Tout le plaisir est pour moi

It was only a matter of time before a movie musical would be made with an "Enoch Arden" plot. This 1955 Columbia musical was it. Although the film writing credits list a W. Somerset Maugham play, that play itself was a version of the 1864 poem, "Enoch Arden," by Alfred Lord Tennyson. If not an exact take-off, the play was surely inspired by Tennyson's poem, which Maugham would certain have read and known as a British citizen.

The only similarity with Maugham's "Home and Beauty" (written in 1915 and staged in 1919), is that the male character had been reported missing in action (MIA) in the Korean War (then called a conflict). And, there is a short sequence when the two males connive and turn their backs on the woman. Otherwise, "Three for the Show" clearly is a modern comedy musical rendition of the "Enoch Arden" story. And it is most obviously inspired by the 1940 comedy-romance movies that were made, more than anything else.

So, anyway, this is a very good film. Although the story seems a little hokier in this modern setting of the Broadway stage. The two male friends were a writing team that had written a number of successful plays. But, when Marty Stewart is listed as missing by the War Department during the Korean War, wife Gwen Howard after a couple years marries Vernon Lowndes who had been Hudson's partner. Jack Lemmon as Stewart and Betty Grable as Julie Lowndes, provide much of the comedy.

But this film has a tremendous value beyond the comedy and the plot. That is its musical parts, especially the dance numbers and routines. Marge and Gower Champion had danced in several films that showed their talents in one or two numbers. But those supporting roles could hardly begin to show the range and beauty of their dancing. This film does that. It's their best and a wonderfully entertaining musical that showcases great dancing. I think that this single film of the Champions rates with the many outstanding dance musicals of Fred Astaire and Gene Kelly. For that reason alone, this is a real keeper.

On a production note, "Three for the Show" was made by Columbia Pictures. Musicals were still somewhat popular in 1955, though beginning to fade in numbers. Since its founding in 1918, Columbia had reached the second tier of movie studies, right under the big five during Hollywood's golden era (MGM, Warner Brothers, 20th Century Fox, RKO and United Artists). But by the 1950s, Columbia had moved up and was then one of the Big Six, along with Universal - with those two studios replacing UA. By the end of the 20th century, with the demise of MGM and RKO, Disney had grown to be the largest movie company, with Columbia and Universal close behind. Warner Brothers and Fox rounded out the Big Five into the early 21st century.

Musical version of 1940's "Too Many Husbands", via W. Somerset Maugham's play "Home and Beauty" (which the author said he wrote as a lark), has widowed--and remarried--Broadway star in a marital quandary: her first husband's death overseas was misreported by the US Air Force (he was actually marooned on an island), and now she has two husbands...and both marriages legal! Betty Grable toys with the possibilities--she even fantasizes a musical number with dozens of suitors housed in cages, climaxing with she and her two husbands under the sheets smoking a hookah! But, this being 1955, we instead have Betty ordering both her husbands out of her boudoir come bedtime. The plot predicament, not surprisingly, doesn't come to much, but in the interim we have some bright moments, not the least of which is Grable's Marilyn Monroe-like delivery in the final number, "How Come You Do Me Like You Do" (which sounds a lot like MM's "Lazy" with a design resembling her "Heat Wave"). Director H. C. Potter opens the picture with a berserk pantomime number danced to "Someone To Watch Over Me" (in harlequin costumes!), but he gets good performances from both Grable and Jack Lemmon (who also sings a little and dances a bit). As the second couple, Marge and Gower Champion dance nicely together but don't have much pizzazz, much like the rest of "Three For the Show". A pleasant marquee-filler but hardly a headliner. **1/2 from ****

..and with Marge and Gower Champion and Jack Lemmon...it is lots of fun. Fun is what Betty Grable was about...and this film is at its best during those sequences aimed at amusing. ...These days people do not understand Betty Grable very well. In her day she was everyman's and every womans ideal. Indeed no woman has broken Betty's box office record (eleven years in the top ten). And, in the forties and early fifties, women still dominated the box office to an amazing degree--Mom chose the films the family was going out to see. Though it was a bit early to be obvious, Betty in many ways represented a manifestation of what we would now call a liberated woman. She was nearly always working (in revealing clothing!), and she was self supporting. In real life she was a very successful working mother--and particularly during WWII she was an inspiration to women manning the homefront as much as an inspiration to the armed forces fighting overseas. She was pretty, talented, popular, and the highest salaried woman in the United States. Now she is remembered primarily as a 'pin up'--which she also was, but the title tends to diminish the many other factors that created her popularity. One thing is certain, in "Three for the Show" or any other of her starring films--she will entertain you royally within the limitations of the material she was given.

This is a remake of TOO MANY HUSBANDS, which had starred Jean Arthur, Fred MacMurray, and Melvyn Douglas. Here, we get a tepid musical with Betty Grable and Jack Lemmon and Gower Champion as the male leads. The plot has been dismissed in favor of some musical numbers oddly built around decades-old Gershwin songs. Marge Champion and Myron McCormick co-star.

Lemmon has been proclaimed dead in the war (which war?) so Grable marries Champion. Lemmon returns, and the guys battle over the hefty star while Marge look on is distress. In the original film, the ending is ambiguous with both guys still in Arthur's life. Here, she pairs off with Lemmon. Bleh.

Gower Champion might have been a good dancer and director but he's a zero as a romantic lead. So is Lemmon. Marge Champion (a terrific beard) looks like Bea Benaderet in corsets. The MGM darlings (the Champions) were a total bust in films. Grable was long past her prime and even though she's only 39 here, looks OLD and FAT.

Betty grable was 39 when she made Three For The Show, She looked fabulous, sung wonderful songs and outdanced the reigning blonde Marilyn Monroe who Grable handed the Fox Blonde crown to in 1953, this movie made in 1955 shows what a glamorous movie queen Grable could have continued to be. this movie was made at Columbia and Grable should have put down roots there, she was offered Pal Joey but turned it down, silly Grable . anyway as movie historys most successful moneymaker Grable reigns supreme. she outperformed Marge Champion and her then husband Gower, who 10 years later ignored Grable when she headlined in Broadways Hello Dolly his show, he sent his assistant to oversee Grables rendition of Dolly Levi. shame Gower! Grable the No.1 Star! No Columbia did not cheaply hire Grable, they paid her $200,000 for this movie, marilyn was still getting her $125,000 per film at fox.Other comments about being old and fat are vicious, Betty was stunning in this movie check youtube and see the clips from "Three for the Show".