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Arrêt d'autobus

Titre original : Bus Stop
  • 1956
  • Tous publics
  • 1h 36min
NOTE IMDb
6,3/10
13 k
MA NOTE
Marilyn Monroe, Don Murray, and Arthur O'Connell in Arrêt d'autobus (1956)
Home Video Trailer from 20th Century Fox Home Entertainment
Lire trailer1:28
1 Video
83 photos
ComedyDramaRomance

Ajouter une intrigue dans votre langueA naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.A naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.A naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.

  • Réalisation
    • Joshua Logan
  • Scénario
    • George Axelrod
    • William Inge
  • Casting principal
    • Marilyn Monroe
    • Don Murray
    • Arthur O'Connell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    13 k
    MA NOTE
    • Réalisation
      • Joshua Logan
    • Scénario
      • George Axelrod
      • William Inge
    • Casting principal
      • Marilyn Monroe
      • Don Murray
      • Arthur O'Connell
    • 139avis d'utilisateurs
    • 52avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 victoire et 9 nominations au total

    Vidéos1

    Bus Stop
    Trailer 1:28
    Bus Stop

    Photos83

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    + 76
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    Rôles principaux39

    Modifier
    Marilyn Monroe
    Marilyn Monroe
    • Chérie
    Don Murray
    Don Murray
    • Beauregard 'Bo' Decker
    Arthur O'Connell
    Arthur O'Connell
    • Virgil Blessing
    Betty Field
    Betty Field
    • Grace
    Eileen Heckart
    Eileen Heckart
    • Vera
    Robert Bray
    Robert Bray
    • Carl
    Hope Lange
    Hope Lange
    • Elma Duckworth
    Hans Conried
    Hans Conried
    • Life Magazine Photographer
    Max Showalter
    Max Showalter
    • Life Magazine Reporter
    • (as Casey Adams)
    Arizona State University Sun Devil Marching Band
    • Themselves
    • (non crédité)
    Linda Brace
    • Evelyn
    • (non crédité)
    Mary Carroll
    • Cashier
    • (non crédité)
    J.M. Dunlap
    • Orville
    • (non crédité)
    Bess Flowers
    Bess Flowers
    • Elderly Passenger
    • (non crédité)
    Ed Fury
    Ed Fury
    • Cowboy in Saloon
    • (non crédité)
    Buddy Heaton
    • Clown
    • (non crédité)
    Fay L. Ivor
    • Rodeo Usher
    • (non crédité)
    Richard Culvert Johnson
    • Messenger
    • (non crédité)
    • Réalisation
      • Joshua Logan
    • Scénario
      • George Axelrod
      • William Inge
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs139

    6,313.2K
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    10

    Avis à la une

    TxMike

    "I almost married a cousin of mine when I was 14, but Pappy wouldn't have it!" (Cherie)

    "Bus Stop" is named for the setting of the last half-hour of this film, the bus stop in the snow, somewhere in Wyoming, where Beau finally gets his 'comeuppance', right before he and Cherie reconcile. If this movie had not been made in 1956, but instead in modern times, it would have received a very laughable reception. As it is, I consider it a cult classic in the genre of "The Rocky Horror Picture Show", so horrible and fake are the characters and the dialog.

    However, Marilyn Monroe, in her 26th film, playing a simple showgirl from Arkansas, does very well with her role. Don Murray as "Beau", in his very first film, is so obnoxious that by the time he apologises for his bad behavior, we no longer care about him, and "Cherie's" accepting him just doesn't make sense. Hope Lange has a small part as "Elma" on the bus, in this her first film. She and Murray married afterward in real life, but it didn't last. Murray made a number of other films, including the father in "Quarterback Princess" in 1983 with Helen Hunt.

    The reason to see this film is Marilyn Monroe in her prime, almost 30, and only 6 years from her death. The story, of the possessive cowboy who decides to marry Cherie and haul her away to his ranch in Montana, is pretty simple and pretty implausible. The scene in the bus stop, where he finally kisses her "for serious", was also featured in an episode of Northern Exposure, with Chris playing Beau and Maggie playing Cherie, for a community theater production they were rehearsing for.
    5Igenlode Wordsmith

    You Can't Get A Man With A Gun - or a girl with a lasso...

