L'homme du Kentucky

This is a delightful movie. For one thing, it does a fine job of putting you in the time and place - the set interiors are wonderful. Burt Lancaster is great as the boy grown up who wants his son to be free in a free country, to "take life in big bites", as he has done. That events conspire against him is inevitable, and the story pulls you along convincingly. The one to watch for is Walter Matthau, in a very early role, who is a real SOB with a wicked bullwhip. While the dialogue may sound preposterous and stilted, this is the way people spoke back in 18th century America, and the movie wins on many points. While it is definitely a product of the 50's, and feels like it, it still rings authentic and heart felt in a way that many other similar movies from the same period simply do not. A cut above, and definitely worth the time to seek out and watch.

That was the boastful phrase uttered by Walter Matthau to everyone else at the gathering; he stood before them snapping his bullwhip in air, its wicked cracking part of an old cultural ritual where a man stands before the tribe boasting of his might.

This movie is totally underrated--not only does Matthau give one of his best performances in a smaller role, but there is tons of folklore and history in this gem.

I think one of the worst problems with American films from the 1930s-1950s is that way too many Westerns were made. Part of the problem that plot-wise, most are very, very derivative--with the same basic plot being rehashed yet again (if I see one more Western about rich guy who runs the town and is trying to force all the farmers/ranchers/sheep herders to sell out to him, I'm gonna puke). Because of this, I love films that talk about American history that are unusual--not Westerns or war films--just something different. This film is about life 'out west' (in the Tennessee area) circa 1820--a period WAAAY underrepresented in American films...heck, it's hardly ever even mentioned! So, from the onset, I was pretty happy about the setting of this film.

Burt Lancaster plays an outdoorsman--sort of a Davy Crockett or Daniel Boone sort of fellow. The main difference is that he also has a young son AND doesn't want to abandon him (Crockett and Boone should have taken note NOT to do this). The problem, however, is money. He and his son love the carefree outdoor life--but it takes money to get to this promised land. In the meantime, the two are forced to hang around civilization (at least what approximated it out on the frontier). Here in town, Lancaster's brother (played by John McIntyre--a guy who looked nothing like Burt and seemed too old for the part) pushed for him to go into business with him--and get rid of his buckskin clothes and settle down. In addition, two women wanted him--the school teacher (who represented domesticity) and the indentured servant (who believed in his dream). What will happen? Will Burt and son become domesticated and civilized or will they eventually make it to the wide open lands of Texas? Overall, this is not one of Burt Lancaster's best acting performances. He's good--but also pretty unremarkable. But, the film is different and reasonably well made--and it's hard to dismiss it. A nice film, at least from a history teacher's perspective, and well worth seeing.

Burt Lancaster starred in, and directed, this story of a well meaning traveller ("Big Eli") and his young son "Little Eli" (Donald MacDonald) heading to Texas hoping to make a decent living for him and his son. Along the way he encounters (and buys) an indentured slave "Susie" (Diana Lynn) who only complicates their already interesting journey as he fights his own demons with women, booze and a particularly nasty Walter Matthau ("Bodine"). It's a beautifully shot piece of cinema, this, and the mischievous charm of the star is writ large. It's too long, though - frequently sagging as the romantic elements go quickly from humorously hostile to schmaltzy just a bit too quickly. Matthau and his whip are the stuff of cinema legend though, and the young MacDomald plays his part well. Fans of Burt will love this, but I found I was bored by the half way mark as what pace it does have it doesn't really sustain.

Lancaster's only directing role. A decent western with a twist or two, especially at the ending showdown, which features 10 dramatic seconds of feat that only Lancaster could make suspenseful.

How does a man defeat an armed enemy while standing opposite a 40 yard wide stream, and with no gun? The daring Lancaster meets this challenge with a surprising, brash dash. Check it out.