NOTE IMDb
6,9/10
19 k
MA NOTE
Une héritière gâtée doit choisir entre trois prétendants : son ex-mari musicien de jazz, un homme d'affaires envahissant et le journaliste d'un tabloïd.Une héritière gâtée doit choisir entre trois prétendants : son ex-mari musicien de jazz, un homme d'affaires envahissant et le journaliste d'un tabloïd.Une héritière gâtée doit choisir entre trois prétendants : son ex-mari musicien de jazz, un homme d'affaires envahissant et le journaliste d'un tabloïd.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 1 victoire et 3 nominations au total
James Young
- Louis' Trombonist
- (as Trummy Young)
Avis à la une
Good musical according to the time, its in full-color and features a musical score. But on top of that, the whole movie seem to be made with great fun by the complete staff. Grace Kelly as snobby upper-class girl seems to be born for this role, and in my opinion it is much harder to play a good comedy than a good drama. You may be wondering why Grace is re-marrying Bing Crosby, he is not really attractive, but he is an excellent singer and entertainer and matches the movie perfectly! The songs by Cole Porter are classics up to this day ("True Love"), they are shot beautifully and are a pleasure, my personal favorite is "Who Wants to be a Millionaire?" with Frank Sinatra and the great Celeste Holm as the "funny couple" in this picture. If somebody is able to speak/understand German, I recommend the German version. I compared it with the original English version, and in my opinion the German dialogs are much more brilliant and funny than the original ones!
Plush MGM musical remake of "The Philadelphia Story" (with a switch in locale to Newport, Rhode island) looks great but falls flat--and is miscast to boot! Grace Kelly stars as a society beauty and divorcée who is planning to remarry but gets mixed up again with ex-husband and neighbor Bing Crosby, who is in the middle of organizing a jazz festival (!). Meanwhile, tabloid reporter Frank Sinatra and photographer Celeste Holm arrive to cover the impending nuptials--and to get the scoop on Kelly's misbehaving father. A by-the-numbers fantasy-version of romantic interplay, one requiring principals who match up well and sparkle with chemistry. Unfortunately, Crosby and Kelly are more like brother and sister, while journalist Sinatra gives an aw shucks-styled, loner performance (his eventual love-match with Holm is yet another mistake). The good-natured Cole Porter songs are jovial, but director Charles Walters seems afraid to deviate from the story's stage origins, presenting this whole thing as if it were a play. The action is so encumbered, one spends much of the running time admiring the sets; elsewhere, the starchy wisecracks have been preconceived to tickle theater audiences in need of a guffaw and a yawn. Two Oscar nominations, both in the music department: Porter for Best Original Song, "True Love", and Johnny Green and Saul Chaplin for Best Scoring of a Musical.
"If my wonderful, beautiful, marvelous virtue is still intact, it's no thanks to me, I assure you."
High Society is an irreverent, star-studded, music infused lite-romance set amongst the idle rich of Newport, Rhode Island. Quite funny and rarely serious for long, High Society revolves around wealthy and gorgeous Samantha Lord (Grace Kelly), and the three men competing for her affection as her wedding day draws near.
Bing Crosby stars as her ex-husband, John Lund as her current fiancé, and Frank Sinatra as a visiting reporter come to cover her wedding for a gossip rag. Most of the entertainment from the film comes from Sam bouncing around between the three men, as she goes from a frosty goddess to a warm, fun woman truly ready to marry. I'm sure her behavior in the movie seemed a bit risqué at the time, but it's all ultimately innocent in the end. And of course by the finale, (almost) everyone is happy.
There are quite a few songs sprinkled throughout the movie, with Crosby, Sinatra, Kelly, and Celeste Holm all getting a chance to belt out a tune or two. Louis Armstrong serves as something of an on-screen narrator, and also plays occasionally with his band. The songs are pleasant, with more than one or two likely to have you humming along.
Grace Kelly fans will be quite pleased with this, as she rarely looked more stunningly beautiful and gets to show off both her comedic skills and singing talents. She's quite funny, here, and carries a large share of the comedic burden as the movie goes on. Her chemistry with all the other leads is solid, and she carries off Samantha's mini- transformation quite well. Basically, if you weren't a fan of hers before seeing this, I'd be pretty amazed if you weren't smitten with her by the time the credits roll. This was her last role before leaving Hollywood for Monaco, and she definitely went out on a high note (pun not intended).
