Le tendre piège

This is the first of Frank's bachelor-on-the-make comedies of the 50's & 60's. He is excellent; Debbie Reynolds character seems off-balance and miscast. Audrey Hepburn would have been much better. The movie seems to be too self-consciously hip for its own good. Still, the supporting cast is wonderful, and there are far worse ways of killing an hour and a half. 6/10.

Though it does make women look as if each has an alterior motive which is to trap a guy into marriage, it is a fun loving film that has alot of potential and with Frank in it, it makes it a classic. Though the supporting cast is wonderful we musn't forget Debbie Reynolds. Her part as a young naive girl is unforgettable and was a large step in the right direction..

The start of this film isn't promising. Another dated 1950s sex comedy with a lot of babes. And then it takes off at a tangent and gets serious, deconstructing the bachelor heel played by Frank. Debbie Reynolds is magnificent as the love interest who is frankly very strange. The scene where she falls for Frank as he plays the title song on the piano, and the scene in her apartment where she declares her love, are unique. Stick with this movie.

I love this film because it is so reflective of the mid-50's sensibility and the glamour of New York at that time. All of the actors have wonderful chemistry, and Celeste Holm is a stand out as Sinatra's "fiancee" Debbie Reynolds is adorable as a 22 year old ingenue who wants a career in the theatre, but only for a brief time. She has a plan to get married, have three children and live in Scarsdale, which everyone knows has the best school system in the country. Sinatra and David Wayne are old friends and the married Wayne comes to New York to take a vacation from his wife. He becomes interested in Holm and falls in love with her. Sinatra falls in love with Debbie Reynolds and their scenes are just lovely. Complications ensue, but in the end, it all shakes out. This is one of the best adaptations of a 1950's stage comedy and it is most enjoyable and certainly worthwhile.

The tender trap is a Sinatra film, a fifties time capsule. As such, it comes fully loaded with a swinger versus good girl mentality. The woman always wants the picket fence and the man always wants the ultimate bachelor lifestyle (in Sinatra's case, complete with sexy dog-walkers and cheese delivery). So with this sort of fluffy 50's movie, it's easy to scoff and call it outdated and campy, and neglect to consider the fact that perhaps there lingers in it the tragedy of the era. My apologies for melodrama. But in the character of Sylvie (the unforgettable Celeste Holmes) is there encompassed a certain element of poignance that is strange to find in such a film as this.

In the midst of the predictable plot and romantic mayhem sorted out so simply, perhaps by fate, perhaps by unimaginative writing. But in Celeste Holmes is there contained something deeper. A regret, hopelessness, I'll-settle-for-anything quality of the middle-aged (or thereabouts) successful career woman who didn't go for a family right away, and thus finds herself condemned to either "Married men. Drunks. Pretty boys looking for someone to support them. Lunatics looking for their fifth divorce!" or a Sinatra. To see her sitting at a table across from Debbie Reynolds, 21, with all her plan figured out beforehand, claiming that without such precautions a woman runs the risk of spinsterhood. You can't help but feel for the spinster herself as she gazes with quiet desperation at Sinatra. Her last hope.

Yes The Tender Trap had quite a few weaknesses, but in all, I can't help but find it strange and lovely to find such fluff encrusted poignance. Sinatra and Debbie were cute, but when it came down to it, Celeste Holmes was magnificent.