Our Miss Brooks

Is this disappointing because the passage of time has given the TV (1952-56), and especially the radio (1940s) series a nostalgic glow they don't deserve? I don't know, but the movie is only mildly amusing in spots -- much of it is a bore -- while I recall the radio series with pleasure.

The nature of the plot line is quite different from both of the broadcast series, partly because the movie feels it needs to wrap up a story cleanly. In the series -- sort of like a movie serial -- the characters are left largely as we found them at the start of an episode -- Miss Brooks panting for the indifferent Mr. Boynton, Osgood Conklin fuming about his daughter's interest in the bumbling Walter Denton, who in turn is contemplating his next (mis)adventure. Denton is the one who's most changed in the movie. He was the main character in the radio shows, getting into one scrape after another (ala Andy Hardy), with Miss Brooks usually intervening in some way to bail him out. I don't recall the beginning of the radio series, but it seems that Connie Brooks had been at the school forever -- as had Denton, for that matter -- not a new arrival as in the movie. This is an interesting period piece, but not really good entertainment.

WHEN THIS THEATRICAL movie hit the local theatre screens in 1956, the CBS Network powerhouse sitcom was long over the hill and heading toward its eternal reword in Sitcom Heaven. Ignoring the old axiom of "If it ain't broke, don't fix it!", those in charge at CBS decided to revamp the series with unnecessary changes of venue (different school), setting (City & state) and cast characters.

WELL, THERE HAD certainly been enough popularity and appeal left in this now "venerable" CBS Radio/Television and someone had the brainstorm to bring its story and original characters to the big screen of our local theaters. Disdaining the changes that had been foisted on us in the waning days of the series, the theatrical version of OUR MISS BROOKS brought the story back to Connie Brooks' arrival at Madison High School and her meeting with Mr. Boynton, Mrs. Davis, Walter Denton, Mr. Conklin, Harriet Conklin, "Stretch" Snodgrass, .....etc.

ADDED TO THE original gang and story-line was a sort of subplot involving Mr. Conklin's running for office of Educational rep and the introduction of Don Porter as widower and well to do newspaper publisher (and potential suitor) Lawrence Nolan. Then Warner Brothers contract player, Nick Adams, portrayed son of the rich guy, Gary Nolan.

ALL THINGS CONSIDERED, the picture was a successful 1950's style comedy that did a great job in closing the OUR MISS BROOKS story with a "....And They Lived Happily Ever After!" fairy tale ending.

THE FILM ALSO gave us a chance to see the members of the supporting cast at their very best. These players are: Gale Gordon (Mr. Conklin), Jane Morgan (Mrs. Davis), Richard Crenna (Walter Denton),Gloria McMillan (Harriet Conklin)and Leonard Smith (Stretch Snodgrass). Robert Rockwell (Mr. Boynton) was perhaps shown to the best as he was allowed to show much of his yet unseen abilities.* Also, before we forget, cameo by lovely, statuesque and non-speaking, uncredited actress is really June Blair; formerly Playboy Magazine's "Playmate of the Year for 1957, as well as the future Mrs. David Nelson ADVENTURES OF OZZIE & HARRIET).

TAKING THE TIME to screen this theatrical film version of OUR MISS BROOKS will prove to be time not wasted by anyone.

NOTE: * The part of Mr. Phillip Boynton on the radio version was portrayed by one Ira Grossel; who would change his name to Jeff Chandler and pursue a most successful, but all too abrupt film career. But whoever was to play the very naive Biology teacher would have to be taller than average; as Miss Eve Arden was, herself, a very tall woman.

The movie manages to blend more serious points with a light-hearted humor worthy of the OMB franchise. As expected, Brooks (Arden) gets a lot of good snappy lines. In fact, the script individualizes each of the characters in distinctive fashion, from bumbling Boyton to squeaky Denton to smug Conklin. Of course, Brooks being a respected English teacher can't be spoofed, but as a single middle-age woman, she gets her share.

But please, oh please, don't let Denton squeak out another tune. He may have ruined music forever. And get a load of June Blair as the knock-out blonde who parades through the newspaper office like a candy doll in a boy's gym class. There's also a number of nice touches, like Brooks nudging open a dreamy bridal door, or the stuffy Conklin stepping onto a broken ladder and into the sea, or the helpful location shots of mid-50's suburbia.

The plot has several threads—untangling Brooks' romantic life, reforming a delinquent Gary Nolan (Nick Adams), getting Conklin elected to School Board, among others. Note the one straight role is Adams' wayward teen. This was a time when juvenile delinquency was a major social concern. So the script goes to some length showing how the boy is reformed by honest work.

Overall, the canny script manages to interweave the many threads in entertaining fashion. Nonetheless, it's the impeccable Arden who carries the show with her compelling presence. All in all, I think it's a rather underrated 90-minutes of smoothly done chuckles, and a fitting final curtain for the memorable OMB.

(In passing-- I suspect one reason the movie has been generally overlooked is because of the familiarity of the format, namely the long-running TV and radio versions, that eclipsed the overall quality of this production.)

I saw "Our Miss Brooks" with the incomparable Eve Arden. This comedy tickles your innermost being. I am a fanatical devotee of the TV series, and this movie disappoints me not. He who hasn't watched it or TV series has missed the finest morsels human wit has to offer. I never laughed, but my whole body chuckled. (From my diary).

This film was made immediately upon the completion of the popular four-year run of the TV series, which itself followed a successful radio show, YET for some reason, the filmmakers chose to treat the storyline as if they hadn't existed. It would have made sense had the film been made twenty years later, as in "The Brady Bunch," "Mission Impossible," "Charlie's Angels'" etc. Starting from scratch seems to be backpeddling, but I guess it didn't bother folks in 1956.