    I have to confess that for me Marilyn Monroe, like James Dean, is a screen icon whose charms have yet to live up to their reputation; perhaps unfortunate, since I gather from the other comments that 'Bus Stop' is chiefly of interest as a Monroe vehicle! I approached this film from a different angle, attracted by the apparent similarity in source material to the 1943 'The Lady Takes a Chance', a bus/rodeo-set romantic comedy starring John Wayne, of all people, which to my surprise I had very much enjoyed.

    In this case, I was disappointed.

    The first ten minutes of the film is pretty fair comedy material; the last thirty finally introduces some much-needed emotional subtlety and character development. The intervening hour constitutes a one-joke wonder - boorish cowboy ropes and carries off woman - that rapidly shades from monotonous to actively annoying.

    Frankly, this is the type of film calculated to elicit comments of "I'm not a feminist, but -" By the time it got to the showdown in the cafe, I was almost convinced from the preceding plot-line that young Beau would whip his aging opponent with the brutal strength of youth, then ride off with a suddenly hero-worshipping bride. The fact that events (much to my surprise and relief) *don't* turn out that way is not sufficient to justify the tedium of what has gone before. As others have remarked, it is only from this moment that the characters gain any emotional depth - with the possible exception of Monroe's brittle, damaged Cherie. I'll grant, though, that the final denouement does however manage to be both touching and convincing, which is an achievement under the circumstances.

    Personally, I'd say that the entire centre section of 'Bus Stop' is a waste of time. I suspect that a perfectly good film (and one more appropriate to the title!) could have been constructed by omitting all the scenes save those taking place in the bus or 'bus stop' itself, and substituting a brief account of intervening events via dialogue.

    The most charitable view I can take of this film is that too long is spent in setting-up for its few worthwhile scenes. The sexual politics shown have nothing to do with the film's era - again, see 'The Lady Takes a Chance' for a superior contemporary take on the clash-of-the-sexes theme - and far more to do with unfunny slapstick humour. And sadly, I can't really say I found Marilyn Monroe as seductive as the screenplay clearly assumes.

    An interesting piece for Monroe fans, but lacklustre entertainment.
    6rebeljenn

    well worth a stop when passing through

    'Bus Stop' is a cheerful and romantic old-style film with part of the action centering around a bus stop and bus journey. Bo, a not-very-bright cowboy, does not know anything about love but has his heart set on bringing a woman back home with him. He sees Cherie (played by Monroe) at a bar and falls instantly in love, but she does not quite feel the same way about him. The film explores this romance and the lessons that Bo (and Cherie) has to learn in order to 'grow up'. It takes him several mistakes and character flaws to overcome, but, with the help of Marilyn Monroe, everything comes to a happy (and quick) ending, like most 1950s films.

    Overall, 'Bus Stop' is an engaging and funny film and it is worth a watch. However, there are some problems. One of the problems is that I found Bo to be extremely annoying in places. He is too 'in your face'; I am not sure whether Bo's innocence was over-played by the actor or if it was written in the script. The other problem I had was the ending. Older films typically have a rushed ending, at least when compared to the present day. It just seems to abrupt.

    The film also has some amuzing adult humor, and this is subtle so there is not a chance of a child picking up on it. (Look at the float in the parade!) Overall, 'Bus Stop' is an all-around enjoyable tale about an age past.
    klaatu-10

    Why Marilyn is Unforgettable

    The movie itself is mildly OK. However, this movie shows why MM has been so unforgettable to the American public almost 40 years after her death.

    Check out two scenes. First, the justifiably famous rendition of "That Old Black Magic" number. Whether acting or if it's the real Marilyn Monroe, she conveys loneliness in front of a packed saloon; the feeling of recognition and appreciation when the Don Murray (Bo)character berates the patrons to show respect to her while she sings; and the out-and-out sexiness of her when she is lit up in red flames. Wow!!

