Pour que vivent les hommes

I've just been treated to this wonderful film, courtesy of the wonderful TCM, and while it is not the best film ever made, and is indeed flawed, I can't believe this has been SO overlooked as it has!! This takes place in then-modern day 1955, which, if you think about it, is just after the Korean war. I'm a BIG fan of the TV series "M*A*S*H," so a film mostly concerning surgeons in the mid-'50s has GOT to interest me. But the real surprise here is that, as popular as giant stars like Robert Mitchum, Olivia de Havilland, Frank Sinatra, and Broderick Crawford were at the time of this film's release, more hasn't been said about it since then. In other words, I should've heard of it long before now.

Mitchum and Sinatra are chums at a medical school, and their prime professor is Crawford. Mitchum is the student EXTREMELY determined to become a doctor, as opposed to Sinatra and other friends, who are pretty half-assed in their desires. Then, Mitchum finds he's having troubles coming up with enough money to finance the tuition for his next year of education. Suddenly, he meets and falls in love with a Swedish nurse, who has plenty of money to help him through the hard times. So Mitchum then marries the lady. Mitchum's friend Sinatra thinks this is a bad thing to do, and tells him so, but life goes on. Like I said, this is not a movie without flaws, but it's so full of rich performances and a cast of unbelievable stars of past and present (hey, when was the last time you saw the Little Rascals' Alfalfa and the Beverly Hillbillies' Miss Jane in the same movie?). This is so totally worth seeing. As a fan of old movies, and having a total appreciation for Mitchum, Sinatra, Ms. de Havilland and Crawford, this was an unexpected joy to behold. ***, out of ****

Nicely cast melodrama from the 1950s with the notable exception of Robert Mitchum in the lead. Despite the miscasting, Mitchum does deliver a strong performance, but I think Kirk Douglas would have done far more with the role of Lucas Marsh.

Olivia DeHavilland has a very convincing Swedish accent in her role as the 30s something nurse who marries Mitchum for love when he's courting her for her money so he can finish medical school. And that's really where the story begins. Mitchum's Lucas Marsh wants that medical career so bad, he'll do anything for it. He's arrogant, self-centered, and when he falls away from the ideal that he sees himself as, it's a come down. Whether having to apologize to Whit Bissell when he challenges him in class, or giving way to passion when he's unfaithful to DeHavilland with Gloria Grahame, he destroys himself bit by bit. When Mitchum makes a mistake in an operation that costs the life of his benefactor Charles Bickford, he's close to suicidal. In the end we're really not sure he's going to live with himself.

The rest of the cast is outstanding. Frank Sinatra in a role similar to Angelo Maggio in From Here to Eternity functions well as Mitchum's conscience. I also have to single out Lon Chaney, Jr. who in his one scene in the movie as Mitchum's father, delivers one of his best performances.

In the recent biography of Robert Mitchum, Baby I Don't Care, the author says that Stanley Kramer unknowingly assembled one of the biggest group of booze hounds in Hollywood. Robert Mitchum, Frank Sinatra, Broderick Crawford, Myron McCormick, and Lon Chaney, Jr. were all legendary in the drinking profession. But God Bless Stanley Kramer who managed to get them all working on a good piece of film making.

I'm a general practitioner and I can tell that this kind of doctoring regretfully does not exist anymore. I do not mean the business with the mole which, of course by what we know now, was wrong. I mean that these guys were really general practitioners who did almost everything, leaving almost nothing to specialists.

But that's not really why this movie is good. The character that Mitchum plays is a complicated one but still his motive is to be somebody that matters in this world, to be a genuinely worthy doctor. He doesn't lack heart but he lacks tolerance.

The reason I like this film is however that it describes people who truly care. Tolerance has a danger to slip into permissiveness, especially concerning power and that has happened too much today. With all it's shortcomings, and there are indeed some, the times that are displayed here still were a lot more decent than what we have today and what makes this film especially precious is that you can see the embryo of more evil times to follow if you are attentive enough.

A film to learn from in many ways.

Very good black and white Doctor Film. Robert Mitchim does a fine job playing a dedicated doctor. He proves that he can play a sensitive character as well as a cowboy or detective. Broderick Crawford was well cast as a teaching Pathologist. Mr. Crawfords ability to play an overbearing and intense individual suits his character quite well. Operating room and Hospital Ward scenes were well done as this is now a 55 year old Movie. It remarkable how much the medical profession as advanced in innovations and equipment in a little more than half a century. Worth watching especially if you are a Mitchim fan. It is one of the better films of the fifties where they don't over due lighting up and smoking one Cigarete after another. Harry

Stanley Kramer made his directorial debut here, following the journey of a medical intern who marries for money, later becoming a country doctor with an unhappy love life. Surprisingly involving adaptation of Morton Thompson's novel is both cynical and humorous, and Kramer really excels in the scenes behind hospital doors, particularly in the patient montages. He takes a good while to warm up however, and the actors also struggle getting into character. Robert Mitchum is generally miscast--he doesn't strike me as the medic type--as is Frank Sinatra, cutting up à la Jack Lemmon (Sinatra nevertheless gives the film some bounce). Olivia de Havilland does her usual good work in the romance department. Second-half of the picture is more assured, if more routine, but the film is quite entertaining on the whole. One Oscar nomination: Best Sound. **1/2 from ****