NOTE IMDb
6,3/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueA naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.A naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.A naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 9 nominations au total
Max Showalter
- Life Magazine Reporter
- (as Casey Adams)
Linda Brace
- Evelyn
- (non crédité)
Mary Carroll
- Cashier
- (non crédité)
J.M. Dunlap
- Orville
- (non crédité)
Bess Flowers
- Elderly Passenger
- (non crédité)
Ed Fury
- Cowboy in Saloon
- (non crédité)
Buddy Heaton
- Clown
- (non crédité)
Fay L. Ivor
- Rodeo Usher
- (non crédité)
Richard Culvert Johnson
- Messenger
- (non crédité)
Avis à la une
'Bus Stop' is a cheerful and romantic old-style film with part of the action centering around a bus stop and bus journey. Bo, a not-very-bright cowboy, does not know anything about love but has his heart set on bringing a woman back home with him. He sees Cherie (played by Monroe) at a bar and falls instantly in love, but she does not quite feel the same way about him. The film explores this romance and the lessons that Bo (and Cherie) has to learn in order to 'grow up'. It takes him several mistakes and character flaws to overcome, but, with the help of Marilyn Monroe, everything comes to a happy (and quick) ending, like most 1950s films.
Overall, 'Bus Stop' is an engaging and funny film and it is worth a watch. However, there are some problems. One of the problems is that I found Bo to be extremely annoying in places. He is too 'in your face'; I am not sure whether Bo's innocence was over-played by the actor or if it was written in the script. The other problem I had was the ending. Older films typically have a rushed ending, at least when compared to the present day. It just seems to abrupt.
The film also has some amuzing adult humor, and this is subtle so there is not a chance of a child picking up on it. (Look at the float in the parade!) Overall, 'Bus Stop' is an all-around enjoyable tale about an age past.
Overall, 'Bus Stop' is an engaging and funny film and it is worth a watch. However, there are some problems. One of the problems is that I found Bo to be extremely annoying in places. He is too 'in your face'; I am not sure whether Bo's innocence was over-played by the actor or if it was written in the script. The other problem I had was the ending. Older films typically have a rushed ending, at least when compared to the present day. It just seems to abrupt.
The film also has some amuzing adult humor, and this is subtle so there is not a chance of a child picking up on it. (Look at the float in the parade!) Overall, 'Bus Stop' is an all-around enjoyable tale about an age past.
Bus Stop has been rightly hailed as Marilyn Monroe's breakthrough performance in a movie as a serious dramatic actress. She is absolutely superb here, ditching the breathless dumb blonde of earlier roles and playing a hardened, Southern chanteuse in search of true love. She manages to convey a whole range of emotions which is testament to her time spent at Lee Strasberg's Actor's Studio in New York. As usual she sparkles and it's difficult to take your eyes off her, but there is a depth and sympathy to her playing that makes you take note of the performance and not simply the curves.
However, Bus Stop is a relatively simple picture of unrequited then requited love. The comedy moments don't often work that well and Don Murray's Beau has to be one of the most irritating characters I have ever seen in a film. Him and Cherie coming together at the end of the picture is unbelievable and spoiled the movie for me...I always wanted her to get away!
Bus Stop is more enjoyable from the Monroe point of view as her playing is spellbinding and marked a turning point in her career.
However, Bus Stop is a relatively simple picture of unrequited then requited love. The comedy moments don't often work that well and Don Murray's Beau has to be one of the most irritating characters I have ever seen in a film. Him and Cherie coming together at the end of the picture is unbelievable and spoiled the movie for me...I always wanted her to get away!
Bus Stop is more enjoyable from the Monroe point of view as her playing is spellbinding and marked a turning point in her career.
No need to recap the plot. This is a badly flawed movie, despite "That Old Black Magic", though the magic clearly works for Monroe as she croons out the tune. It's clear that as an actress she's most comfortable with musical numbers, where her sparkle really gels.
The basic problem, as I see it, is with the script. There really isn't much story; as a result, something has to be added to hold audience interest besides budding super-star Marilyn. Apparently, colorful character was encouraged to pick up the slack. It looks like TCF found their answer in Murray's ear-splitting version of a Montana cowboy. I guess rural Montana doesn't have any grade schools where basic civility is taught. No need to belabor his maddening effect since others have made the same point at some length. Nonetheless, Murray's witless hollering of every line takes down the entire film. Nor does Monroe's squeaky southern accent that sort of comes and goes help. Nor is the over-extended final scene, where both actors revert to something more normal, enough to compensate for all the gaudiness that's gone before.
All in all, the movie's worth a 3, mainly for its excellent Technicolor staging, Monroe's singing, and the catchy title tune that was a chart-topper at the time. But beware the movie's moral, which seems to be a version of "All some people need in order to straighten out is a good beating"!
