L'homme qui n'a pas d'étoile

Kirk Douglas is perfectly cast as Dempsey Rae, the happy wanderer cowboy, expert in guns and horses... Rae rides the open range of the Old West with an eye for the ladies and a fancy way with six-shooters...

The theme of the film is the gradual disappearance of freedom as the Wild West settles down to business and puts up barbed wire to mark the lines of investment... Dempsey Rae is a happy wanderer, content to move further and further west to escape the fences... He meets up with a naive farm-boy "Texas" (William Campbell) who yearns to be a man of action and almost as inept... In Dempsey "Texas" finds the right tutor...

The two team up and get themselves a job working for a beautiful ranch owner, Reed Bowman (Jeanne Crain), who turns out to be as unscrupulous as she is attractive... Reed is a 'cattle queen' who rides down the fences of her neighbors carrying the action to its absolute limit in order to prosper and make money...

Dempsey is happy to work for the lady for $30 a month and even happier to make love to her but he draws the line at laying his life for her in range wars... He quits the crooked beauty and drifts into the nearby town, to renew his acquaintance with Idonee (Claire Trevor), a madam with the proverbial heart of gold...

The likable Dempsey is rocked out of his contentment by his successor at the Bowment Ranch, a brute named Steve Miles (Richard Boone) who feels he has to defeat every man in sight, especially when motivated by his glamorous boss...

"Man Without a Star" is a mighty satisfactory entertaining Western, once its premise is established... William Campbell helps Douglas make it so... The two performances are sympathetic, with Campbell looking to Douglas for leadership...

Douglas comes out as a likable star when he announces his presence by throwing his 'good looking' saddle on a window; he is graceful when he combs his hair with water from a goldfish bowl; and he is charming when he plays the banjo and sings a gaily ballad called: "And the Moon Grew Brighter and Brighter."

Jack Elam is cast as the leering, treacherous gunslinger trying to knife Douglas...

Director King Vidor had long established his ability with action sequences and pictorial scope in films like "Northwest Passage," and "Duel in the Sun," and "Man Without a Star" has a full measure of Vidor directed bar room fights, stampedes and chases...

With a lot of color, humor and action Vidor's motion picture is a traditional cattle range movie distinguished by its sheer energy and forceful visual style... The film traces some sex interest between Douglas and Crain, centering on a bathtub 'inside' the house...

Solid western directed in magisterial way, in the best genre tradition, by prestigious King Vidor. You can said the topic of the experienced cowboy teaching to a newcomer results very common at movies western. But Man Without Star is some more. This excellent movie picture tell us about the rivalry between two land´s possession different conceptions and about men´s maladjustment to new society rules. Everything is good at Man Without Star: the story (Borden Chase), the casting (Douglas, Trevor, Boone...), the song (Frankie Laine), and, of course, the production. Many director told us stories in western, but a few ones so efficaciously and with so easy manner like King Vidor at this picture. Because things results easier when you are expert. The same story was years later (also starring by Douglas) the Lonely Are The Brave starting point.

This excellent 50's western from Universal Pictures and director King Vidor stars Kirk Douglas as Dempsey Rae, a wandering cowhand in old west Wyoming. He and recently-acquired friend Jeff (William Campbell) find good work on a large cattle ranch, but new owner Reed Bowman (Jeanne Crain) complicates things, bringing in so many new head of cattle that the other, smaller ranchers will be forced out. Those ranchers have no choice but to start stringing up barbwire fences to save some grazing land for their own herds, which sets off a range war.

I liked this western despite the familiar story line, mainly due to the offbeat characters and good direction by Vidor. Douglas in particular assays a complicated man, a rowdy, seemingly fun-loving roughneck who is also capable of deadly violence at a moment's notice. His character Dempsey is not a heroic man, instead driven by personal demons that may lead to self-destruction or a sort of redemption. William Campbell is good as the young kid learning the ropes, while Jeanne Crain plays an alpha female not afraid to use her sexuality to get what she wants. And few actors of the time made better western villains than Richard Boone.

This is probably my favorite Kirk Douglas western. Although it has plenty of action this is not just another action western. Rather it deals with the implacable transition of the west from open range available to all to individually-controlled patches of range that are fenced off with barbed wire. Dempsey Rae (Douglas' character) loves open range and keeps drifting north to avoid the barbed wire which destroys it. Finally, however, he realizes that the small ranchers must fence off the range to protect themselves from the massive herds of a greedy rancher and her ruthless foreman and helps string and protect the wire that he hates so thoroughly. I love this under-rated western.

Man Without A Star is directed by King Vidor and adapted by Borden Chase & D. D. Beauchamp from the Dee Linford novel. It stars Kirk Douglas, Jeanne Crain, Claire Trevor, William Campbell & Richard Boone. Photographed by Russell Metty in Technicolor around the Thousand Oaks area in California, with the title song warbled by Frankie Laine.

Dempsey Rae (Douglas) is easy going and a lover of life, so much so he has no qualms about befriending young hot head Jeff Jimson (Campbell). The pair, after a scare with the law, amble into town and find work at a ranch owned by the mysterious Reed Bowman. Who after finally showing up turns out to be a lady (Crain), with very ambitious plans. As sexual tensions start to run high, so do tempers, as the boys find themselves in the middle of a range war.

It's all very conventional stuff in the grand scheme of range war Western things, but none the less it manages to stay well above average in spite of a tricky first quarter. For the fist part Vidor and Douglas seem to be playing the film for laughs, with the actor mugging for all he is worth. Add in the wet behind the ears performance of Campbell and one wonders if this is going to be a spoof. But once the lads land in town and the girls show up (Trevor classy, Crain smouldering), the film shifts in gear and starts to get edgy with Vidor proving to have paced it wisely. The thematics of era and lifestyle changes, here signified by barbed wire, are well written into the plot. While interesting camera angles and biting photography keep the mood sexually skew whiff. Boone lifts proceedings with another fine villain performance, and Jay C. Flippen in support is as solid as he almost always was. 7/10