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IMDbPro

Napoléon

  • 1955
  • Tous publics
  • 3h 2min
NOTE IMDb
6,0/10
664
MA NOTE
Napoléon (1955)
BiographyDramaWar

La vie, les amours et le destin exceptionnel de Napoléon Bonaparte de 1769 à 1821, mais à travers les yeux de Talleyrand, homme politique cynique et ancien ministre des Affaires étrangères d... Tout lireLa vie, les amours et le destin exceptionnel de Napoléon Bonaparte de 1769 à 1821, mais à travers les yeux de Talleyrand, homme politique cynique et ancien ministre des Affaires étrangères de l'Empereur de France.La vie, les amours et le destin exceptionnel de Napoléon Bonaparte de 1769 à 1821, mais à travers les yeux de Talleyrand, homme politique cynique et ancien ministre des Affaires étrangères de l'Empereur de France.

  • Réalisation
    • Sacha Guitry
  • Scénario
    • Sacha Guitry
    • Joe Wyner
  • Casting principal
    • Jean-Pierre Aumont
    • Jeanne Boitel
    • Pierre Brasseur
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    664
    MA NOTE
    • Réalisation
      • Sacha Guitry
    • Scénario
      • Sacha Guitry
      • Joe Wyner
    • Casting principal
      • Jean-Pierre Aumont
      • Jeanne Boitel
      • Pierre Brasseur
    • 14avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos15

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    Rôles principaux99+

    Modifier
    Jean-Pierre Aumont
    Jean-Pierre Aumont
    • Régnault de Saint-Jean d'Angély
    Jeanne Boitel
    • Madame de Dino
    Pierre Brasseur
    Pierre Brasseur
    • Le vicomte Paul de Barras
    Gianna Maria Canale
    Gianna Maria Canale
    • Pauline Borghese
    Pauline Carton
    Pauline Carton
    • Une aubergiste
    Jean Chevrier
    Jean Chevrier
    • Le général Duroc
    Danielle Darrieux
    Danielle Darrieux
    • Eléonore Denuelle
    Clément Duhour
    Clément Duhour
    • Le maréchal Michel Ney
    Jacques Dumesnil
    Jacques Dumesnil
    • Le maréchal Jean-Baptiste Bernadotte
    O.W. Fischer
    O.W. Fischer
    • Le prince Karl von Metternich
    Jean Gabin
    Jean Gabin
    • Le maréchal Jean Lannes
    Daniel Gélin
    Daniel Gélin
    • Napoléon Bonaparte - jeune
    Cosetta Greco
    Cosetta Greco
    • Elisa Baccioli
    Sacha Guitry
    Sacha Guitry
    • Le prince Charles de Talleyrand
    Madeleine Lebeau
    Madeleine Lebeau
    • Emilie Pellapra
    Jean Marais
    Jean Marais
    • Le comte de Montholon
    Lana Marconi
    • Marie Walewska
    Luis Mariano
    Luis Mariano
    • Le chanteur Garat
    • Réalisation
      • Sacha Guitry
    • Scénario
      • Sacha Guitry
      • Joe Wyner
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

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    Avis à la une

    8Kirasjeri

    A solid offering.

    For the ultimate "Napoleon" experience we have to go to 1927 and Abel Gance's masterpiece. Guitry's version is solid - but it crams almost thirty years into one movie. Gance had a longer movie - but it ended in 1797; Waterloo was in 1815, and Guitry's account even went beyond Napoleon's death: it concluded with the glorious return of Napoleon's remains to Paris much later. Nonetheless, even though it moved from scene to scene too quickly and needed more character development, this is a solid historical account worth seeing. BEST OF ALL, both the Gance and Guitry versions give us an alternative interpretation of Napoleon instead of the usual Anglophile hate-filled anti-French propaganda, as seen in "Horation Hornblower" and others.
    radu_cucraciun

    great comment on napoleon's comment

    i'm sorry but for such a big fan of hist(e)orical accuracy i think, and it is just a honest opinion that you should have made a spell check on your post. Then you would have acknowledged the fact that the word "emporor" written with a capital E does not restore the Emperor's honor not even when compared to Sacha Guitry's terrible attempt...But your little spelling error tells us more about the "type of cat" you are more then it tells us about Guitry's failure to satisfy your taste in historical re- enactments. I'ts not like you had to direct a whole movie...you just made a small comment on it...and look how it turned out...well good chance in finding something better then Abel Gance's silly re-enactment...as if artistic films should do just that...re-enact things as close as possible to your own petty little view...and i see that you are not only an expert in historical movies and how they should be done, but that you are also an expert in type casting, movie business and what not...it's good to see that people like you are still around, so the whole thing doesn't crumble to pieces... keep up the good work of being you, and long live the Emporor...right right?
    tentender

    Guitry's best color film?

