Lorsqu'un avion commercial atterrit de force dans une jungle sud-américaine, les passagers et les pilotes doivent réparer les moteurs et fuir la zone infestée de cannibales.Lorsqu'un avion commercial atterrit de force dans une jungle sud-américaine, les passagers et les pilotes doivent réparer les moteurs et fuir la zone infestée de cannibales.Lorsqu'un avion commercial atterrit de force dans une jungle sud-américaine, les passagers et les pilotes doivent réparer les moteurs et fuir la zone infestée de cannibales.
- Réalisation
- Scénario
- Casting principal
- Latin Official
- (non crédité)
- Thomas J. Malone
- (non crédité)
- Bartender in Panama
- (non crédité)
- Grimsby
- (non crédité)
- Dealer
- (non crédité)
- Paul
- (non crédité)
Avis à la une
The movie is well acted -,especially by Steiger ,Barry and Ryan ,has a crisp Franz Waxman score and delivers solid entertainment all round .It would ,in my view have benefited from being a tad leaner and more economical but there is still a good time to be had from watching it
I saw the original (FIVE CAME BACK) some time ago and, from what I can tell, the only thing which could possibly raise it even slightly above the superior remake is the curiosity factor of having Lucille Ball in the cast. Other than that, the acting and the production were very wooden and dated, and the overall cast pales in comparison to that which was assembled for ETERNITY.
For anyone not familiar with the story, a plane crashes in the midst of a remote South American jungle. Besides the pilot and co-pilot, there are nine passengers: a so-called "fallen woman", an engaged couple, an elderly professor and his wife, a small boy and his guardian, and a cop with a prisoner in tow. They must stay alive until the plane is repaired, a task complicated by the realization that they are surrounded by a hostile tribe of headhunters.
Here you have Robert Ryan instead of Chester Morris, Rod Steiger instead of Joseph Calleia, and Gene Barry instead of Patric Knowles. Ryan and Steiger especially, in the main roles, display more screen presence and acting talent in this one film than their predecessors were able to conjure up in their entire careers.
Ryan plays the world-weary pilot, another of his sturdy and dependable performances which are often overlooked and not fully appreciated because he made it seem so effortless. Steiger has the more colorful role as the anarchist, with only imprisonment and execution waiting for him if and when they make it back to civilization. The same talent, which would gain an Oscar for the actor some ten years later, is clearly evident here.
The underrated Keith Andes (as the co-pilot, instead of forgettable Kent Taylor) gives a hint of the star he could have become, and the equally underrated Phyllis Kirk is far more effective in her role than whoever played it in the original. Barry, usually cast as a good guy, gives a good account of himself, playing Kirk's fiancée. Whereas most of the other passengers rise to the occasion, his character becomes increasingly desperate, grasping, and unstable.
Anita Ekberg, frequently dismissed as an actress, may not have been as talented as Lucille Ball (who played the part in the original), but at least proved that she could indeed act, and is certainly more convincing in this type of role than Lucy was.
Of note is a pre-Lassie Jon Provost as the little boy. Jesse White, better known for his work in comedic films, does a fine job as the boy's roughhewn guardian, and Fred Clark is good at giving a distasteful stamp to the rather seedy cop. Above all, Cameron Prudhomme and Beulah Bondi, as the old professor and his mrs., give two very moving, heartfelt performances.
The story concerns the characters' survival, how each holds up under the pressure and are changed by the situation. Steiger begins to rediscover some of the values of his youth, but then finally takes it upon himself to decide who will live and who will die, when it is learned that some must stay behind. The conclusion builds to a shattering climax that will stay with you long after the film ends. This is the remake to see and it is definitely worth seeing.
Not mind you that it could have been given better productions values. Color for the jungle scenes and maybe some location shooting instead of dusting off the same sets used for Five Came Back, for that matter for King Kong.
Remember RKO was owned by one of aviation's biggest boosters in Howard Hughes. Not that he couldn't have afforded some better productions values. But then again he was getting out of the film business at this time. Then again had he put some money into it, we also would have had more Hughes control and the results might have been interesting. Not necessarily good, but interesting.
That being said the cast does a fine job for director John Farrow. Like John Wayne in The High and the Mighty, Robert Ryan is fine as the able veteran airline pilot in charge of getting his passengers and crew back to safety after they've force landed in the South American jungle. Of course with the pulchritudinous Anita Ekberg on board and interested that's enough to give anyone a morale booster.
Rod Steiger plays the criminal on the way to his execution, a part done by Joseph Calleia in the original. Both are fine and are an interesting contrast in acting styles.
John Farrow added a few things here that were not in the original. One of the dumber things added was a chick fight between Phyllis Kirk and Anita Ekberg while they are stranded in the jungle. I mean was that really necessary John? Added nothing to the plot and kind of stupid when you come to think about it.
Still, chick fight and all, Back from Eternity is a good solid piece of entertainment that also asks some important questions about the quality of life collectively and the quality of how one spends his allotted time on earth.
Le saviez-vous
- AnecdotesMovie debut of Barbara Eden.
- GaffesRena is told she will be driven to L.A. to catch a plane to South America. Thomas Malone meets his son at this Los Angeles airport then drives away; a stranger following him. Yet the next day's newspaper report of his death states that he was found near Detroit's Municipal Airport after driving from the airfield.
- Citations
Jud Ellis: We're engaged, Louise. We'd a been married if this thing hadn't happened. Now, we, only a short time left.
Louise Melhorn: Please leave me alone.
Jud Ellis: Why should I? You're my girl!
Louise Melhorn: Don't Jud. Please, stop it!
- ConnexionsReferenced in L'Histoire de James Dean (1957)
Meilleurs choix
- How long is Back from Eternity?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Back from Eternity
- Lieux de tournage
- Burbank, Californie, États-Unis(The supposed New York airport control tower shown near the beginning of the film is actually that of the Lockheed Air Terminal in Burbank, California, USA)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 500 000 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Rapport de forme
- 1.85 : 1