(In passing—Despite his misfire here, Murray was an excellent actor. Catch his carefully shaded performance in A Hatful of Rain (1957) or in The Bachelor Party (1957) to sample his true potential.)
The basic problem, as I see it, is with the script. There really isn't much story; as a result, something has to be added to hold audience interest besides budding super-star Marilyn. Apparently, colorful character was encouraged to pick up the slack. It looks like TCF found their answer in Murray's ear-splitting version of a Montana cowboy. I guess rural Montana doesn't have any grade schools where basic civility is taught. No need to belabor his maddening effect since others have made the same point at some length. Nonetheless, Murray's witless hollering of every line takes down the entire film. Nor does Monroe's squeaky southern accent that sort of comes and goes help. Nor is the over-extended final scene, where both actors revert to something more normal, enough to compensate for all the gaudiness that's gone before.
All in all, the movie's worth a 3, mainly for its excellent Technicolor staging, Monroe's singing, and the catchy title tune that was a chart-topper at the time. But beware the movie's moral, which seems to be a version of "All some people need in order to straighten out is a good beating"!
(In passing—Despite his misfire here, Murray was an excellent actor. Catch his carefully shaded performance in A Hatful of Rain (1957) or in The Bachelor Party (1957) to sample his true potential.)
To the naysayers I say "you missed it" but I guess people either like MM or they do not. I was braced for the 50s-style corn, but not for the underlying sadness of Cherie, as rendered by Monroe, and in the end feel she did an incredibly good job with the role--not a false note anywhere.
An extra star (or two) for that very special performance.
An extra star (or two) for that very special performance.
The movie itself is mildly OK. However, this movie shows why MM has been so unforgettable to the American public almost 40 years after her death.
Check out two scenes. First, the justifiably famous rendition of "That Old Black Magic" number. Whether acting or if it's the real Marilyn Monroe, she conveys loneliness in front of a packed saloon; the feeling of recognition and appreciation when the Don Murray (Bo)character berates the patrons to show respect to her while she sings; and the out-and-out sexiness of her when she is lit up in red flames. Wow!!
The second scene is near the end when, standing out in the cold, Bo offers her his coat. The look on her face when she realizes that someone, maybe for the first time, is there to look after her and take care of her is absolutely moving. Again we can see the real Marilyn in the character. She so desperately looked for love and acceptance all through her life.
This is not a great movie. It is a great showcase for one of the most
remarkable personalities in movie history.
Check out two scenes. First, the justifiably famous rendition of "That Old Black Magic" number. Whether acting or if it's the real Marilyn Monroe, she conveys loneliness in front of a packed saloon; the feeling of recognition and appreciation when the Don Murray (Bo)character berates the patrons to show respect to her while she sings; and the out-and-out sexiness of her when she is lit up in red flames. Wow!!
The second scene is near the end when, standing out in the cold, Bo offers her his coat. The look on her face when she realizes that someone, maybe for the first time, is there to look after her and take care of her is absolutely moving. Again we can see the real Marilyn in the character. She so desperately looked for love and acceptance all through her life.
This is not a great movie. It is a great showcase for one of the most
remarkable personalities in movie history.
Le saviez-vous
- AnecdotesMarilyn Monroe, who had seen and loved Kim Stanley's performance in the Broadway production of "Bus Stop", patterned her accent on Stanley's, as well as those accents she had heard during her own time in the South. Monroe worked diligently on the hillbilly twang, speaking quite differently than in her other movies, and subverted her natural singing talent to make it painfully clear that Chérie was not gifted in that department.
- GaffesAlthough several sequences were indeed filmed in Phoenix, Arizona, involving a 1956 rodeo and rodeo parade, non-rodeo scenes supposedly depicting downtown Phoenix and Cherie's boardinghouse were clearly shot elsewhere; no major thoroughfare in Phoenix has hilly terrain or Victorian-style buildings seen in film.
- Crédits fousAnd Introducing / Don Murray
- ConnexionsEdited into Myra Breckinridge (1970)
- Bandes originalesThe Bus Stop Song
(1956)
Written by Ken Darby
Sung in the opening credits off-screen by The Four Lads
Also partially sung by a guitar-playing Arthur O'Connell (uncredited) and the bus passengers
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Nunca fui santa
- Lieux de tournage
- 13439 State Highway 75, Ketchum, ID 83340(Roadside Diner Exteriors - Building was moved and remodeled into a guest house just down from its original location at the time of filming.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 200 000 $US (estimé)
- Durée1 heure 36 minutes
- Rapport de forme
- 2.55 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Arrêt d'autobus (1956) officially released in India in English?
Répondre