Le bébé de Mademoiselle

Bundle Of Joy was a musical remake of one of RKO Studio's brightest comedy hits from it's hey day, Bachelor Mother. Taking the roles that Ginger Rogers and David Niven had back in 1939 are the Brad Pitt and Jennifer Aniston of 1956, Eddie Fisher and Debbie Reynolds.

Reynolds was an established musical star who was loaned out from MGM to RKO in the studio's waning days for this film. Someone decided that putting Reynolds together with her husband, pop singing star Eddie Fisher was a natural.

If musicals were still in vogue, this could have for Eddie Fisher been something like Higher and Higher was for Frank Sinatra which incidentally was also an RKO film. Bundle of Joy alas was not given any songs as good as what Sinatra had in Higher and Higher.

Frank's role there did not call for any great acting and neither does Fisher's here. Eddie's a likable enough fellow, the son of the head of a department store who has the idea that Reynolds is an unwed mother.

How he got that idea? Like in Bachelor Mother where Ginger Rogers did the same thing, Reynolds is on her lunch break and sees an abandoned baby on the steps of a foundling home. Taking such pity on it, she takes it with her. Probably this being Christmas time definitely helped in the sentiment department.

Before long everyone just assumes it's her kid, no matter what she says and does so she has to go with the flow.

RKO did give Eddie and Debbie a nice supporting cast that includes Adolphe Menjou as his father and Una Merkel as her landlady. Tommy Noonan almost steals the film as Debbie's officious co-worker.

Bundle Of Joy is a good enough film to spend some time during the holiday season watching. Which I did and am not sorrier for the experience.

"Bachelor Mother" was a delightful movie, but one can imagine why a musical, in color, remake would crop up. Debbie Reynolds as Polly Parrish was a good choice, and wound up carrying the movie. Eddie Fisher, as the junior Merlin, was not such a good choice. Many other actors at the time would have been far better. Had someone like Donald O'Connor had the role, it could have been an unmitigated success. Too bad Fisher got the job.

Overall, the movie is delightful. The basic plot, of a sales clerk in a large department store who winds up with a baby that's not hers, but that no one believes is not hers, is an excellent set-up for comedy. This one does a good job. "Bachelor Mother" does a better job. And an even better one may pop up in the future.

gaynor wild

Many times have I wondered what Debbie Reynolds and Eddie Fisher were like in their careers (I'm a Star Wars buff). I finally sat down and saw this film. I must say that after watching, I just loved it and wanted more. Since then Debbie Reynolds has become my favorite actress ever. After seeing this I raced to my mother for more info. and she told me of the trouble that followed. I was severely disappointed, because the chemistry in this film was superb. Among the highlights is Debbie's ability to use her magnificent talent to use subtle face gestures to get across the idea of what she is thinking. Eddie was less so, but did an average job. But after hearing the truth, everytime I re-watch this film, I can't help but imagine Eddie with horns on his head or a dunce cap a mile tall. Debbie's charm is the main reason to see this film. She steals the show, the script, the clothes, and anything else she touches. The back-up roles are performed well. This is a remake of the earlier film, "Bachelor Mother." If anyone but Debbie were in the lead, this movie would stink, but it gets a solid 3 stars from me (out of 4).

Glossy and tuneful--if terribly contrived--remake of a just-adequate Ginger Rogers comedy from 1939 ("Bachelor Mother", itself a reworking of "Little Mother" from 1935). Salesgirl, fired at Christmastime from her department store job for "over-selling", finds an abandoned baby on the steps outside a foundlings home but can't get anyone to believe the child isn't really hers. The spotlight this time is equally on Debbie Reynolds (doing sprightly, decent work as the bachelor mother) and then-husband Eddie Fisher (leering at the camera while playing a singing junior-executive). Supporting roles are colorfully filled, production and song numbers are decent, though the script lands us smack in the middle of Risqué 101, with misunderstandings "Three's Company" would envy (She has a baby but not a husband?! And who's the father?). Worth-seeing for Debbie, who sings and dances--and rolls her eyes with expert exaggeration when it's time to change a diaper. **1/2 from ****

This film is and will always be one of the unsung classics of the RKO Studio. A musical remake of "Bachelor Mother", "Bundle of Joy" is a funny, heartwarming tale of mistaken identity and blossoming love.

The only downside of this movie is the fact that it has Eddie Fisher in it. He should have stuck to singing as he is the most excruciatingly bad actor I have ever seen.

Overall, I give this movie 41/2 out of five stars.