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IMDbPro

1984

  • 1956
  • Not Rated
  • 1h 30min
NOTE IMDb
6,9/10
4,6 k
MA NOTE
Jan Sterling, Edmond O'Brien, and Michael Redgrave in 1984 (1956)
Dystopian Sci-FiDramaSci-Fi

Ajouter une intrigue dans votre langueIn a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.In a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.In a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.

  • Réalisation
    • Michael Anderson
  • Scénario
    • William Templeton
    • Ralph Gilbert Bettison
    • George Orwell
  • Casting principal
    • Edmond O'Brien
    • Michael Redgrave
    • Jan Sterling
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    4,6 k
    MA NOTE
    • Réalisation
      • Michael Anderson
    • Scénario
      • William Templeton
      • Ralph Gilbert Bettison
      • George Orwell
    • Casting principal
      • Edmond O'Brien
      • Michael Redgrave
      • Jan Sterling
    • 41avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos100

    Voir l'affiche
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    + 94
    Voir l'affiche

    Rôles principaux22

    Modifier
    Edmond O'Brien
    Edmond O'Brien
    • Winston Smith of the Outer Party
    Michael Redgrave
    Michael Redgrave
    • O'Connor of the Inner Party
    Jan Sterling
    Jan Sterling
    • Julia of the Outer Party
    David Kossoff
    David Kossoff
    • Charrington the Junk Shop Owner
    Mervyn Johns
    Mervyn Johns
    • Jones
    Donald Pleasence
    Donald Pleasence
    • R. Parsons
    • (as Donald Pleasance)
    Carol Wolveridge
    • Selina Parsons
    Ernest Clark
    Ernest Clark
    • Outer Party Announcer
    Patrick Allen
    Patrick Allen
    • Inner Party Official
    Ronan O'Casey
    Ronan O'Casey
    • Rutherford
    Michael Ripper
    • Outer Party Orator
    Ewen Solon
    Ewen Solon
    • Outer Party Orator
    Kenneth Griffith
    Kenneth Griffith
    • Prisoner
    • (as Kenneth Griffiths)
    Barbara Cavan
    • Woman
    • (voix)
    • (non crédité)
    Walter Gotell
    Walter Gotell
    • Guard
    • (non crédité)
    Anthony Jacobs
    • Telescreen
    • (voix)
    • (non crédité)
    Barbara Keogh
    • Special Woman
    • (non crédité)
    Bernard Rebel
    • Kalador
    • (non crédité)
    • Réalisation
      • Michael Anderson
    • Scénario
      • William Templeton
      • Ralph Gilbert Bettison
      • George Orwell
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs41

    6,94.5K
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    Avis à la une

    10bux

    Double good version of the Orwell classic

    Dingy, atmospheric version of George Orwells tale concerning two citizens of the New World Order involved in illicit, illegal love. Nothing is pretty in this story, and perhaps O'Brian and Sterling are a bit long in the tooth for the characters the author had in mind, however the superb dramatizations overcome any casting mishaps. The story of life in a totalitarian society rings chillingly familiar today. And, in the conclusion, to quote the poet laureate of our times, Todd Rundgren "Winston Smith Takes it on the Jaw Again!"
    neonbylaurie

    Loved the movie, want a copy

    I saw the movie once back in 1968 or so and thought it was great. Don't know how I'd view it now but I have never had any desire to see the remake. The fact that the movie is in black and white still leaves a very visual impression of the stark, bare lives people like Winston Smith led. No color in their lives and certainly no color in their thoughts was the order of their day. I think the film captured that along with the idea that their technology available was also unenlightening. It served only one purpose and that was to control. I don't think I would be as impressed if the movie were made today. Our technology is too sophisticated. In the original version, less is more.
    10brad_and_ethan

    Powerful and Shattering

    I finally was able to see this film, having seen the 1984 version with John Hurt when I was in college. I recall the 1984 version having some good production values, but I remember being disappointed also. This version was well-cast, and the art direction was also competent. Edmund O'Brien turned in a great performance as Winston Smith. I think that he brought a great quality of desperation to the role; which seemed to run contrary to John Hurt's performance. I'm sure there was a lot left out of the book. But I get tired of hearing people moan and groan about the argument of literature vs. cinema. Come on people, film is time-based, and can't digress like novels can. The screenwriter/director mainly extracts plot points, and can't be bothered with too much exposition (unless of course they have a whopping budget!). I've read many criticisms where more skeptical viewers complain that we don't get to know Big Brother's motives, strategy, etc... What?!! It's Big Brother - an enigmatic and probably non-existent despot....you're not supposed to know his whole story! The love affair, although brief, is very empathetic. In lieu of all the paranoia, Big Brother-cheerleading, etc. - the love between Winston and Julia is a good emotional oasis. Even though I watched a poor copy of this version, it really did make an impression. One of the few criticisms I have is Room 101. I thought the rat shot/scene was truncated, and could've been dramatized more. That's where the John Hurt version trumps this one.
    7petersjoelen

    thought police

    The destruction of love is what we see here effectivly in all aspects of society. the destruction of the family , an enemy that is artificial , control of the history . It is scary and maybe far more nearby to us now than ever before because some aspects are now pretty actual in this so called crisis , like fear for eachother and isolation from another .
    Pepito-5

    I've NEVER forgotten this movie.

    I saw this movie as a young boy,and at the time I was very naive as to what they meant by "Big Brother" Many people to day, in particular the young, do not know the real meaning to Big Brother. Another name for it is the "New World Order" As in the Bible,you will have a noticeable stamp on your body in order to buy food or what have you. And your whereabouts will be monitored. And for this reason, I've NEVER forgotten this movie. It's a must see film by those that are as naive as I was,when I was a young boy.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sonia Orwell, widow of George Orwell, objected to the changed ending, and had this movie withdrawn from circulation.
    • Citations

      O'Connor of the Inner Party: You will be hollow. We will squeeze you empty and fill you with ourselves, with love of Big Brother.

    • Versions alternatives
      There are two endings to this film. The UK version ends with a defiant Winston Smith and Julia being executed by the authorities. The US version is more faithful to Orwell's book and concludes with Winston and Julia being brainwashed into becoming loyal followers of "Big Brother."
    • Connexions
      Featured in Hollywood and the Stars: The Angry Screen (1964)
    • Bandes originales
      Symphony No.5: Second Movement
      (uncredited)

      Music by Ludwig van Beethoven

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    FAQ14

    • How long is 1984?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • septembre 1956 (États-Unis)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Neunzehnhundertvierundachtzig
    • Lieux de tournage
      • Londres, Angleterre, Royaume-Uni
    • Société de production
      • Holiday Film Productions Ltd.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 30 minutes
    • Couleur
      • Black and White

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    Jan Sterling, Edmond O'Brien, and Michael Redgrave in 1984 (1956)
    Lacune principale
    By what name was 1984 (1956) officially released in India in English?
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