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7 ans de réflexion

Titre original : The Seven Year Itch
  • 1955
  • 12
  • 1h 45min
NOTE IMDb
7,0/10
45 k
MA NOTE
7 ans de réflexion (1955)
Trailer 1
Lire trailer2:23
3 Videos
99+ photos
ComédieRomanceComédie Screwball

Un bon père de famille se retrouve célibataire pour un été quand une blonde ingénue très craquante vient occuper l'appartement voisin. Pêchera ti ou pêchera ti pas ? En sortant du cinéma, un... Tout lireUn bon père de famille se retrouve célibataire pour un été quand une blonde ingénue très craquante vient occuper l'appartement voisin. Pêchera ti ou pêchera ti pas ? En sortant du cinéma, une bouche de métro souffle un vent coquin sous la jupe de Marilyn [255]Un bon père de famille se retrouve célibataire pour un été quand une blonde ingénue très craquante vient occuper l'appartement voisin. Pêchera ti ou pêchera ti pas ? En sortant du cinéma, une bouche de métro souffle un vent coquin sous la jupe de Marilyn [255]

  • Réalisation
    • Billy Wilder
  • Scénario
    • Billy Wilder
    • George Axelrod
  • Casting principal
    • Marilyn Monroe
    • Tom Ewell
    • Evelyn Keyes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    45 k
    MA NOTE
    • Réalisation
      • Billy Wilder
    • Scénario
      • Billy Wilder
      • George Axelrod
    • Casting principal
      • Marilyn Monroe
      • Tom Ewell
      • Evelyn Keyes
    • 190avis d'utilisateurs
    • 103avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nomination aux 1 BAFTA Award
      • 2 victoires et 3 nominations au total

    Vidéos3

    The Seven Year Itch
    Trailer 2:23
    The Seven Year Itch
    The Seven Year Itch: Chopsticks
    Clip 1:28
    The Seven Year Itch: Chopsticks
    The Seven Year Itch: Chopsticks
    Clip 1:28
    The Seven Year Itch: Chopsticks
    The Seven Year Itch: Clip 1
    Clip 1:59
    The Seven Year Itch: Clip 1

    Photos195

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
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    + 188
    Voir l'affiche

    Rôles principaux34

    Modifier
    Marilyn Monroe
    Marilyn Monroe
    • The Girl
    Tom Ewell
    Tom Ewell
    • Richard Sherman
    • (as Tommy Ewell)
    Evelyn Keyes
    Evelyn Keyes
    • Helen Sherman
    Sonny Tufts
    Sonny Tufts
    • Tom MacKenzie
    Robert Strauss
    Robert Strauss
    • Mr. Kruhulik
    Oscar Homolka
    Oscar Homolka
    • Dr. Brubaker
    Marguerite Chapman
    Marguerite Chapman
    • Miss Morris
    Victor Moore
    Victor Moore
    • Plumber
    Dolores Rosedale
    • Elaine
    • (as Roxanne)
    Donald MacBride
    Donald MacBride
    • Mr. Brady
    Carolyn Jones
    Carolyn Jones
    • Miss Finch - Nurse
    Brandon Beach
    • Commuter at Station
    • (non crédité)
    Steven Benson
    • Kid at Train Station
    • (non crédité)
    George Bruggeman
    George Bruggeman
    • Commuter at Station
    • (non crédité)
    George Chester
    • Porter
    • (non crédité)
    Noble 'Kid' Chissell
    Noble 'Kid' Chissell
    • Train Station Gateman
    • (non crédité)
    Richard Elmore
    • Commuter at Station
    • (non crédité)
    Duke Fishman
    Duke Fishman
    • Commuter at Station
    • (non crédité)
    • Réalisation
      • Billy Wilder
    • Scénario
      • Billy Wilder
      • George Axelrod
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs190

    7,044.9K
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    10

    Avis à la une

    7caspian1978

    Marilyn at her most innocent

    In Some Like it Hot, Marilyn was the hottest she ever was. In Gentlemen Prefer Blondes, she's the Woman of all Women. But in The Seven Year Itch, Marilyn is the prize of all treasures. She is timeless in every frame of the film. Coming across as this unique, cute, and innocent little woman, Marilyn makes your mind race, your heart thump, and your youth return.

