Tornade sur la ville

I found the beginning of The Man from Bitter Ridge quite challenging. It seems you could get shot just for looking at someone the wrong way and face absolutely no consequences whatsoever. Unfortunately, this was oddly the case for too many westerns films from this period. I stuck with it and found myself grow increasingly involved in the story and the individual characters: the head of the sheep herders, the special investigator, the woman they both love, to the point where I can say I really enjoyed The Man from Bitter Ridge more than I thought I would. Definitely check it out if your curious and see what you think.

The Man from Bitter Ridge is directed by Jack Arnold and collectively written by Lawrence Roman, Teddi Sherman and William MacLeod Raine. Cinematography is by Russell Metty. It stars Lex Barker, Mara Corday, Stephen McNally and John Dehner.

Jeff Carr (Barker) is a special investigator who arrives in Tomahawk to seek out who has been holding up the local stagecoach with murderous intent.

It's your standard rank and file "B" Oater of the 1950s, but one of worth to the discerning duster fanatic. Beautifully photographed by Metty out of Conejo Valley and Skeleton Canyon - in Eastman Color (check out those blues) - the pic never lacks for action (dynamite play, shoot-ups, rounds of knuckles) and mysterious political intrigue.

Characterisations are boosted by the presence of McNally and Dehner (as usual), and Corday is socko beautiful enough to off-set what is - and was - often a standard Western female role. There's some neat touches in the screenplay, such as a black sheep metaphor, the fact our hero quite often is easily disarmed! And some good old false imprisonment.

It doesn't shake your boots off but it does ruffle them regardless. Good fun. 6.5/10

I am awarding this film 6/10 i.e. Somewhat above average. The first detail to catch my eye was the direction by Jack Arnold, far better known for his sci-fi exploits.

BITTER RIDGE posts some good sequences, a strong cast with Barker, McNally (one of my favorite supporting actors in Westerns), Dehner in fine form, generally effective cinematography and editing by Russell Metty and Milton Carruth, respectively - all that helps, even if some of the stunts are distinctly second rate.

Add to that the exceedingly beautiful Mara Corday, who any man would find tough not to love at first sight, as Barker confesses - and you know you won't be wasting your precious time with BITTER RIDGE.

Credible antagonisms among the male leads definitely help, even if the best scenes in the film involve the growing emotional ties between Barker and Corday.

The single major flaws reside in the repetitive script. BITTER RIDGE would have benefitted from 10-15 minutes less. At any rate, I enjoyed it.

Express company agent Lex Barker and sheepman Stephen McNally are reluctant allies and rivals for the hand of Mara Corday. Allies they have to be against three brothers John Dehner, Myron Healey, and Warren Stevens who not only are responsible for a whole lot of crimes, but Dehner is an ambitious man. He's embarked on a political career that has him running against local sheriff Trevor Bardette. A lot of what they're robbing is for his campaign expenditures, not for this, but because Dehner wants to be governor. Can't say he's not ambitious. Dehner's the brains and Healey and Stevens are the muscle end of the organization.

It's your average shoot 'em up western with an interesting political twist to the proceedings. The climax involves a shootout where the whole town seems to be involved. It's putting a real crimp into the scheduled election for sheriff.

Western fans should like this.

It's Not Often that Sheep-Headers are at the Center of the Heroics in a Cow-Boy Movie.

In Fact, Emphasizing the Point, Steve McNally's Head Herder Nicknames' Lex Barker "Cowboy" and Uses it Relentlessly Throughout.

There's Much Going On in this Overpopulated Picture...

Stage-Coach Robberies of Targeted Gold Shipments.

The Town Celebrating, Complete with Marching Bands, Banners and Placards, the Election of the Town Sheriff with One Seriously Corrupt Candidate.

A Love Triangle Between a "Tarzan-Like" Hunk, Lex Barker, a Rough and Ready to Fist-Fight at the Drop of a Hat, Steve McNally, and the Stunningly Beautiful Tom-Boy and Crack-Shot, Mora Corday.

There are Many Battles with Fisticuffs, Dynamite, and Guns-Blazing.

The Climax is so Riddled with Gun-Play in the Middle of Town and Hundreds of Bullets Flying Everywhere, its Difficult to Tell Who's Shooting Who and it Resembles a Circular Firing Squad.

Certainly a Big-Bang for the Buck, with a Big-Budget,

and Direction from a 1950's icon of Pulp Entertainment, Jack Arnold.

Certainly makes this Big Colorful Entertainment...

Worth a Watch.