Les vampires

As far as I am concerned, Mario Bava is simply THE greatest Horror director who ever lived, and there are several reasons why. No other director has ever been capable of creating a haunting yet beautiful, dream-like atmosphere in the brilliant manner that Bava was, there is no other Horror director whose repertoire includes the most genuine masterpieces. The supreme master of Gothic Horror and undisputed inventor or the Ialian Giallo, Bava single-handedly launched the Italian Horror boom which resulted in Italy becoming the undisputed country Nr.1 in the Horror world. Italian Horror cinema found real international recognition after Bava's incomparable Gothic masterpiece "La Maschera Del Demoni" (aka. "Black Sunday"), probably my choice for THE greatest Horror film of all-time. However, the milestone that launched the raise of Horror made in Italy in 1956 is this stylish and extremely elegant gem "I Vampiri". Horror films had been banned in Italy by the Fascist regime, and it was not until the mid fifties that this ban was withdrawn. The first post-WW2 Italian Horror film was directed by Riccardo Freda (another more than great director), Mario Bava was the cinematographer. When director Freda backed out from the project because he couldn't finish it in time, Bava jumped in and finished the film (even though he remained uncredited as a director). And what an accomplishment it is! The plot does not really revolve around traditional vampires as they would appear in other contemporary Horror milestones, such as the British Hammer classic "Dracula" of 1958.

This film has another morbid formula that would become one of the most popular themes in European Gothic Horror of the early 60s. A murderer is on the loose in Paris, and since the bodies of his young female victims lack even a drop of blood in their bodies, he has been nicknamed 'The Vampire'. - I shall not give away more of the plot, only that it mixes elements of mad science with the supernatural. The story is wonderfully morbid and suspenseful, however, it is arguably the cinematographic style that is the most pioneering element of this great film. The budget was actually quite low, but Bava's brilliant sense for lighting, and especially, for the dark, as well as incredibly uncanny settings create the beautifully eerie atmosphere that we so love in Bava's later films. Especially the wonderfully dark castle is a haunting and beautiful setting for such a fascinating story. The performances are also very good, the greatest coming from director Riccardo Freda's wife Gianna Maria Carnale in a mysterious role. Prolific Eurohorror/Exploitation Paul Muller began his streak of demented characters with this milestone. Overall, "I Vampiri" is not Bava's best Gothic Horror film - "La Maschera Del Demonio" is, without doubt, and other masterpieces, such as "Operazione Paura" (aka. "Kill Baby Kill", 1966), "I Tre Volti Della Paura" (aka. "Black Sabbath", 1963) or "La Frusta E Il Corpo" (aka. "The Whip And The Body", 1963) also easily surpass it. However, it was this milestone that started Italian Horror. And what an elegant, haunting and fascinating milestone it is! An absolute must for every Bava fan, Horror-buff or lover of great cinema in general!

This one mainly works because of the amazing set direction and Gothic spaces. As it gets going it feels like a typical 1940s style murder mystery, with young women having gone missing, but hardly a horror movie at all. But when another girl disappears the search leads to an empty apartment building and then to the castle of a certain Countess du Grand, who happens to be enamored of the lead detective on the case. Though the castle appears to be of evil repute, the countess attracts guests to a ball, and the affections of another reporter. She is a mysterious figure, living in adulation of a portrait of the reporter's father, playing antique record players. The castle sets are stunning productions, drawing one into the horror that sustains her beauty (a storyline explored further in Eyes Without A Face, The Awful Dr Orloff, The Faceless Monster, Mill of the Stone Woman and Countess Dracula) . The movie literally gets gobbled up by the Gothic atmosphere of the castle, with its incredible gargoyles, elaborately Gothic crypt, secret passages, baroque cobwebs, pillars marked with demonic images, and a Sleeping Beauty tangle of vines on the grounds. The reliance on scenery alone to communicate a descent into a sadistic unconscious reminds one of Cocteaus Beauty and the Beast though the strategy was tried too in 40s Hollywood. When at last the mystery is discovered, here too the special effects are quite well done. Mario Bava was involved in the photography, just testing his fogbound vision of Gothic mystery, and it shows. After starting out all cops and robbers, this one ends up with a completely satisfying expression of pure demented horror.

The way this movie is played out makes it more or a mystery than an horror really. It was also an early Italian horror production, so they were still mostly trying out some new stuff in this one. It was also the first one to involve the later to become legendary Italian horror director Mario Bava, who had some major influences on the future development of the genre.

The movie its title might be a bit misleading. It's not really your average vampire flick, featuring blood sucking villains. It features a vampire like creature but she hardly gets her hand dirty in this movie. the movie picks more a detective like approach, in which the police is investigating the strange disappearances and murders of young women. Nothing wrong with this approach of course but you sort of have to know what to expect, in order not to end up disappointed.

Can't always say that the story played out too well. They could had definitely done something better and more interesting with its premise at times. But like mentioned earlier, this was still being an early Italian horror production, from the time they were still searching for the right tone and balance. The movie is still lacking in its atmosphere, which is also one of the reasons why this movie doesn't really feel like an horror. It's definitely not an horrible movie, it's still being quite good to watch for most parts. It's a movie that knows to hold your interest and also still works out quite original, due to its unusual approach, for a movie of this sort.

