Planète interdite

Well, of course, "Star Wars" defined the genre, and "Alien" and "Blade Runner" perfected it; but "Forbidden Planet" created it. Argue, if you must, that movies like "The Day the Earth Stood Still", "Them" and "Five Million Years to Earth" are the cerebral grand-fathers of the film genre (and I won't disagree with you), but for "science-fiction-as-plot-driven-action-epic," this is it. This is the one.

It's so unerringly on target, in fact, that it still plays very well even today. The modern audience has to overcome the "Leslie Nielsen Factor" (and it is difficult to watch him in a totally straight role), but once you do, the movie is pure enjoyment. Forget about dated plots and special effect. Robbie the Robot is a guy in a suit, yes, but he is thoroughly believable. He even adheres nicely to Asimov's Three Laws of Robotics, a trick that the digital robots in this summer's "I, Robot" had a great deal of difficulty with.

And the monster! I defy anyone to avoid getting the willies when the monster first shorts the security fence. Great special effect, then and now!

Finally, the universal theme of man's (and Krell's) individual flaws inserting themselves into an otherwise perfect system and TOTALLY gumming up the works is as relevant today as it was then. More so.

FORBIDDEN PLANET is the best SF film from the golden age of SF cinema and what makes it a great film is its sense of wonder . As soon as the spaceship lands the audience - via the ships human crew - travels through an intelligent and sometimes terrifying adventure . We meet the unforgetable Robbie , the mysterious Dr Morbuis , his beautiful and innocent daughter Altair and we learn about the former inhabitants of the planet - The Krell who died out overnight . Or did they ?

You can nitpick and say the planet is obviously filmed in a movie studio with painted backdrops but that adds to a sense of menace of claustraphobia I feel and Bebe and Louis Barron`s electronic music adds even more atmosphere

I`m shocked this film isn`t in the top 250 IMDB films .

Like THE DAY THE EARTH STOOD STILL, this film helped make sci-fi respectable instead of the stuff for silly B-movies with cheap costumes and obviously faked sets. To help strengthen the thought-level of the story, the scriptwriters included elements of Shakespeare's THE TEMPEST, the Biblical story of Adam and Eve in the Garden of Eden, and Freudian psychology to make an enlightening tale of other-worldly mystery.

Leslie Nielsen is in his serious mode here long before he became the comic madman of the NAKED GUN movies and POLICE SQUAD television series. It is easy to see the prototypes of much of STAR TREK in this movie. The electronic soundtrack becomes a bit repetitious, but it works well as it is used in the scenes.

The short skirt on the heroine is a bit much but of course "cheesecake" was one of the things the cigar-chomping studio suits always liked in the 1950s and still do. Robbie the Robot is thrown in for some comic-relief and appeared in many other movies and television shows including LOST IN SPACE.

The most interesting aspect of the story for me was Monsters from the Id. The point being made is that the serpent is still in the Garden of Eden because we carry evil around with us wherever we go.

This is an excellent entertainment.

I first saw this movie when it originally came out. I was about 9 yrs. old and found this movie both highly entertaining and very frightening and unlike any other movie I had seen up until that time.

BASIC PLOT: An expedition is sent out from Earth to the fourth planet of Altair, a great mainsequence star in constellation Aquilae to find out what happened to a colony of settlers which landed twenty years before and had not been heard from since.

THEME: An inferior civilization (namely ours) comes into contact with the remains of a greatly advanced alien civilization, the Krell-200,000 years removed. The "seed" of destruction from one civilization is being passed on to another, unknowingly at first. The theme of this movie is very much Good vs. Evil.

I first saw this movie with my brother when it came out originally. I was just a boy and the tiger scenes really did scare me as did the battle scenes with the unseen Creature-force. I was also amazed at just how real things looked in the movie.

What really captures my attention as an adult though is the truth of the movie "forbidden knowledge" and how relevant this will be when we do (if ever) come into contact with an advanced (alien) civilization far more developed than we ourselves are presently. Advanced technology and responsibility seem go hand in hand. We must do the work for ourselves to acquire the knowledge along with the wisdom of how to use advanced technology. This is, in my opinion, the great moral of the movie.

I learned in graduate school that "knowledge is power" is at best, in fact, not correct! Knowledge is "potential" power depending upon how it is applied (... if it is applied at all.) [It's not what you know, but how you use what you know!]

The overall impact of this movie may well be realized sometime in Mankind's own future. That is knowledge in and of itself is not enough, we must, MUST have the wisdom that knowledge depends on to truly control our own destiny OR we will end up like the Krell in the movie-just winked-out.

Many thanks to those who responded to earlier versions of this article with comments and corrections, they are all very much appreciated!! I hope you are as entertained by this story as much as I have been over the past 40+ years ....

Rating: 10 out 10 stars

If you like Star Wars/Trek, come see where they got all their ideas and cinematic devices. It's my top 2 favorite movies of all times, other-worldly-futuristic and psycho-thriller. The intensity of the root material (Shakespeare's "The Tempest") is not overshadowed by whizbang gimmickry (a la later Lucas). And just because it was made in 1956, don't assume you can 'see the strings' holding the flying saucer up. This was the first movie where you COULDN'T. Miracle it was made at "A-movie" scale, economics and tastes at the time were stacked heavily against it. And director Wilcox's previous 'hit' was "Lassie Come Home". Until I looked him up, I assumed 'Fred Wilcox' was a pseudonym for a director who was already or later became famous, but at the time didn't want to be associated with sci-fi, which was strictly a "B" genre back then. This was either a very VERY visionary production, or a very fortuitous 'mistake' on the part of the folks who bankroll Hollywood.

There are the massive-scale mattes with live action almost microscopically inserted that Lucas used extensively. There are intelligent machines that transcend the stereotypical 'user interface'; "computers", as they've come to be portrayed much less futuristically in later works. Star Trek's 'transporter' is there, visually, almost unaltered by Roddenberry 10 years later. And if the Trek/Wars technobabble turns you off, FP's scientific references are not overdone and are all accurate, even today. The "ship" set is comprehensive, sparklingly realistic, as good as anything you've seen since, and more convincing than anything 'Trek' has done, for TV or film. We didn't get to spend as much time there as I would have liked.

If you ever wondered how movies got into space so competently, watching FP will explain all that. It's definitely not 'Wagontrain to the Stars'.