    It appears that most of the comments here are based on viewing of the ridiculous Showtime American edition, which cuts out, if I am not mistaken, more than half the film, is dubbed and, apparently substitutes narration for dialogue, of which there is plenty, as well as the narration, ostensibly Talleyrand relating Napoleon's story on the day of his death, framing the historical episodes. At a little over three hours, this is a spectacular epic, and I recommend heartily seeing the French edition (an excellent print in gorgeous color, if a little dirty by American re-mastering standards). It looks gorgeous -- much more interestingly shot, designed and lighted than Guitry's other color epics, "Si Versailles m'etait conte" and "Si Paris nous etait conte," both of which have a very disappointing, glaring flat look. Many interesting star turns, notably a weird Beethoven by Erich von Stroheim and Orson Welles as Napoleon's jailer on St. Helena, but also some excellent more sustained performances, particularly Michele Morgan as Josephine and Daniel Gelin as the young Napoleon. (As in his earlier "Le destin fabuleux de Desiree Clary", Guitry -- who insists that after Austerlitz Bonaparte became Napoleon, another man entirely -- casts the younger and older Napoleon with two radically different-looking actors.) It's a very enjoyable film, and, if you know French, well worth seeking out in the French edition (no subtitles, unfortunately). The American one is a complete waste of time and money.
    dbdumonteil

    Trafalgar

    Among the historical works of Mister Guitry who epitomizes French humor,French wit and French spirit ,"Napoleon" is to my eyes the least interesting:it lacks the sweep of "Si Versailles M'Etait Conté " the absurd humor of the underrated "Si Paris M'Etait Conté" ,the madness of the "Perles de la Couronne ".Well and there is also "En remontant les Champs Elysees "....

    These big budgets works-there were only a few in France of the fifties ,foreign users would be surprised if they were told that only a very small percentage of movies were shot in color - have all something in common: the main character,Napoleon or La Fayette is played by not-very-famous actors (Here Raymond Pellegrin,in Gance's "Austerlitz " (not to be mistaken for his silent movie of 1927),it's Pierre Mondy ,and in Dreville's "La Fayette" ,it's Michel Le Royer,whereas the supporting cast includes all the who's who of the FRench cinema (not only ,Orson Welles shows up from time to time).

    For instance,in "Napoleon" there are plenty of stars:Michèle Morgan ,Danielle Darrieux,Jean-Pierre Aumont,Henri Vidal,Jean Gabin,Michel Simon,Jean Marais,Serge Reggiani,Pierre Brasseur,Daniel Gélin (as a young long-haired Napo) etc etc etc

    The film when you watch it in FRench is obviously desperately in need of humor,Guitry's forte.It looks like a beautiful pictures book which could be summarized as "Napoleon was a great man.Period".The less glorious episodes are almost passed over in silence ,like the Trafalgar disaster or the Russian retreat.Only Montand's song and Lannes ,now a legless cripple,pointing to the ambulance full of dying men and screaming "Enough!" have some emotional power.

    The crowning in Notre Dame is botched (Abel Gance found a better treatment of that scene in his own "Austerlitz ")

    Get the follow -up "Si Paris M'Etait Conté" instead !This was to be Guitry's testament
    Chuck-185

    Disastrously dull account of Napoleon

    This poorly made inexcusable film tries to be too sympathetic to Napoleon and is loaded with innumerable historical inaccuracies. Talleyrand doing the narration is absurd to begin with since he continually back stabbed Napoleon at every turn. Whether one loves the Emperor or loathes him, this movie will only bore you to tears. The acting is wooden and monotonous with the characters all indistinguishable from each other. The famous Battle of Waterloo is given all of one minute without even mentioning Napoleon's opposition and the retreat from Moscow isn't even shown at all. Anything worthwhile that Napoleon did in his lifetime is also completely left out. Lastly, Orson Welles as Sir Hudson Lowe (Napoleon's jailer on St. Helena) is the most incredible case of miscasting I've ever seen in any movie. It just shows how far Welles' stock had fallen in Hollywood to be involved in this farce just for a paycheck. Abel Gance's "Napoleon" from 1927 is still the film to see if one is interested in the life of the Emporer. Napoleon was at least an entertaining and animated conqueror/dictator. In this 1955 version starring Daniel Gelin, he is merely a glaring monosyllabic moron.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Several battalions of Senegalese and Annamite soldiers were mobilized for the battle scenes.
    • Gaffes
      The narration by the character of Talleyrand is purportedly spoken in 1821-1822, shortly after Napoléon Bonaparte's death. However, in the last scene Talleyrand describes Napoleon's reburial which happened in 1840, even though Talleyrand himself died in 1838.
    • Citations

      Bonaparte: I've just been born Joseph! Good bye! Good bye you English!

    • Connexions
      Referenced in Cinéastes de notre temps: Sacha Guitry (1965)
    • Bandes originales
      Plaisir d'Amour
      Music by Jean-Paul-Égide Martini

      Lyrics by Jean-Pierre Claris de Florian

      Sung by Luis Mariano

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    FAQ15

    • How long is Napoleon?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 mars 1955 (France)
    • Pays d’origine
      • France
      • Italie
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Napoleon
    • Lieux de tournage
      • Fort de Mourmelon, Mourmelon-le-Grand, France
    • Sociétés de production
      • Courts et Longs Métrages (C.L.M.)
      • Filmsonor
      • Francinex
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      3 heures 2 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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