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Tueurs de dames

Titre original : The Ladykillers
  • 1955
  • Tous publics
  • 1h 31min
NOTE IMDb
7,6/10
33 k
MA NOTE
Tueurs de dames (1955)
Official Trailer
Lire trailer2:35
5 Videos
99+ photos
CaperDark ComedyComedyCrime

Cinq criminels loufoques, qui préparent le braquage d'une banque, louent des chambres dans une rue tranquille auprès d'une veuve octogénaire en prétendant être des musiciens classiques.Cinq criminels loufoques, qui préparent le braquage d'une banque, louent des chambres dans une rue tranquille auprès d'une veuve octogénaire en prétendant être des musiciens classiques.Cinq criminels loufoques, qui préparent le braquage d'une banque, louent des chambres dans une rue tranquille auprès d'une veuve octogénaire en prétendant être des musiciens classiques.

  • Réalisation
    • Alexander Mackendrick
  • Scénario
    • William Rose
    • Jimmy O'Connor
  • Casting principal
    • Alec Guinness
    • Peter Sellers
    • Cecil Parker
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    33 k
    MA NOTE
    • Réalisation
      • Alexander Mackendrick
    • Scénario
      • William Rose
      • Jimmy O'Connor
    • Casting principal
      • Alec Guinness
      • Peter Sellers
      • Cecil Parker
    • 181avis d'utilisateurs
    • 81avis des critiques
    • 91Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 2 victoires et 5 nominations au total

    Vidéos5

    The Ladykillers
    Trailer 2:35
    The Ladykillers
    The Ladykillers - Rialto Pictures Trailer
    Trailer 1:30
    The Ladykillers - Rialto Pictures Trailer
    The Ladykillers - Rialto Pictures Trailer
    Trailer 1:30
    The Ladykillers - Rialto Pictures Trailer
    The Ladykillers: Catch The Parrot
    Clip 1:52
    The Ladykillers: Catch The Parrot
    The Ladykillers: Room To Rent (UK)
    Clip 2:08
    The Ladykillers: Room To Rent (UK)
    The Ladykillers: The Gang Arrives (UK)
    Clip 1:55
    The Ladykillers: The Gang Arrives (UK)

    Photos134

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 129
    Voir l'affiche

    Rôles principaux48

    Modifier
    Alec Guinness
    Alec Guinness
    • Professor Marcus
    Peter Sellers
    Peter Sellers
    • Harry Robinson
    Cecil Parker
    Cecil Parker
    • Claude
    Herbert Lom
    Herbert Lom
    • Louis
    Danny Green
    Danny Green
    • One-Round
    Jack Warner
    Jack Warner
    • The Superintendent
    Katie Johnson
    Katie Johnson
    • Louisa Wilberforce
    Philip Stainton
    • The Sergeant
    Frankie Howerd
    Frankie Howerd
    • The Barrow Boy
    Madge Brindley
    Madge Brindley
    • Large Lady
    • (non crédité)
    Hélène Burls
    • Hypatia
    • (non crédité)
    Jimmy Charters
    • Bystander
    • (non crédité)
    Kenneth Connor
    Kenneth Connor
    • Cab Driver
    • (non crédité)
    Michael Corcoran
    • Burglar
    • (non crédité)
    Michael Corcoran
    • Burglar
    • (non crédité)
    Arthur Dibbs
    • Detective
    • (non crédité)
    Harold Goodwin
    Harold Goodwin
    • Parcels Clerk
    • (non crédité)
    Fred Griffiths
    • Junk Man
    • (non crédité)
    • Réalisation
      • Alexander Mackendrick
    • Scénario
      • William Rose
      • Jimmy O'Connor
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs181

    7,633K
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    Avis à la une

    10bluenotejazz

    Brilliant. Absolutely Brilliant.

    Where did they dig up Katie Johnson? How she balances the act of a sweet old lady who is respected yet still patronized with the toughness of a strong woman who upholds justice is a joy to watch. All the while completely unawares of the true danger surrounding her. Her performance is simply great and side-splittingly funny. The rest of the cast display their usual talents, particularly the fumbling of Cecil Parker and the mean looking Herbert Lom. It's also interesting to see a very young Peter Sellers who would soon hit his stride a few years later. The dark lighting and moody scenes are perfect for this comedy and are very typical of British films of the era, so the look is familiar right away as you begin to watch. The "Tea Party" scene is just a riot. Odd to see so many negative comments on the film - it's one of if not the best Ealing film and deservedly regarded as one the best comedies of all time. They just dont make them like this anymore.
    Jeremy-93

    not just the perfect comedy

    One of the Ealing studio's finest achievements, this immensely entertaining crime caper looks at first glance to be pure, inconsequential entertainment. But it doubles as a sly, subtle rummage around the psychology of the respectable, old-fashioned middle classes, with Katie Johnson deserving top billing alongside Alec Guinness (she doesn't get it) for her remarkable turn as the lady in question, the redoubtable Mrs Wilberforce.

    No less than the not-quite-ruthless-enough gang of criminals who scheme in her house, she lives in her own private universe with its own particular rules and values. Though she begins the film as the stereotype of a maddeningly officious pillar of local society, it gradually emerges that there is a freer as well as shrewder spirit locked in there than meets the eye. The umbrella she is always losing (she herself suggests that she unconsciously _wants_ to lose it), the escapologist parrot, and most poignantly the memory of a 21st birthday party interrupted by the end of the Victorian age, all hint at an inner life that the comic plot could easily have done without. The screenplay, deservedly Oscar-nominated, has the genius and economy to provide us with all these hints without ever slowing down a tightly-edited and superbly directed narrative.

