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If you like young men with the social skills of a five year old, and young women with low self esteem, watch this film. The only relief is when the bus driver beats the cowboy up to stop him from pestering the poor young woman any further.

There are some comic moments in the film, but it's too frustrating watching Monroe's character treated like an animal. This is not the mood of the 1990s.

If you want to enjoy Marilyn Monroe, watch "Some Like It Hot". At least her character in that film has self-respect, even if she's no more than a likeable bimbo.

I have to confess that for me Marilyn Monroe, like James Dean, is a screen icon whose charms have yet to live up to their reputation; perhaps unfortunate, since I gather from the other comments that 'Bus Stop' is chiefly of interest as a Monroe vehicle! I approached this film from a different angle, attracted by the apparent similarity in source material to the 1943 'The Lady Takes a Chance', a bus/rodeo-set romantic comedy starring John Wayne, of all people, which to my surprise I had very much enjoyed.

In this case, I was disappointed.

The first ten minutes of the film is pretty fair comedy material; the last thirty finally introduces some much-needed emotional subtlety and character development. The intervening hour constitutes a one-joke wonder - boorish cowboy ropes and carries off woman - that rapidly shades from monotonous to actively annoying.

Frankly, this is the type of film calculated to elicit comments of "I'm not a feminist, but -" By the time it got to the showdown in the cafe, I was almost convinced from the preceding plot-line that young Beau would whip his aging opponent with the brutal strength of youth, then ride off with a suddenly hero-worshipping bride. The fact that events (much to my surprise and relief) *don't* turn out that way is not sufficient to justify the tedium of what has gone before. As others have remarked, it is only from this moment that the characters gain any emotional depth - with the possible exception of Monroe's brittle, damaged Cherie. I'll grant, though, that the final denouement does however manage to be both touching and convincing, which is an achievement under the circumstances.

Personally, I'd say that the entire centre section of 'Bus Stop' is a waste of time. I suspect that a perfectly good film (and one more appropriate to the title!) could have been constructed by omitting all the scenes save those taking place in the bus or 'bus stop' itself, and substituting a brief account of intervening events via dialogue.

The most charitable view I can take of this film is that too long is spent in setting-up for its few worthwhile scenes. The sexual politics shown have nothing to do with the film's era - again, see 'The Lady Takes a Chance' for a superior contemporary take on the clash-of-the-sexes theme - and far more to do with unfunny slapstick humour. And sadly, I can't really say I found Marilyn Monroe as seductive as the screenplay clearly assumes.

An interesting piece for Monroe fans, but lacklustre entertainment.

Bus Stop has been rightly hailed as Marilyn Monroe's breakthrough performance in a movie as a serious dramatic actress. She is absolutely superb here, ditching the breathless dumb blonde of earlier roles and playing a hardened, Southern chanteuse in search of true love. She manages to convey a whole range of emotions which is testament to her time spent at Lee Strasberg's Actor's Studio in New York. As usual she sparkles and it's difficult to take your eyes off her, but there is a depth and sympathy to her playing that makes you take note of the performance and not simply the curves.

However, Bus Stop is a relatively simple picture of unrequited then requited love. The comedy moments don't often work that well and Don Murray's Beau has to be one of the most irritating characters I have ever seen in a film. Him and Cherie coming together at the end of the picture is unbelievable and spoiled the movie for me...I always wanted her to get away!

Bus Stop is more enjoyable from the Monroe point of view as her playing is spellbinding and marked a turning point in her career.

"Bus Stop" is named for the setting of the last half-hour of this film, the bus stop in the snow, somewhere in Wyoming, where Beau finally gets his 'comeuppance', right before he and Cherie reconcile. If this movie had not been made in 1956, but instead in modern times, it would have received a very laughable reception. As it is, I consider it a cult classic in the genre of "The Rocky Horror Picture Show", so horrible and fake are the characters and the dialog.

However, Marilyn Monroe, in her 26th film, playing a simple showgirl from Arkansas, does very well with her role. Don Murray as "Beau", in his very first film, is so obnoxious that by the time he apologises for his bad behavior, we no longer care about him, and "Cherie's" accepting him just doesn't make sense. Hope Lange has a small part as "Elma" on the bus, in this her first film. She and Murray married afterward in real life, but it didn't last. Murray made a number of other films, including the father in "Quarterback Princess" in 1983 with Helen Hunt.

The reason to see this film is Marilyn Monroe in her prime, almost 30, and only 6 years from her death. The story, of the possessive cowboy who decides to marry Cherie and haul her away to his ranch in Montana, is pretty simple and pretty implausible. The scene in the bus stop, where he finally kisses her "for serious", was also featured in an episode of Northern Exposure, with Chris playing Beau and Maggie playing Cherie, for a community theater production they were rehearsing for.

The movie is based on a play that I haven't read so maybe I'm missing some of the subtext but as pure entertainment I wouldn't recommend this movie. The characters aren't well-defined and are little more than stereotypes, e.g. Grace, the sassy diner waitress, Cherie, the showgirl with a heart of gold. Marilyn Monroe plays the same type of character that she more or less played for her entire career, but she does it very well; she and Hope Lange provide the only good performances. Don Murray's unsophisticated cowboy was so obnoxious he practically ruined any enjoyment to be had from the movie. The supporting players are decent but that's all. It's a shame, this movie could have been pretty good if they had made one or two different casting decisions.