High Society is a charming, fun movie that should appeal to fans of classic films, musicals, or any of the cast. It's hard not to smile as you watch it, but why would you want to avoid it, anyway?
High Society is an irreverent, star-studded, music infused lite-romance set amongst the idle rich of Newport, Rhode Island. Quite funny and rarely serious for long, High Society revolves around wealthy and gorgeous Samantha Lord (Grace Kelly), and the three men competing for her affection as her wedding day draws near.
Bing Crosby stars as her ex-husband, John Lund as her current fiancé, and Frank Sinatra as a visiting reporter come to cover her wedding for a gossip rag. Most of the entertainment from the film comes from Sam bouncing around between the three men, as she goes from a frosty goddess to a warm, fun woman truly ready to marry. I'm sure her behavior in the movie seemed a bit risqué at the time, but it's all ultimately innocent in the end. And of course by the finale, (almost) everyone is happy.
There are quite a few songs sprinkled throughout the movie, with Crosby, Sinatra, Kelly, and Celeste Holm all getting a chance to belt out a tune or two. Louis Armstrong serves as something of an on-screen narrator, and also plays occasionally with his band. The songs are pleasant, with more than one or two likely to have you humming along.
Grace Kelly fans will be quite pleased with this, as she rarely looked more stunningly beautiful and gets to show off both her comedic skills and singing talents. She's quite funny, here, and carries a large share of the comedic burden as the movie goes on. Her chemistry with all the other leads is solid, and she carries off Samantha's mini- transformation quite well. Basically, if you weren't a fan of hers before seeing this, I'd be pretty amazed if you weren't smitten with her by the time the credits roll. This was her last role before leaving Hollywood for Monaco, and she definitely went out on a high note (pun not intended).
High Society is a charming, fun movie that should appeal to fans of classic films, musicals, or any of the cast. It's hard not to smile as you watch it, but why would you want to avoid it, anyway?
A society wedding is being arranged in Newport, Rhode Island. The beautiful Tracy Lord is to marry George Kitteredge. However, Tracy's ex-husband, the songwriter Dexter Haven, has never stopped loving her and even now has hopes of winning her back. Two journalists, Mike Connor and Liz Imbrie, have arrived to cover the story for 'Spy' Magazine.
Dexter has scheduled the Newport Jazz Festival for the same week as the nuptials, and this brings Louis Armstrong (playing himself) to town. The divine Tracy is adored by three men - Dexter, George and Mike Connor. She begins to harbour doubts about her forthcoming marriage...
"High Society" is a charming reworking of "The Philadelphia Story", the Grant-Hepburn comedy, which was in turn a remodelling of a successful Broadway play. The one great difference with this version is that "High Society" is a glorious musical masterpiece. Cole Porter's score has to be one of the greatest collections of songs ever filmed.
Grace Kelly is good as the imperious Tracy. "I'm a cold goddess," she intones, but she thaws spectacularly in the warmth of love. Bing Crosby as Dexter is his usual droll and stylish self. Crosby is a class act who holds the screen with effortless poise and cracks the funnies with sparkling sarcasm. Sinatra is in knockout form. Rarely has that legendary voice achieved the resonant timbre on display here. Satchmo blasts out a couple of breezy jazz numbers, and comments on the action like a latter-day Greek chorus.
The songs include five all-time classics. "True Love" is a gorgeous duet in which Kelly unveils a tuneful if brittle singing-voice. "Who Wants To Be A Millionaire?" is rightly world-famous, and is staged here with clever clownage by Sinatra and Celeste Holm (playing Liz). Satchmo's band accompanies Crosby in a swinging "You Has Jazz". The showstopper, "What A Swell Party This Is", has Crosby and Sinatra at their very best, wisecracking self-referentially as they belt out a gem of a song. My personal favourite, "You're Sensational", is beautifully rendered by Sinatra. Watch Frank and Grace in the instrumental break, falling in love with their eyes only.
A confection of sublime music and snappy dialogue, "High Society" is shot in bright, eye-catching Technicolor with an attractive pastel blue predominating throughout. A delightful film.
Dexter has scheduled the Newport Jazz Festival for the same week as the nuptials, and this brings Louis Armstrong (playing himself) to town. The divine Tracy is adored by three men - Dexter, George and Mike Connor. She begins to harbour doubts about her forthcoming marriage...
