Tu seras jugé

Federal circuit judge Joel McCrea rides into town. Amiable and pompous John Carradine greets him, and sheriff Emile Meyer says there's no call for his service. It turns out that Kevin McCarthy, son of local land baron John McIntire has shot someone and the man died, but since it was self-defense, he isn't being held. McCrea sees things differently; that's for a jury to decide. So McCarthy is jugged, much to the displeasure of McIntire and cousin Miroslava. McCrea must investigate on his own, along with Carradine, who has gotten himself appointed prosecutor, despite turning up at McIntire's dinner table.

It's one of the standard western plots and starts out like the better remembered RIO BRAVO, but with less star power. Still, McCrea is, as always, very solid in his western roles, Carradine always watchable, and McIntire excellent in what turns out to be a very complicated character. I don't think the ending quite works, but getting there is a pleasure, especially in the third act, where they leave town and the open country around Sedona Arizona is revealed by Technicolor specialist Ray Rennahan --- who's shooting in Ansco Color.

McCrea glows as the circuit judge attempting to deliver to justice the murdering son of a wealthy cattle baron. the routine tale is uplifted by a superior cast including a rare appearance by International star, the late Miroslava, John Carradine, John McIntire, Roy Roberts, and a pre-Invasion of the Body Snatchers (1956) Kevin McCarthy. The story moves at a rapid pace to a furious and unpredictable conclusion. This is truly a great western, and it is a shame that the only copy to make it to VHS is from film that is obviously deteriorated. C'mon Turner or AMC...this is one that deserves restoring!!!

Stranger on the Horseback is the first and less seen of the three westerns Jacques Tourneur directed in the 1950s, the other two being Wichita and The Great Day in the Morning. And in my opinion is the best of them.

This time the main character is not a sheriff, but a judge Rick Thorne (Joel McCrea) who comes to the small town in the west with the intent of establishing the thing that simply didn't exist there before - the law. Very soon he's joined by Colonel Streeter (John Carradine) who offers Rick his help.

The town is completely under control of a rich and powerful cattle baron Josiah Bannerman and his family gang. But Rick's determination is unshaken.

Soon Rick discovers that a little time before his arrival into town a man was killed by Josiah Bannerman's son - Tom. Tom claims that it was self defense, but Rick begins to conduct his own investigation with the intent to find witnesses and bring Tom to trial. Meanwhile he meets a beautiful Josiah Bannerman's daughter - Amy (Miroslava Stern) who falls in love with him.

Stranger on the Horseback is the best western Jacques Tourneur ever directed. Smoothly paced, with interesting characters, finely acted and with intelligent and witty dialogs it's a pleasure to watch from the beginning to the end. 8/10

1954's "Stranger on Horseback" was shot in Sedona AZ in the rarely used Ansco color process, rather than the far more popular Cinecolor. Joel McCrea is the star, playing circuit judge Richard Thorne, arriving in a town ruled by the Bannerman clan, investigating a shooting death where no arrests have been made. Trouble begins when Thorne learns that Tom Bannerman (Kevin McCarthy) was the shooter, his father Josiah (John McIntire) unwilling to allow any lawman to bring his offspring to trial. The beautiful Miroslava commands the screen as Amy Lee Bannerman, whose allegiance wavers under the judge's influence. Although a star in Mexico, she was actually Czech-born, a sad suicide only two weeks prior to this film's release. A year away from "Invasion of the Body Snatchers," the amiable Kevin McCarthy just isn't the right actor to play a slimy villain (all the bad guys are rather colorless). Legendary scene stealer John Carradine is in typical form, playing the tailor-made role of Colonel Buck Streeter, indeed a trial run for his Cassius Starbuckle in 1962's "The Man Who Shot Liberty Valance," seedy Southern prosecutor aiding the judge while staying close to the Bannermans (he disappears from the film once the cross country journey begins).

As usual, Joel McCrea is excellent in an underplayed role of dignity. The movie was filmed on magnificent locations surrounding Sedona, Arizona. Unfortunately I have only found black and white copies of this movie. To due the film justice it should be seen in color, which would greatly increase my rating for this movie.