    No one else but Marilyn Monroe could play "The Girl" in the movie. She is just that, a girl, but much much more. Most of the physical comedy in the film is executed by Monroe herself. A lot of us don't realize this as we expect most of the comedy to come from the comedian in the film, Tom Ewell. A must see if you are a fan of America's first Dream Girl, the amazing Marilyn Monroe.
    7Xstal

    An Itch Worth Scratching...

    Poor Richard Sherman's got himself in such a state, he's been mesmerised and is starting to fixate, a screen goddess lives upstairs, summertime is for affairs, now he's drinking, smoking, getting quite irate; as his wife has left the city for the country, and middle age makes him behave, quite dumbly, it's the itch of seven years, that's interfering with his gears, but just a scratch will turn his world, fragile and crumbly.

    Fair play to him though, as I suspect most men in his position wouldn't behave the same way when presented with a new neighbour who's innocent exhibition and confiding character (along with a number of other engaging attributes) are so overwhelmingly enticing, especially to the archetypal 1950s middle aged man.
    9mrwoof-367-885940

    It's all a dream

    A conclusion I came to some time ago (and that doesn't seem to be reflected in any of the other reviews here) is that the whole story is a dream, a waking fantasy, on the part of Richard Sherman (Tom Ewell). There were no scenes where there is any objective confirmation of the existence of the Marilyn Monroe character, where anyone else could confirm any of the events between them; even the scene where Kruhulik (Robert Strauss) walks in is just the three of them, and Kruhulik is drunk, thus unreliable as a witness. Add to that the fact that Marilyn's character has no actual name, and is only referred to in the credits as "the girl", leads me to believe that the whole thing is Sherman's fantasy, that "the girl" never actually existed, that it's all a guilt-driven fantasy on the part of a 39-year-old middle-class white guy confronted with a "summer bachelorhood" in the City without his family. 🤔😉😊
    7claudio_carvalho

    Naive and Innocent in the Present Days, Tested the Limit of Censorship in the 50's

    In summertime in Manhattan, the plain and average Richard Sherman (Tom Ewell) sends his wife and son for vacation in the country. Sherman is the key man of a publishing firm, Brady & Company, which publishes cheap pocket books. The faithful Sherman has a routine life with his family and dreams on being successful with women. When a beautiful and sexy blonde lodges the upstairs apartment of his small building, Sherman first opens the front door for her and then he invites her to have a drink with him after the fall of her tomato vase on his chair on the backyard. Along the days, he spends some time with the girl and feels tempted by her, but later he misses his family and travels to meet them.

    "The Seven Year Itch" is a naive and innocent romantic comedy in accordance with the contemporary moral standards, but actually this feature tested the limits of censorship in a time when Hollywood was ruled by a rigid moral code. The story is based on a George Axelrod popular 1952 Broadway play about a man that has an affair with his upstairs neighbor. Unfortunately in the 50's, the American cinema did not have the same artistic freedom as theater. The screenplays and movies were submitted to the scrutiny of the powerful Hayes office, the censorship of Hollywood. There was a Production Code in Hollywood that stated that adultery should not be the subject of comedy or laughs, and this story violated the Code. Billy Wilder was fascinated by this story and purchased the rights of George Axelrod. However, to make the movie was a challenge for this great director, since many scenes and lines were ripped away by the censorship and by the National Legion of Decency, mutilating the plot.

    Marilyn Monroe was selected to the cast, but Billy Wilder wanted a plain, average and non-handsome actor for the role of Sherman. His first choice was Walter Matthaus, but Fox direction did not want to take the risk of an unknown lead actor, therefore they selected Tom Ewell. The most famous scene of Marilyn Monroe, with her dress being lifted by the air of the subway, was first an exterior scene, but later Billy Wilder needed to shot again in the set because the noise and whistles of the viewers spoiled the original footage. This external scene also provoked the end of the marriage of Marilyn with Joe Dimaggio, who felt humiliated with the manifestation of the public.

