Le cercle infernal

Good drama film that delivers it's promise with good production and Cinemascope magic.The lead actors are great and the soapy drama style is done well enough.All in all an above average film and nothing more.To nitpick,a better story and script would have taken this movie to a much higher level.Not for people who do not like racing and soap style drama.Big Kirk Douglas fans will love seeing him in his prime.......

Henry Hathaway's "The Racers" bears a certain comparison with Mark Robson's "The Champion" as both films deal with a man determined to raise himself from the lower level of society (no matter the cost) to win an ambitious position of wealth and respect with being a sport celebrity...

Kirk Douglas is an Italian bus driver obsessed with the desire to win the Grand Prix de Napoli with his home-built car, competing against some of the best drivers, best engines and best engineers...

It is a race of genius over machinery... Douglas has thought out each turn of the wheel, each acceleration of the pedal, each pass to perfection... From there his ambition takes no limit and his perseverance to win by ways of antagonism from fellow drivers and estrangement from the woman who loves him...

Lively directed by Hathaway and beautifully photographed in Technicolor, "The Racers" is a revival of all five senses... The atmosphere of the circuits is electric... The energy and sheer excitement from the roar of the engines and the screams of the crowds are feelings that only the CinemaScope can produce... Whether or not your favorite hero takes the checkered flag, you stand up and cheer the winner across the finish line...

But like many another films dealing with sport, "The Racers" suffers from a banal story and questionable characterizations... It tries to increase its appeal to women audience by having its attractive heroine, a ballet dancer (Bella Darvi) one interested in high fashion... In this way female viewers glimpse the flashes of color of fashion salons in addition to scenic shots of the French Riviera, Paris, Rome, and the authentic locations of the acclaimed auto racing sites...

Not only do you get the insight of a lifetime of champions (two of whom are played by Gilbert Roland and Cesar Romero) but you share many racing experiences with Lee J. Cobb who shows great aptitude as the racing manager... But again, it is the story - a routine melodrama totally unmemorable but impersonally efficient - that hangs heavy...

For those interested in sports car, speedways' drivers, and the celebrated runways of Europe, "The Racers" remains a film worth watching...

Racers, The (1955)

* 1/2 (out of 4)

Extremely poor racing film about a hot shot driver (Kirk Douglas) who tries to woo a woman (Bella Darvi) while pissing everyone off. Think Champion and take away everything great and you end up with this movie, which is pretty bad from start to finish. I'm really not sure what the point of this thing was but I can say it's the worst Douglas picture that I've seen to date. A lot of the film has various racing scenes, which were boring but they were the best thing about the movie. There's some nice crashes and stunt work but all the dramatic stuff sandwiched between is just deadly dull, lifeless and pointless. Douglas really sleepwalks through his role and it's probably the worst I've ever seen him. I'm not sure what was up with Darvi but she is one of the worst actresses I've seen in a major picture. Her sexy routine was just dreadful. The supporting cast includes Cesar Romero and Lee J. Cobb but neither are given much to do. The film was shown with a 2.55:1 ratio but I had to see it in 2.35:1, which makes for some nice shots but there's no meat with those shots.

This film is much better than the soapy, more recent "Grand Prix," though without the high production values of that film. The off-track drama is kept to a minimum, with Kirk Douglas playing an Italian race driver (without an accompanying accent), with co-racers Gilbert Roland (the devil-may-carefree driver and the retiring Cesar Romero) acquitting their roles in fine shape. The racing, both during real races and simulated, is quite well done. The Grand Prix cars of the late '50s are shown in their glory, with races at Monaco, Monza, Nurburgring and sports cars running the thousand-mile Mille Miglia. Certainly worth your time to watch--it comes up on TCM on occasion, or is available on Netflix.

For The Racers, Kirk Douglas dusts off his character from Champion and gives it a new home in the European Auto Racing Circuit. He also decides, wisely I believe, not to adopt any kind of phony Italian accent in his portrayal of Gino Borgesa, a race car driver who is ruthless in his drive to reach the top of his profession.

Henry Hathaway assembles a very good supporting cast with Lee J. Cobb as the Italian auto manufacturer and fellow drivers Cesar Romero and Gilbert Roland giving a good account of themselves.

This must have been a chore for Douglas to make however because Darryl Zanuck was using this film to showcase his latest mistress, Bella Darvi. The woman made three films this one, Hell and High Water, and The Egyptian before Zanuck gave up.

Poor Bella couldn't act worth anything, but supposedly her other talents were legendary. Her life story would make a fascinating film, much better than The Racers. Bella did look right at home in the various jet setting locales for The Racers. It's where she spent her time and tragically died too young there.

As for The Racers, Kirk simply reprises his role in Champion and goes through the motions. Champion was a far better film. And the ending was no cop out as I believe viewers of The Racers will find to be so.

Good action scenes here. But in the sixties Grand Prix with the advantage of Cinerama would make The Racers outdated on a technical level.