Le tour du monde en 80 jours
Titre original : Around the World in Eighty Days
- 1956
- Tous publics
- 2h 47min
NOTE IMDb
6,7/10
31 k
MA NOTE
Un Anglais victorien fait le pari de faire le tour du monde en quatre vingt jour avec les navires à vapeur et les nouveaux chemins de fer.Un Anglais victorien fait le pari de faire le tour du monde en quatre vingt jour avec les navires à vapeur et les nouveaux chemins de fer.Un Anglais victorien fait le pari de faire le tour du monde en quatre vingt jour avec les navires à vapeur et les nouveaux chemins de fer.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 5 Oscars
- 15 victoires et 5 nominations au total
John Gielgud
- Foster - Fogg's Ex-Valet
- (as Sir John Gielgud)
José Greco
- Flamenco Dancer
- (as Jose Greco and Troupe)
Luis Miguel Dominguín
- Bullfighter
- (as Luis Dominguin)
Avis à la une
I have to admit I kind of liked this movie. The book is better of course, but this version is better than the 2004 film. There may be those who say it is overlong. The film is long admittedly, but I think a film adaptation of the book needs to be long to do any kind of justice to it. I do agree with those who complain about the pace, when I first saw this film, I admit I found it hard to get into initially as it goes by at a snail's pace. Most of the film is entertaining and colourful, but some scenes are dull or overlong, the bull-fighting scene is the perfect example of both. That said, the direction is fine, and despite complaints of it being dated the film does look great with great cinematography and colourful sets and costumes. The music is terrific, the script has its good moments and the story is interesting. Another notable strong asset is the cast. David Niven a likable lead, but the real joys are in the cameos, Robert Newton is especially good here. Overall, maybe not best picture winner for me, but I actually found this film interesting. 7/10 Bethany Cox
Well before ditching in this movie I had a glimpse of the book and I feel very delighted about the extraordinary vision of Jules Verne. He had predicted many inventions and innovations before the time, but I felt more delighted after seeing this movie. The true essence of Jules Verne's literal work is flawlessly captured by director Michael Anderson. This movie is true extravaganza with some special acting by veteran actor David Niven. His portrayal of arrogant, time-table stricken rich innovator was immaculate. This movie also has handful of cameos played by great actors like Frank Sinatra and others. Only one thing that can bother viewers is its immense length where some scenes are monotonous and make you feel loitered. Over all it's a great movie and best motional version of Jules Verne's finest work. The movie won five Oscars including best picture of 1956.
This has got to be one of the most delight comedies ever made. I totally agree with one comment that says "Around the World in 80 Days like a fine wine, it gets better with age". Featuring fine performances from David Nivven, Cantinflas, and the rest of the cast in this wonderful movie about a man and his servant who try and travel around the world in just eighty days. This movie oddly enough was 175 minutes long and in all honestly I didn't believe that for second when I first heard because it really only seemed like 88 minutes. One of the most fun, wittiest, and delightful films of all time and that's coming from a person who adores film and has seen plenty in his (my) day. I do not recall the last time I had so much fun while watching a movie, it's basically just one big fun fest! The cinematography and photography are unarguably some of the best ever in any film. How anyone could call this film boring is beyond me. It is fun, witty, delightfully written, directed, and as I already mentioned acted. The score is also a work of genius. See this film, then see it again. If you hate it, well, then you need to lighten up a bit (no offense intended).
Final Grade: ***** (out of 5)
Final Grade: ***** (out of 5)
What astounds me is how things change. Here's a film that was celebrated in its day.
In fact, I remember my third grade class taking the day off to go to this. (The year previously, we had gone to see a Cinerama movie in the same theater.) We had reserved seats and popcorn was disallowed. We sat through maybe 20 minutes of overture, three hours of movie and 20 minutes of intermission.
And I loved it. This was a lifealtering experience, so grand, so exotic. And yes, for a seven year old, romantic.
Everyone loved it. In its day, most everyone got caught up in the sheer audacity of thing, the cinematic scope, the number of stars and extras, the locales (which we thought were genuine). The introduction by Ed Murrow seemed apt for something so newsworthy.
I haven't seen it in 50 years. And now, even in the full ToddAO experience it is dull except for the wonderfully bombastic score. There's really nothing to it except that it exists.