    The other characters are a good deal simpler, but Alec Guinness is in impressively seedy form as 'Professor' Marcus and Cecil Parker makes an appealing Major. Peter Sellers and Herbert Lom don't have a great deal to do and don't try to hog the limelight, but there's a nice cameo from Frankie Howerd. Ealing went out on a high.
    acutler

    Great when I was a kid; still great now!

    OK so I like it. Why? Well it is that intoxicating combination of dry black humour, pathos and perhaps a pleasing inevitability that whatever twist the film takes, you know it should be no other way.

    I cannot fault the cast, I regretted as a kid that I did not see Katie Johnson again (I know she made many other films, but I have never collided with them), whereas Alec Guinness and Peter Sellers were often featured on a Saturday Matinee.

    I am, however, pleasantly surprised at how well this film is rated by IMDb! Of course I would give it high marks, but it is very interesting to see how many other people from other nations both 'get it' and appreciate it. It is perhaps, these days, just a gentle farce with black edges where naivety blends in with irony, and I am not claiming that it makes me LoL the whole time. But it is eminently watchable and re-watchable and I would never hesitate to recommend it; indeed those who do not like it would probably not 'get me' either!
    Poseidon-3

    Classic dark comedy with lots of mood and style

    Soon after this atmospheric black comedy begins, aged widow Johnson putters around her house (situated near a railyard) as an imposing shadow seems to peer at her from every window (accented by dramatic music.) When she opens the door, there stands Guinness, in one of his amusingly creepy personas. He rents a room from the lady and arranges to have his cronies come over to practice their quintet. Unfortunately, he has something else in mind and the quintet is merely a cover for a greater plan. The film has detail, wit and character to spare. Guinness (and his friends, played by legendary character actors like Sellars and Lom) are a funny, motley lot. However, the story really belongs to Johnson. Shamefully underbilled and unsung, she perfectly embodies the role at hand and is incredibly memorable in her understated sweetness and supposed vulnerability. This is a woman who looks for the best in everything and everyone and fights injustice whenever she encounters it. Johnson gives a quiet, yet towering performance and it is astonishing how disrespectful her billing is in the film and how little she's been given even in recent packaging. There is nothing wrong with Guinness's work, but this is Johnson's film. (Ironically, according to Robert Osborne, a younger actress was cast in the film, to be made up as older, because the producers felt that the sometimes demanding director would be too much for Johnson to bear. However, that actress died before filming, so Johnson was used and got on fine!) It is truly the type of film that won't be made again. (It may be RE-made, but never with the same quaint, understated style, nor with such polished actors.)
    jmupton2003

    An all time classic that did NOT need a remake!

    I was fortunate that Channel 4 in the UK showed this original classic film at the same time the new remake was about to hit the cinema screens. Many thanks therefore for providing two hours of classic cinema that showed clearly why Americans should not bother with naff remakes.

    A classic ensemble of some of the UK's finest acting talent o the time pull of a heist in the centre of London but when their landlady finds out what they are up to, a bizarre sequence of events leads the gang to turn on each other in a brilliant and amusingly written, directed and produced film.

    Whilst railway nostalgists will be wondering at the vintage footage of steam hauled trains coming out of St Pancras station and goods yard, others will be marvelling at the brilliant characterisations and script that makes this a timeless classic from Ealing studios.

    And then the Americans decide on an Americanised remake – WHY?!? Apparently we are promised [unnecessary] remakes of all of the Ealing comedy classics – can't wait for the Titfield Thunderbolt to be remade with a Class 66 and a 4-VEP then!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Because Katie Johnson (who played the old lady) was already 76 when she got the role, director Alexander Mackendrick went to the distributor and asked if her name could be prominently above the title, saying that this might be her last movie. The distributor agreed. Two years later, Johnson died. She only made one more movie.
    • Gaffes
      When the policeman calls at Mrs. Wilberforce's house, he introduces himself as "Sergeant McDonald". At the end of the film, the Inspector refers to the same character as "Sergeant Harris". In the credits he is simply listed as "Sergeant".
    • Citations

      Professor Marcus: You're most kind, and if I may say so, you have a very curious and charming house. Such, um, pretty windows.

      Louisa Wilberforce: Oh, thank you,

      Louisa Wilberforce: [pointing to a window] And I rather favour positions...

      Professor Marcus: [interrupting] I always think the windows are the eyes of a house, and didn't someone say the eyes are the windows of the soul?

      Louisa Wilberforce: I don't really know. Oh, it's such a charming thought, I do hope someone expressed it!

    • Crédits fous
      During the opening credits, roses are shown, to highlight the fact that William Rose wrote the screenplay.
    • Connexions
      Featured in Tuesday's Documentary: The Ealing Comedies or Kind Hearts and Overdrafts (1970)
    • Bandes originales
      Minuet in E major
      (uncredited)

      Written by Luigi Boccherini, arranged for string ensemble

      [playing on the phonograph whenever the robbers are pretending to be practicing]

    Meilleurs choix

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    FAQ22

    • How long is The Ladykillers?Alimenté par Alexa
    • Is this based on a book?
    • How many ladies die?
    • Who actually dies?

    Détails

    Modifier
    • Date de sortie
      • 3 février 1956 (France)
    • Pays d’origine
      • Royaume-Uni
    • Site officiel
      • StudioCanal International (France)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Ladykillers
    • Lieux de tournage
      • Argyle Street, St. Pancras, Londres, Angleterre, Royaume-Uni(view down street from Mrs. Wilberforce's house)
    • Sociétés de production
      • The Rank Organisation
      • Ealing Studios
      • Michael Balcon Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 23 213 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 5 038 $US
      • 6 juin 2021
    • Montant brut mondial
      • 50 276 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 31 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.37 : 1(original & intended ratio/open matte, theatrical release, director specification)

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