"High Society" is a charming reworking of "The Philadelphia Story", the Grant-Hepburn comedy, which was in turn a remodelling of a successful Broadway play. The one great difference with this version is that "High Society" is a glorious musical masterpiece. Cole Porter's score has to be one of the greatest collections of songs ever filmed.
Grace Kelly is good as the imperious Tracy. "I'm a cold goddess," she intones, but she thaws spectacularly in the warmth of love. Bing Crosby as Dexter is his usual droll and stylish self. Crosby is a class act who holds the screen with effortless poise and cracks the funnies with sparkling sarcasm. Sinatra is in knockout form. Rarely has that legendary voice achieved the resonant timbre on display here. Satchmo blasts out a couple of breezy jazz numbers, and comments on the action like a latter-day Greek chorus.
The songs include five all-time classics. "True Love" is a gorgeous duet in which Kelly unveils a tuneful if brittle singing-voice. "Who Wants To Be A Millionaire?" is rightly world-famous, and is staged here with clever clownage by Sinatra and Celeste Holm (playing Liz). Satchmo's band accompanies Crosby in a swinging "You Has Jazz". The showstopper, "What A Swell Party This Is", has Crosby and Sinatra at their very best, wisecracking self-referentially as they belt out a gem of a song. My personal favourite, "You're Sensational", is beautifully rendered by Sinatra. Watch Frank and Grace in the instrumental break, falling in love with their eyes only.
A confection of sublime music and snappy dialogue, "High Society" is shot in bright, eye-catching Technicolor with an attractive pastel blue predominating throughout. A delightful film.
10NF09
High Society is a terrific film. If you are the type of movie fan who doesn't comprehend the ENTERTAIN part of entertainment and is eager and willing to flaunt that ignorance in film reviews, you will hate it. But if you don't mind it when movies may not end up with deep psychological messages or everybody dead or doomed to a life of misery, you'll agree.
I'm the first to admit that this musical may not be DRAMATICALLY up to standard with The Philadelpia Story, but what musical could be, or should be, for that matter. The cast, however, is another thing entirely. As you probably know, the first cast was nearly incomparable. Suave and tremendously charming Cary Grant, the magnificent Katherine Hepburn, and, of course, Jimmy, who won an Oscar for his work and is never less than adorable.
NEARLY incomparable.But if anyone can do it, it's gotta be Bing,Satchmo,Gracie,and the Voice. I find it hard to believe anyone in the world could possibly contest that, but since there are such unlikely specimens out there, I'd better explain.
If there's a more magnificent marriage than that of Frank Sinatra and a Cole Porter masterpiece, I'd like to hear about it. But even perfection can be improved, when you add Bing Crosby, a witty little tune,and some hilarious ad libs, all courtesy of a few too many drinks.That makes up heaven, which can also go under the heading of '' Well, Did you Evah,'' without a doubt the best song ,and scene, in this film. But never fear, there are other gems as well.
Grace Kelly is terrific in High Society. The not quite yet Princess of Monaco is not only breathtakingly beautiful, but adorable as well. Her drunken warbling of ''You're Sensational,'' as her stiffly embarrassed fiancé drags her through a crowd of very proper guests is hilarious, and I can never keep from laughing during the scene when she meets Mike Connor and Liz Embrie, also known as Frank Sinatra and Celeste Holm.
Louis Armstrong doesn't have much to do in the picture, but what he does do is great. He introduces the film with a cute calypso number, sings a marvelous duet with Bing, and the way he say's,'' End of song, beginin' of the storyyy,'' is enough to make him unforgettable.
Bing, of course, can NEVER be anything but magnificent. He remains an American icon, and all his talent, charm, and timeless quality are well displayed.He makes his easy-going way through some magical songs,too, including, two marvelous duets with his singing co-stars, and, of course, that little #1 record he did with Grace.
Personally, I like Celeste Holm even more in High Society than I liked Ruth Hussey,who played the Liz Embrie role in Philadelphia Story.She's funny, charming,works well with Sinatra, sings a hilarious duet with The Voice, and has a beautiful smile. ( Not that the last thing mentioned matters, but it helps.)