    One dialog that I particularly like is when Sherman and the blonde leave the movie theater and she says that the creature needed to be loved, in an analogy between Sherman and the creature of the black lagoon. The restored DVD is fantastic and this is the most sexually suggested role of Marilyn Monroe to date. My vote is seven.

    Title (Brazil): "O Pecado Mora ao Lado" ("The Sin Lives on the Next Door")
    7Nazi_Fighter_David

    Magic on the screen: Monroe fights the New York heat and gives pleasure to Ewell

    In the 'fifties Hollywood created its biggest, best-loved and most powerful sex symbol of all—Marilyn Monroe…

    Marilyn's appeal was, perhaps, in her weakness, in that revealing look of innocence and confidence, in her intense desire to be loved…

    The 'seven year itch' points out the instinctive desire to be disloyal after seven years of matrimony, with a longing to satisfy one's sexual needs…

    This amusing film was adapted from a Broadway play of the same name by George Axelrod, with Tom Ewell reprising his Broadway role, walking, worrying, and sweating…

    Tom and Evelyn Kayes have been married for seven years… While he remains in Manhattan on business, Evelyn and their son Ricky (Butch Bernard) go off to Maine to escape the sweltering summer…

    The apartment upstairs has been rented to a television blonde model (Marilyn Monroe). When she forgot her front door key, she had to ring Ewell's bell to let her into the building…

    When Marilyn accidentally knocks a tomato plant onto Tom's terrace, the happily man invites the luscious young beauty downstairs for a drink, indulging in fantasies about taking her in his arms and kissing her 'very quickly and very hard'…

    Marilyn comes in, explaining that she feels safe with married men... He makes a clumsy pass while they are at the piano but both fall off the seat… He stammers an apology, but she pretends it is nothing…

    When Marilyn returns to her apartment, Tom envisions his wife having an affair in Maine with their big neighbor, Tom McKenzie (Sonny Tufts)… Then he sees himself lost between foolish fantasies of seduction, and terrible ideas of his wife capturing him in action… Finally he decides to put an end to his visions and asks Marilyn out to a movie...

    On their way home, they stop on a subway…

    As the trains go by underneath, Marilyn's skirts billow up…

    It is so hot in the city she presumably loves the rush of air on her thighs…

    Marilyn plays the scene in innocent delight… And Billy Wilder's shot shows a strapping blonde with a white skirt blown out like a spinnaker above her waist…

    For this famous shot alone, the movie is a must see

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Billy Wilder preferred shooting in black and white, but Marilyn Monroe's contract with Fox called for all of her movies to be shot in color. Monroe always thought that she looked far more attractive and glamorous in color than in black and white.
    • Gaffes
      Both Richard and his boss, who are in the book publishing industry, refer to "The Portrait of Dorian Gray". The actual title of the Oscar Wilde novel is "The Picture of Dorian Gray".
    • Citations

      The Girl: When it gets hot like this, you know what I do? I keep my undies in the icebox!

    • Crédits fous
      When the title appears, one arm of the T in ITCH reaches down and scratches the stem of the letter.
    • Versions alternatives
      Version released in then West Germany contains some profanity.
    • Connexions
      Featured in Marilyn (1963)
    • Bandes originales
      Piano Concerto #2
      Composed by Sergei Rachmaninoff (as S. Rachmaninoff)

      Played on a record and often in the score

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    FAQ23

    • How long is The Seven Year Itch?Alimenté par Alexa
    • What is 'The Seven Year Itch' about?
    • Is 'The Seven Year Itch' based on a book?
    • Just what is a "seven year itch"?

    Détails

    Modifier
    • Date de sortie
      • 29 février 1956 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La comezón del séptimo año
    • Lieux de tournage
      • 164 East 61st Street, Manhattan, Ville de New York, New York, États-Unis(exterior of Richard's apartment)
    • Sociétés de production
      • Charles K. Feldman Group
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 800 000 $US (estimé)
    • Montant brut mondial
      • 22 277 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 45min(105 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.55 : 1

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