, acting.

James Van Pelt from Tulsa, Oklahoma

"The Mole People" is another underrated black-and-white B-movie from the 50´s. The story of archaeologists that discover an ancient underground society in Asia is entertaining but unfortunately the rushed conclusion is lame and gives the sensation that the budget ended and the film had to be interrupted. The beauty of Cynthia Patrick is still impressive in the present days. My vote is five.

Title (Brazil): "O Templo do Pavor" ("The Temple of the Dread")

The Mole People is one of those science fiction cheapies that you wish had a bigger budget. I found it to be one of the most imaginative of science fiction films of the fifties. It would get a far better rating from me if a few more dollars had been put in.

A team of scientists on top a mountain in what would be ancient Mesopotamia, today Iraq find on top the mountain a cave leading to an ancient Sumerian civilization which has survived their almost for 5000 years. Probably the greatest archaeological find ever, imagine finding some ancient Egyptians hidden away, clinging to their cultural traditions. The greatest opportunity ever to research a culture.

Of course some of these are not quite human, they've returned to being mole like humans and they're the slaves. It's a slow punishment for the bad, a quick punishment is the hated fires of Ishtar. You're sent into what looks like an oven and you're burnt away to ashes.

The film does a marvelous job in building up the viewers fears of the fires of Ishtar so in the end when the scientists are flung into it, we're scared witless.

John Agar, Hugh Beaumont, and Nestor Paiva are some of the scientists and the high priest of Ishtar is Alan Napier. What is the fire of Ishtar? That's not a question to be answered here. See the film and find out.