And now-the best for last. I have been a Sinatra adorer for years, so I'm more than a little biased, but I absolutely love Mr.Sinatra in this movie. His singing is flawless and incomparable, ( especially in ''You're Sensational,'') his charm and charisma even more evident than the considerable amount displayed by Mr.Crosby, and he's pure style and ring-a-ding ding.( Those blue eyes ain't bad either!)
Oh, one complaint I've found about High Society is that it's outdated and it aged badly. I am 14 years old, so, if there WERE any reason to believe that, I'd be one of the first to know it. It is NOT outdated, has NOT aged badly, and it's one of the most entertaining and simply fun movies I've ever seen. And that is, as Satchmo says, the...'' End of storyyy!!''
I'm the first to admit that this musical may not be DRAMATICALLY up to standard with The Philadelpia Story, but what musical could be, or should be, for that matter. The cast, however, is another thing entirely. As you probably know, the first cast was nearly incomparable. Suave and tremendously charming Cary Grant, the magnificent Katherine Hepburn, and, of course, Jimmy, who won an Oscar for his work and is never less than adorable.
NEARLY incomparable.But if anyone can do it, it's gotta be Bing,Satchmo,Gracie,and the Voice. I find it hard to believe anyone in the world could possibly contest that, but since there are such unlikely specimens out there, I'd better explain.
If there's a more magnificent marriage than that of Frank Sinatra and a Cole Porter masterpiece, I'd like to hear about it. But even perfection can be improved, when you add Bing Crosby, a witty little tune,and some hilarious ad libs, all courtesy of a few too many drinks.That makes up heaven, which can also go under the heading of '' Well, Did you Evah,'' without a doubt the best song ,and scene, in this film. But never fear, there are other gems as well.
Grace Kelly is terrific in High Society. The not quite yet Princess of Monaco is not only breathtakingly beautiful, but adorable as well. Her drunken warbling of ''You're Sensational,'' as her stiffly embarrassed fiancé drags her through a crowd of very proper guests is hilarious, and I can never keep from laughing during the scene when she meets Mike Connor and Liz Embrie, also known as Frank Sinatra and Celeste Holm.
Louis Armstrong doesn't have much to do in the picture, but what he does do is great. He introduces the film with a cute calypso number, sings a marvelous duet with Bing, and the way he say's,'' End of song, beginin' of the storyyy,'' is enough to make him unforgettable.
Bing, of course, can NEVER be anything but magnificent. He remains an American icon, and all his talent, charm, and timeless quality are well displayed.He makes his easy-going way through some magical songs,too, including, two marvelous duets with his singing co-stars, and, of course, that little #1 record he did with Grace.
Personally, I like Celeste Holm even more in High Society than I liked Ruth Hussey,who played the Liz Embrie role in Philadelphia Story.She's funny, charming,works well with Sinatra, sings a hilarious duet with The Voice, and has a beautiful smile. ( Not that the last thing mentioned matters, but it helps.)
And now-the best for last. I have been a Sinatra adorer for years, so I'm more than a little biased, but I absolutely love Mr.Sinatra in this movie. His singing is flawless and incomparable, ( especially in ''You're Sensational,'') his charm and charisma even more evident than the considerable amount displayed by Mr.Crosby, and he's pure style and ring-a-ding ding.( Those blue eyes ain't bad either!)
Oh, one complaint I've found about High Society is that it's outdated and it aged badly. I am 14 years old, so, if there WERE any reason to believe that, I'd be one of the first to know it. It is NOT outdated, has NOT aged badly, and it's one of the most entertaining and simply fun movies I've ever seen. And that is, as Satchmo says, the...'' End of storyyy!!''
Le saviez-vous
- AnecdotesGrace Kelly's last feature film before retiring from acting.
- GaffesWhen George takes Tracy, who's obviously had too much to drink, into the blue walled room during the party to lie down on the couch, before she gets there, a boom mic is visible at the top of the screen.
- Citations
Mike Connor: Don't dig that kind of crooning, chum.
C. K. Dexter-Haven: You must be one of the newer fellows.
- Crédits fousIn the opening credits Louis Armstrong and His Band are eighth-billed, but in the end credits cast list it is Louis Armstrong listed individually who is eighth-billed.
- ConnexionsFeatured in 7 Nights to Remember (1966)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Alta sociedad
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 700 000 $US (estimé)
- Montant brut mondial
- 13 358 $US
- Durée
- 1h 51min(111 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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