It reminds that many films I see, new and old, depend on context. The new ones are simple. Things we get excited about now will seem juvenile in just a short time. "Die Hard" was eclipsed on its own terms in short order. "Speed" even more so.
But the old ones...
Sometimes they are so strongly evocative of an era that watching them pulls us into that era, giving us a whole world by association. Others cannot pull us, or aren't set up to, but are so weak they fall apart. Its a slippery game, watching old movies.
But in this case, it is simple. Big bowl thin soup. But a grandly shaped bowl.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
In fact, I remember my third grade class taking the day off to go to this. (The year previously, we had gone to see a Cinerama movie in the same theater.) We had reserved seats and popcorn was disallowed. We sat through maybe 20 minutes of overture, three hours of movie and 20 minutes of intermission.
And I loved it. This was a lifealtering experience, so grand, so exotic. And yes, for a seven year old, romantic.
Everyone loved it. In its day, most everyone got caught up in the sheer audacity of thing, the cinematic scope, the number of stars and extras, the locales (which we thought were genuine). The introduction by Ed Murrow seemed apt for something so newsworthy.
I haven't seen it in 50 years. And now, even in the full ToddAO experience it is dull except for the wonderfully bombastic score. There's really nothing to it except that it exists.
It reminds that many films I see, new and old, depend on context. The new ones are simple. Things we get excited about now will seem juvenile in just a short time. "Die Hard" was eclipsed on its own terms in short order. "Speed" even more so.
But the old ones...
Sometimes they are so strongly evocative of an era that watching them pulls us into that era, giving us a whole world by association. Others cannot pull us, or aren't set up to, but are so weak they fall apart. Its a slippery game, watching old movies.
But in this case, it is simple. Big bowl thin soup. But a grandly shaped bowl.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
I really enjoyed this film, and was shocked to see all the negative comments about it on IMDB. Yes it's long, yes it's a fantasy rather than true-to-life, yes it's spectacular rather than deep drama. But what the hell, it's also (like the book) a hilarious send-up of Englishness as seen by a Frenchman. The millions of cameo roles (actually I'm HOPELESS at recognising faces, so identified none of them) camp it all up splendidly. This film is one of those, like the Ealing comedies or the Carry-On films, that define the British Myth.
OK, so it won't work on TV, unless you have a widescreen TV and can shut yourself away from all distractions for several hours. But I just dare anyone to be bored by the film in a cinema. They don't make them like that any more, because these days films are "made for TV" . . .
OK, so it won't work on TV, unless you have a widescreen TV and can shut yourself away from all distractions for several hours. But I just dare anyone to be bored by the film in a cinema. They don't make them like that any more, because these days films are "made for TV" . . .
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Le saviez-vous
- AnecdotesThis movie created the idea of "cameo roles" as a way to invite established stars to participate in a production.
- GaffesIn 1872, the American flag at the Fort Kearney station would've had 37 stars. Colorado became the 38th state in 1877.
- Citations
Princess Aouda: Have there been any women in his life?
Passepartout: I assume he had a mother, but I am not certain.
- Crédits fousThe last line of dialogue is "This is the end". The closing credits then begin with the words WHO WAS SEEN IN WHAT SCENE ... AND WHO DID WHAT. The story is then recapped in 6 minutes of simple, minimally animated cartoon images, allowing the names of the many cast members who each appeared in just one scene to be shown in relation to that scene, often adjacent to a cartoon image of their character. The cast is therein listed in order of appearance. The character names don't appear. Some of the crew credits (WHO DID WHAT) are interspersed with the cast credits, with the remainder at the end. The very last thing shown is the film's title.
- Versions alternativesWhen Warner Bros. bought the rights to this film from Elizabeth Taylor (to whom United Artists lost control of the film in the 1970s) for its later re-releases, some prints were heavily edited. An uncut print of the 35mm version has been shown on cable TV.
- ConnexionsEdited into The Monkees: Monkees Mind Their Manor (1968)
- Bandes originalesRock-a-Bye Baby
(uncredited)
Arranged by Victor Young
[In the score: When the scientists go to sleep in the "Trip to the Moon" sequence.]
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La vuelta al mundo en 80 días
- Lieux de tournage
- Sylhet, Bangladesh(train trip)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 000 000 $US
- Montant brut mondial
- 42 009 549 $US
- Durée2 heures 47 minutes
- Rapport de forme
- 2.20 : 1
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