La fille de l'amiral

Three sailors can't stay out of trouble. Be it with the girls, mom, or conniving dandies. Plenty of action is provided through song and dance routines where everyone gives fine performances. While this was not a great musical, it was still a nice little story with some good funny spots supplied by J. Carroll Naish and Alan King.

This may have been made in the dying days of MGM musicals. No Sinatra. No Kelly. But it has some spectacular classic songs by Vincent Youmans. Plus 2 of the finest voices of all time singing together:

Tony Martin & Vic Damone. AND superior musical arrangements & Russ Tamblyn dancing.

Never mind the negative reviews elsewhere. They do not make them like this any more. For sure. So enjoy it! Great musical!!

Though this film has plenty of talent in the lead roles, it has an unimpressive story and the songs are not inspiring as a whole. However, the film grew on me as it progressed. By its end, I found myself actually enjoying it.

The female leads are very strong. Consider Jane Powell, Debbie Reynolds and Ann Miller. But the three leading men do not generate as much on-screen magic, leaving the production imbalanced and the love stories uninspiring.

"On the Town" (1949)---in contrast---is a much stronger film, that possesses energy throughout.

The play Shore Leave was given another and final musical adaption in 1955 serving as a great showcase for some mighty talented stars at MGM. Vincent Youmans and Irving Caesar wrote the original musical Hit the Deck for Broadway in the twenties and an film adaption was done in 1930 starring Jack Oakie. Then Irving Berlin did his own version for the screen in Follow the Fleet for Fred and Ginger.

Come 1955 and we have still another script retaining some of the Youmans-Caesar songs and adding several Youmans numbers from other shows. The songs are well integrated into the story since it involves some sailors on shore leave in San Francisco involved with some musical performers.

The sailors are Tony Martin, Vic Damone, and Russ Tamblyn. Martin and Damone are two of the best voices around and Tamblyn is a good dancer. They pair off with Ann Miller, Jane Powell, and Debbie Reynolds.

Martin is having trouble with Miller, they have a Nathan Detroit/Adelaide relationship long distance and she's tired of it. In the mean time Powell who is Tamblyn's sister is involved with a Broadway wolf played with relish by Gene Raymond. Both are the offspring of Admiral Walter Pidgeon.

Anyway our sailors rescue damsel in distress Powell and spend most of the film hiding from the Shore Patrol. One of the two Shore Patrolmen is played by Alan King who was appearing with Martin in his nightclub act and Martin got the part for him in Hit the Deck.

Powell and Damone had already been a screen team in Rich, Young and Pretty and also had appeared in Deep in My Heart together in a musical number. They do a two nice duets with a couple of noted Youmans songs I Know that You Know and Sometimes I'm Happy. Martin's big solo number is the famous More Than You Know trying to win Miller back. And our Ann dances to Keeping Myself for You, Bayou, and the Hallelujah finale number.

Up till Showboat, musicals in fact had thin plots for stories and were just an excuse for singing and dancing. Hit the Deck is a throwback to those days. But a nicely done throwback.

Of course Ann Miller is just fine, but why oh why didn't MGM cast Cyd Charisse opposite her husband? Missed another opportunity.

Look for Richard Anderson who has a small role as the aide to Walter Pidgeon. In a very understated way he's the one who brings about a satisfactory conclusion to one and all.

Another of MGM's sailors-on-leave musicals, a small-time 'On the Town' designed to utilize their formidable roster of singing and dancing talent. Tony Martin, Vic Damone and Russ Tamblyn are the sailors on leave in San Francisco. The girls they meet are Jane Powell, Ann Miller and Debbie Reynolds. With the Shore Patrol headed by comic Alan King, you can be sure everything's played for laughs before matters get straightened out.

The grand finale aboard ship is a show-stopping number and for this the letterbox format is used to take full advantage of the choreography and music staged by Hermes Pan. In the tradition of 'On the Town' and 'Anchors Aweigh' (but with much more modest results), this is a happy go lucky musical that aims to please but falls just a bit short of its mark. No fault of the performers--they're all fine. It's the weak script based on a 1927 Broadway smash, updated for so-so results.

Jane Powell and Vic Damone are in fine voice, and Russ Tamblyn and Ann Miller provide plenty of top-notch dancing. If you're in the mood for the shore leave kind of musical, this will do nicely.