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1984

  • 1956
  • Not Rated
  • 1h 30min
NOTE IMDb
6,9/10
4,6 k
MA NOTE
Jan Sterling, Edmond O'Brien, and Michael Redgrave in 1984 (1956)
Dystopian Sci-FiDramaSci-Fi

Ajouter une intrigue dans votre langueIn a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.In a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.In a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.

  • Réalisation
    • Michael Anderson
  • Scénario
    • William Templeton
    • Ralph Gilbert Bettison
    • George Orwell
  • Casting principal
    • Edmond O'Brien
    • Michael Redgrave
    • Jan Sterling
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    4,6 k
    MA NOTE
    • Réalisation
      • Michael Anderson
    • Scénario
      • William Templeton
      • Ralph Gilbert Bettison
      • George Orwell
    • Casting principal
      • Edmond O'Brien
      • Michael Redgrave
      • Jan Sterling
    • 41avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos100

    Voir l'affiche
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    + 94
    Voir l'affiche

    Rôles principaux22

    Modifier
    Edmond O'Brien
    Edmond O'Brien
    • Winston Smith of the Outer Party
    Michael Redgrave
    Michael Redgrave
    • O'Connor of the Inner Party
    Jan Sterling
    Jan Sterling
    • Julia of the Outer Party
    David Kossoff
    David Kossoff
    • Charrington the Junk Shop Owner
    Mervyn Johns
    Mervyn Johns
    • Jones
    Donald Pleasence
    Donald Pleasence
    • R. Parsons
    • (as Donald Pleasance)
    Carol Wolveridge
    • Selina Parsons
    Ernest Clark
    Ernest Clark
    • Outer Party Announcer
    Patrick Allen
    Patrick Allen
    • Inner Party Official
    Ronan O'Casey
    Ronan O'Casey
    • Rutherford
    Michael Ripper
    • Outer Party Orator
    Ewen Solon
    Ewen Solon
    • Outer Party Orator
    Kenneth Griffith
    Kenneth Griffith
    • Prisoner
    • (as Kenneth Griffiths)
    Barbara Cavan
    • Woman
    • (voix)
    • (non crédité)
    Walter Gotell
    Walter Gotell
    • Guard
    • (non crédité)
    Anthony Jacobs
    • Telescreen
    • (voix)
    • (non crédité)
    Barbara Keogh
    • Special Woman
    • (non crédité)
    Bernard Rebel
    • Kalador
    • (non crédité)
    • Réalisation
      • Michael Anderson
    • Scénario
      • William Templeton
      • Ralph Gilbert Bettison
      • George Orwell
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs41

    6,94.5K
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    Avis à la une

    dougdoepke

    A Cold War 1984

    It's been too long since I read the book, so I'm just concerned with the movie as a movie. And what a downer the 90-minutes is for the generally sunny 1950's. Hard to think of a grimmer storyline or more downbeat ending for that period. I take the film's anomalous presence as a useful Cold War commentary on the Soviet Union, the rivalry then at its peak.

    Anyhow, the sets are grim, even the one outdoor scene is drained of any natural beauty, while the photography remains dull gray, as it should be given the dystopian subject matter. Then too, the two leads, O'Brien and Sterling, are not exactly marquee names. However, they are excellent actors, as the storyline requires—you don't want "movie stars" competing with the plot-heavy symbolism. In short, the production, though clearly economical, is pretty uncompromising.

    Story-wise we're plunged into the middle of the dystopian society without much explanation of how it got that way or why. Instead, the narrative emphasizes the tools of thought control among Party members, who are subjected to all sorts of thought conditioning techniques, such as the histrionic hate sessions. Just how the non-party people live is not really portrayed. However, love may be forbidden among Party members, but I doubt that it was among the common people, otherwise how would re-population take place.

    Besides dwelling on Winston's (O'Brien) efforts at contacting the political underground, the script dwells on the forbidden love affair between Winston and Julia (Sterling). And I had to laugh when Julia sheds her shapeless Party uniform for a flowing white gown right out of the Loretta Young Show of the time. This may be the movie's one concession to 1950's norms. The film does manage a few twists, one of which I didn't see coming. But, if I have one complaint, it's that Redgrave's high Party official lacks subtlety, in pretty much a one-note performance. This can be seen as a defect if you think about his official's changing roles.