    The second scene is near the end when, standing out in the cold, Bo offers her his coat. The look on her face when she realizes that someone, maybe for the first time, is there to look after her and take care of her is absolutely moving. Again we can see the real Marilyn in the character. She so desperately looked for love and acceptance all through her life.

    This is not a great movie. It is a great showcase for one of the most

    remarkable personalities in movie history.
    7abooboo-2

    Monroe At Her Best

    Marilyn Monroe is so good here it's startling. Her Cherie (with the accent on the first syllable, remember) is one of the most lovable characters in the history of film. That the rest of the movie is rocky-going and her co-star is no match for her is unfortunate, but not fatal.

    Apparently the director, Joshua Logan, was able to create a relatively peaceful environment where Monroe could completely "let go" and allow her natural fragility and sex appeal to take over. When she's on screen it's impossible to take your eyes off her, not just because she's beautiful (what starlet from the 1950's WASN'T beautiful?) but because she's laying bare her character's soul for the camera (and in the process much of her own soul as well). She isn't just reading lines with various inflections or doing bits of business like so many actors do, she's bringing the character to life.

    Unforgettable is the moment where she finds herself perched on the shoulder of the crazy, lovestruck cowboy watching a parade and she's trying to pantomime to a friend in the crowd how she wound up up there. Or the way she keeps "shushing" the loud-talking bus driver so that he won't wake up the sleeping cowboy as she's planning her escape. Or the way she can't make eye contact or get her lazy backwoods accent (that is incredibly charming) to sound firm enough when she keeps trying to tell the cowboy to get lost. Her comic timing is just sublime and unteachable.

    Don Murray's performance as the cowboy, criminally and inexplicably Oscar-nominated, is cloying, two-dimensional and geared for the stage, not the intimacy of film. He needs to provide some hint of vulnerabilty before he's humbled in the fist fight with the bus driver, but he is tragically not up to the task. His Beauregard is the kind of loud-mouthed, uncouth buffoon that only a greatly skilled comic actor can make sympathetic, and Murray simply doesn't know how to finesse the comic moments and make them work.

    Monroe receives fine support from Arthur O'Connell as Beau's older, wiser friend Virgil Blessing, but this is her show all the way. She makes it a good movie, but one can't help imagining how much better it could have been had it been directed by someone like Kazan and co-starred possibly Rock Hudson.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Marilyn Monroe, who had seen and loved Kim Stanley's performance in the Broadway production of "Bus Stop", patterned her accent on Stanley's, as well as those accents she had heard during her own time in the South. Monroe worked diligently on the hillbilly twang, speaking quite differently than in her other movies, and subverted her natural singing talent to make it painfully clear that Chérie was not gifted in that department.
    • Gaffes
      Although several sequences were indeed filmed in Phoenix, Arizona, involving a 1956 rodeo and rodeo parade, non-rodeo scenes supposedly depicting downtown Phoenix and Cherie's boardinghouse were clearly shot elsewhere; no major thoroughfare in Phoenix has hilly terrain or Victorian-style buildings seen in film.
    • Citations

      Cherie: I hate you and I despise you! Now give me back my tail!

    • Crédits fous
      And Introducing / Don Murray
    • Connexions
      Edited into Myra Breckinridge (1970)
    • Bandes originales
      The Bus Stop Song
      (1956)

      Written by Ken Darby

      Sung in the opening credits off-screen by The Four Lads

      Also partially sung by a guitar-playing Arthur O'Connell (uncredited) and the bus passengers

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    FAQ20

    • How long is Bus Stop?Alimenté par Alexa
    • What is 'Bus Stop' about?
    • Does the entire movie take place at a Bus Stop?

    Détails

    Modifier
    • Date de sortie
      • 24 octobre 1956 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Nunca fui santa
    • Lieux de tournage
      • 13439 State Highway 75, Ketchum, ID 83340(Roadside Diner Exteriors - Building was moved and remodeled into a guest house just down from its original location at the time of filming.)
    • Sociétés de production
      • Twentieth Century Fox
      • Marilyn Monroe Production I
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 200 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Rapport de forme
      • 2.55 : 1

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