La fille de l'ambassadeur

Olivia de Havilland spent most of her post-Oscar years in serious dramas, so it's nice to see her looking so radiantly lovely in a technicolor comedy, enjoying herself in a comedy for a change. Paris is the setting and the color photography is excellent. The slight story concerns de Havilland seeking to prove to her father (Edward Arnold) and a senator and his wife (Adolphe Menjou, Myrna Loy) that American servicemen aren't all wolves and to prove it has a harmless fling with a young G.I. (John Forsythe). Unfortunately, as in all Norman Krasna comedies, plot complications develop before she winds up in Forsythe's arms for an amusing final scene. The cast sparkles with some fine work by de Havilland, Myrna Loy, Adolphe Menjou, Edward Arnold and--in one of his funniest roles--Tom Noonan. Only bad piece of casting is John Forsythe--who looks wooden and uncomfortable throughout with no comic flair whatsoever. Despite this, de Havilland manages to give a spirited performance that won the Belgian Prix Femina for Best Actress in a comedy in '56. Slight but amusing and very watchable.

The only reason that Olivia de Havilland agreed to appear in this trifle must have been because it was going to be filmed in Paris where she was living at the time. On the positive side, there are great stars supporting de Havilland such as Edward Arnold, Adolphe Menjou and Myrna Loy, and they are very very good, as is the Star, but negatively speaking, the story has been done many times, but it could have been quite good, if a decent leading man had been engaged - there is no doubt John Forsythe was out of his depth, trying to compete with the players listed above. There were some bright moments of comedy, and it was good to see the Stars having a bit of a romp, but at times it is hard going. As lovely as she is, Olivia was too old for the part, but some of the shots of Paris helped a lot.

De Havilland made this movie when she was 40 when the role demanded someone about half that age, After all, she was supposed to be appealing to a young soldier stationed in Europe after WW II.

Then, there was the problem of miscasting John Forsythe, who was a handsome sophisticated man of 38 at the time, not a young gullible GI capable of being manipulated into the comedic situation of this movie.

Even as a young boy, I found John Forsythe to be too sophisticated for the TV sitcom, Bachelor Father where he was Kelly's womanizing uncle rather than anything that resembled a father figure to me. Forsythe seems to have found a home on TV in roles like To Rome with Love, Charlie's Angels, and especially, Dynasty. It always seemed to me that he was born handsome and sophisticated.

This movie did bring together some old actors from Hollywood's Golden Age: Myrna Loy and Adolphe Menjou (as a couple???) and Edward Arnold as the American Ambassador and father of de Havilland.

In the final analysis, this movie, made in Paris during the mid 50s, seemed more like a series of fashion shows in search of a situation comedy.

This movie was released in 1956, right in the middle of Hollywood's decade-long fascination with Paris. It was a fascination ignited by the critical and financial success of An American in Paris (MGM 1951), and then stoked by such films as

April in Paris ( Warner Bros. 1952), Moulin Rouge (20th Century Fox 1952), Gentlemen Prefer Blondes (20th Century Fox 1954), The Last Time I Saw Paris (MGM 1954), Sabrina (Paramount 1954), Funny Face (Paramount 1957), The Sun Also Rises (20th Century Fox 1957), Love in the Afternoon (United Artists 1957), Gigi (MGM 1958), Paris Holiday (Tolda 1958), Can Can (20th Century Fox 1960), Paris Blues (Pennebaker 1961), Charade (Universal 1963), Irma la douce (MGM 1963), A New Kind of Love (Paramount 1963), Paris When it Sizzles (1964).

Unfortunately, this movie adds nothing to that generally very distinguished and successful list. (Paris Holiday is a bomb, yes.)

Others have recounted the plot, so I won't repeat that. Since this movie is about a group of non-Parisians living in Paris, it never really engages with its setting. It could just as soon have taken place in Vienna, or Rome, or ...

Little thought seems to have been put into the production. The plot is worked out at the end, which takes place in the iconographic Garnier Opera House during a performance of Swan Lake. With a wealth of operas and ballets from which to choose, Krasna picked the Tchaikovsky warhorse for no apparent reason, because he makes no effort to tie what is going on on stage to what is going on in the boxes and corridors (the plot, such as it is).

There's nothing really wrong with this movie, it's just that it's not very interesting. A cast this good should have been given a far better script.

(1956) The Ambassador's Daughter DRAMA/ ROMANCE

Co-produced, written and directed by Norman Krasna with the set up that has daughter, Joan Fisk (Olivia De Havilland) of a wealthy dignitary making a bet with the general, Andrew Harvey (Minor Watson) and the senator, Jonathan Cartwright (Adolphe Menjou) assumptions on a sergeant (Bill Forsythe) who is on leave, with of course, a predictable ending. Although, I had already knew what the end result was going to be, the real question was what is it going to do to sustain my interest on the center. And as far I know it just doesn't do anything since it contains a lot of cliche jibberish! It does hold some interesting references about what army men used to do during their shore leave, but that is probably it! And as much as I love seeing two- time Oscar winner Olivia De Havilland act on films- this film doesn't really challenge her performance enough, which is like any other actress that can do !