Une ville passe par l'enfer

Before the actual film begins, there is a 13-minute newsreel-style preface hosted by Clete Roberts in which he interviews the actual participants. Interestingly, this was done while the criminal cases discussed in the film were actually still being prosecuted.

This film is a film noir-like film that dramatizes the actual story about the town of Phenix, Alabama--a city run by gamblers and organized crime. It seems that in the 1940s and 50s, all kinds of vice was ignored by cops and city officials who were paid to look the other way. As a result, the soldiers in nearby Fort Benning were routinely cheated and had little, if any recourse. Eventually when local citizens tried to stand up for law and order, the mob resorted to threats and even murder to hold on to their power.

Unlike the typical film of the day, the scenes are quite brutal and violent. The only sour note is the scene of the child being tossed onto the lawn--it's obviously a dummy. There is also a lot of brutal and frank language--some of which might offend you, though it does lend the film an authentic sound. And, despite having mostly smaller caliber actors, they generally did very well. An odd note was having Richard Kiley of all people playing a tough action hero--he just wasn't the sort of guy you'd expect to see acting with his fists. Overall, this is an excellent low-budget film--well worth seeing.

The only question I have about all this is how much is true and how much was changed for the film? According to IMDb the Attorney General was not quite the saint you see in the film, but what about the other facts? I'd sure like to know more.

"The Phenix City Story" is a brutal, hard-hitting docudrama about what was once dubbed the "wickedest town in America." The film documents the events that led up to the murder by the Phenix City crime syndicate of Albert Patterson, an Alabama attorney who made a bid for the state attorney general's office as a way to clean up the vice and corruption plaguing his hometown. His son, John Patterson, picked up his father's mantle after his death and won the post, making clean up of Phenix City a primary item on his agenda.

Director Phil Karlson created a film that has the ability to shock even today. The grimness is so relentless that the film is actually difficult to watch. We see the crime syndicate beat and kill in order to get what they want -- the beatings and killings include women and children, and one scene in particular, revolving around the death of a little black girl, is especially disturbing. It's not exactly an enjoyable film, because there's very little payoff at the end to reward the viewer for sitting through the infuriating events leading up to it, but it's a well made film, full of an intense and angry energy.

A 15-minute prologue includes a series of interviews with the actual inhabitants of Phenix City, some of who are then portrayed by actors in the fictional portion of the film. It lends the film a quality of urgency that carries over into the narrative, so that we feel like we're watching a documentary the entire time, a feeling that's helped by Karlson's choice to film on actual locations.

I'm glad I saw this movie, but it's one of those films that fills you with a sense of righteous indignation and then makes you feel helpless because you can't do anything about it.

Grade: A

I'm surprised that more people are not aware of this story which climaxed with no less than the murder of the Democratic nominee for Attorney General of Alabama at the time when said nomination was tantamount to election. That the election of Albert Patterson scared the local criminal syndicate into that kind of move is almost unprecedented. The only other example I can think of something like this occurring was in the early years of the last century when Special Prosecutor Francis J. Heney was shot and wounded while he was investigated the corrupt city machine in San Francisco.

After a brief documentary introduction by CBS news reporter Clete Roberts of actual Phenix City residents, the story begins with the Pattersons, father John McIntire and son Richard Kiley getting reluctantly involved in the fight to clean up their town which is notorious for being a wide open cesspool of vice and corruption. It's pointed out that Phenix City is across from Columbus, Georgia and thirty minutes from Fort Benning. A certain amount of vice and corruption will inevitably settle there in towns that cater to the military and the pleasures the service people will seek off duty.

But Phenix City has gotten way out of hand and it's become a state embarrassment to the people of Alabama. Which is why John McIntire wins that primary leading the way to the unheard of events that followed. Let's just say that what happens here was contemplated, but never done in Chicago during the days of Al Capone.

The cast also includes Kathryn Grant as a young woman working as an informer in one of the clubs, Lenka Patterson as Kiley's loyal, but concerned wife, Edward Andrews and John Larch as brains and muscle behind the syndicate. It also includes James Edwards and Helen Martin whose child is killed when Edwards helps Kiley. With I might add the appropriate feeling one might have for a small black girl in Alabama of the Fifties.

After the action of this film John Patterson took his dad's place as Attorney General and did put an end to the corruption of Phenix City. In 1958 he ran for Governor and won, but contrary to what you might think ran on a strict segregationist platform. His main primary opponent taking the more moderate racial position was George C. Wallace. That never happened again, Wallace saw to that.

And Patterson is still alive and in 2008 was a supporter of Barack Obama for president. Truth can really be stranger than fiction.

The Phenix City Story is a hard hitting, pulling no punches documentary style of a family's fight against corruption. Try to see it when next broadcast.

Whether your a fan of Noir or not, The Phenix City Story remains superior filmaking on all levels regardless of it's budget and lack of special effects. While some may laugh at substituting a doll briefly for a dead child; it's follow up scene continues to have as much shocking impact today as it did upon it's release. To say this is textbook noir filmaking is too small as by all standards The Phenix City Story is the barometer by which crime, realism, fistfights and expose cinema is measured up to.

Sometimes rush jobs really work out, like Phenix City Story. Consider that the movie was scripted, shot, and processed in less than a year after the triggering event of Patterson's murder. Credit the producers or someone for coming up with a first-rate cast, a marvelous director, and a big enough budget for location filming in the actual Phenix City. The result is the best of the "city expose" movies so popular at the time.

There's a rawness to the violence here that's more convincing than usual, in part because of director Karlson's "feel" for the material and also because it appears to grow organically out of the seedy surroundings of honky-tonks and carousing soldiers on leave from Fort Benning. Credit too the fine, underrated Edward Andrews for blending oily charm with ruthless violence, just the qualities needed to run an operation of that sort. Kiley too delivers in spades, his rage unusually intense and realistic. The only questionable note is Katherine Grant's Ellie, seemingly too sweet and naïve for a dealer in a crooked set-up.

Getting Karlson was a real coup. He was just hitting his stride as a top crime drama director during this period. His staging of the little girl's murder is a real grabber, along with the parking lot beating. In fact, the movie has an unusually pervasive atmosphere of unrestrained evil. Credit should also go to screenwriter Dan Mainwaring for a good tight script and some timely notes on the downside of vigilantism. Apparently, the lengthy prologue was added to ease censorship concerns, and, aside from historical value, can easily be skipped.

Anyway, the film's a must-see for B-movie fans, a happy coming together of a number of underrated Hollywood talents.