    Anyway, the film remains a visual oddity for then as well as now. However, its thought- control message, though crudely put, may be more relevant in our digitalized age than it was then. At the same time, this is one of the few subjects that I think needs a bigger budget remake to do it justice. I haven't seen the latest remake from 1984, so I can't comment on its worth. All in all, this version maintains a grimly narrow, but thought-provoking focus.

    (In passing—having seen the movie on first release, I seem to remember the "rat cage" sequence as being longer, more detailed with glowing eyes, and much scarier than my DVD version. But then that was well over 50-years ago.)
    8Hitchcoc

    Bleak but Not Bleak Enough

    This is a relatively faithful rendering of one of the novels that I remember from my youth. All the high school kids (who read anything) were reading it and talking about it. This was in the early sixties. I could not put the book down as terrifying and depressing as it was. All elements of society were controlled by the leaders. It brings to mind modern North Korea where the citizens are clueless and fed jingoistic nonsense. Winston Smith is a worker who has an intellectual side. He begins, through connections with others, to see that there is something wrong with the way he and his fellows are treated. Everything is controlled. He is ill and every day is like the last. Big Brother is looking out for everyone. He's probably not a real person, but they don't know. Winston meets Julia and they start to have a relationship. We know where this is going. As bad as things are, the producers don't get into some of the even more oppressive business of the government. Not a story for the squeamish.
    7petersjoelen

    thought police

    The destruction of love is what we see here effectivly in all aspects of society. the destruction of the family , an enemy that is artificial , control of the history . It is scary and maybe far more nearby to us now than ever before because some aspects are now pretty actual in this so called crisis , like fear for eachother and isolation from another .
    Pepito-5

    I've NEVER forgotten this movie.

    I saw this movie as a young boy,and at the time I was very naive as to what they meant by "Big Brother" Many people to day, in particular the young, do not know the real meaning to Big Brother. Another name for it is the "New World Order" As in the Bible,you will have a noticeable stamp on your body in order to buy food or what have you. And your whereabouts will be monitored. And for this reason, I've NEVER forgotten this movie. It's a must see film by those that are as naive as I was,when I was a young boy.
    10bux

    Double good version of the Orwell classic

    Dingy, atmospheric version of George Orwells tale concerning two citizens of the New World Order involved in illicit, illegal love. Nothing is pretty in this story, and perhaps O'Brian and Sterling are a bit long in the tooth for the characters the author had in mind, however the superb dramatizations overcome any casting mishaps. The story of life in a totalitarian society rings chillingly familiar today. And, in the conclusion, to quote the poet laureate of our times, Todd Rundgren "Winston Smith Takes it on the Jaw Again!"

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sonia Orwell, widow of George Orwell, objected to the changed ending, and had this movie withdrawn from circulation.
    • Citations

      O'Connor of the Inner Party: You will be hollow. We will squeeze you empty and fill you with ourselves, with love of Big Brother.

    • Versions alternatives
      There are two endings to this film. The UK version ends with a defiant Winston Smith and Julia being executed by the authorities. The US version is more faithful to Orwell's book and concludes with Winston and Julia being brainwashed into becoming loyal followers of "Big Brother."
    • Connexions
      Featured in Hollywood and the Stars: The Angry Screen (1964)
    • Bandes originales
      Symphony No.5: Second Movement
      (uncredited)

      Music by Ludwig van Beethoven

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    FAQ14

    • How long is 1984?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • septembre 1956 (États-Unis)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Neunzehnhundertvierundachtzig
    • Lieux de tournage
      • Londres, Angleterre, Royaume-Uni
    • Société de production
      • Holiday Film Productions Ltd.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 30 minutes
    • Couleur
      • Black and White

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    Jan Sterling, Edmond O'Brien, and Michael Redgrave in 1984 (1956)
    Lacune principale
    By what name was 1984 (1956) officially released in India in English?
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