Definitely a good movie but be sure what to expect from it.

7/10

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When four young women are found in Paris with the blood completely drained, the ambitious and snoopy journalist Pierre Lantin (Dario Michaelis) decides to investigate the cases of the killer known as The Vampire. Inspector Chantal (Carlo D'Angelo) does not approve Lantin´s behavior. Soon Pierre suspects that family Du Grand, who lives in an ancient castle, may be involved with the murders but Inspector Chantal does not give support to his investigations. Meanwhile Pierre avoids the harassment of Giselle du Grand (Gianna Maria Canale), who is the niece of the wealthy matriarch of the family Margherita du Grand.

"I vampire" is a great Italian horror film with a story of the search for the eternal youth. The film was directed by Riccardo Freda, who left the production that was concluded by Mario Bava (uncredited). The beauty of Gianna Maria Canale is impressive more than sixty years later. My vote is seven.

Title (Brazil): "Os Vampiros" ("The Vampires")

This frightening movie is plenty of thrills, chills, high body-count and an expressionist photography with phenomenal results . The picture is set in Paris, France, where a mad scientific captures and kills various young girls and draining their blood for her illicit use . He drains their blood , in order to keep alive an ancient, nasty duchess (Gianna Maria Cannale who starred ¨Teodora¨ directed by her husband Freda) . While a smug reporter (Michaelis) and a Police Inspector (Carlo D'Angelo)seek out clues for the so-called 'vampire murders' and links to the case a local drug addict (a junkie well played by Paul Muller , usual of Italian B series) whom is connected to the evil scientist and at the same time kidnaps a beautiful young woman (Wandisa Guisa who starred various Peplum).

Freda's first great success is compellingly directed with startling visual content . This film, also known as "The Devil's Commandment", was the first Italian made horror film of the sound era and inspired a wave of Gothic Italian horror films . The picture was sadly censored in Italy and other countries . Strong on visual style and plenty of thrills, chills and suspense . The movie belongs to Italian Horror genre , Riccardo Freda (¨Secret of Dr. Hitchcock¨ , ¨Il Vampiri¨) along with Mario Bava (¨Planet of vampires¨, ¨House of exorcism¨) are the fundamental creators . In fact , both of whom collaborated deeply among them , as Bava finished two Fedra's films , this ¨Il Vampiri¨ and ¨Caltiki¨ . These Giallo movies are characterized by overblown use of photographic effects , usual zooms and utilization of images-shock . Later on , there appears Dario Argento (¨Deep red¨, ¨Suspiria¨,¨Inferno¨), another essential filmmaker of classic Latino terror films . ¨The vampires¨ packs a good acting from Gianna Maria Canale , directer's wife , as a crazed duchess, obsessed with retaining her youth. There also appears a cameo director , Riccardo Freda as autopsy doctor . The movie has a splendid cinematography by the terror genius , Mario Bava , while working with Freda on The vampires (1956) , the director left the project after an argument with the producers and the film mostly unfinished , then Bava stepped in and directed the majority of the movie, finishing it on schedule.

The motion picture was well directed by Riccardo Freda who used a number of aliases during his career, including Robert Hampton or George Lincoln and as screenwriter Riccardo Fedra . His artistic spirit led him to a strong belief in the importance of visual composition in filmmaking . Freda worked in many popular genres, including viking films, Peplum, spaghetti westerns, action, and even Softcore, but it is his horror films and Giallo mystery films which stand out and for which he is best remembered . Freda along with Vittorio Cottafavi continued to realize films in the historical-spectacular style , at which he developed a considerable skill and mastery . From the mid-50s Freda's liking make for atmospheric and colorful scenes of shock began to itself apparent , especially in such Musclemen epics as ¨Teodora¨ , ¨Spartacus¨ , ¨Giants of Thessaly¨ , ¨The seventh sword¨ , ¨Maciste all's inferno ¨, the latter a gripping/horror Peplum and of course ¨Maciste in the court of the Great Khan¨, one of his best films . In the early 60s , he was a pioneer in Italy of horror-fantasy films frightening audiences the world over , especially with ¨I Vampiri¨ and ¨L'Orrible Segreto del Doctor Hitchcock¨ as he combined with that wide-staring of actress , the British-born Barbara Steele . He also made adventures as ¨Black Eagle¨ , ¨The son of Black Eagle¨ , ¨White devil¨ , ¨Son of D'Artagnan¨ , and uncredited ¨Daughter of D'Artagnan¨ ¨. From there he went to melodrama and spy films as ¨¨Mexican Slayride¨and ¨Coplan FX18¨ and even made some western as ¨No killing without dollars¨ with Mark Damon and signed under pseudonym as George Lincoln . Freda's movies had popular appeal , and were usually commercial hits . Several were French/Spanish/Italian or other European co-productions . He has been called a filmmaker "who brings some style to exploitation pictures", and has something of a cult following . Rating : 7 , better than average horror movie .