La fille de l'amiral

This may have been made in the dying days of MGM musicals. No Sinatra. No Kelly. But it has some spectacular classic songs by Vincent Youmans. Plus 2 of the finest voices of all time singing together:

Tony Martin & Vic Damone. AND superior musical arrangements & Russ Tamblyn dancing.

Never mind the negative reviews elsewhere. They do not make them like this any more. For sure. So enjoy it! Great musical!!

... from six years earlier: three sailors on leave in the big city, except in Hit the Deck, the metropolis is San Francisco. The sailors are played by Russ Tamblyn, Tony Martin, and Vic Damone. They cross paths with Jane Powell, Debbie Reynolds, and Ann Miller. There are some fun musical numbers, notably Keeping Myself for You, and Lady From the Bayou, fabulously performed by Ann Miller dancing up a storm against rich color backgrounds and sets. Another uplifting tune was Hallelujah!

I found the film's energy peaked whenever Ann was on screen. (Ann also appeared in On the Town.) Jane Powell's part was terribly underwritten. Jane had more chemistry with Gene Raymond, the older married man she was seeing, then with Vic Damone, who ends up winning her heart. Walter Pidgeon is also on hand, playing an Admiral and father to Jane and Russ. Hit the Deck is a second tier MGM musical, which, considering the many masterpieces the studio turned out, is still very good.

Some films aren't simply movies-they're time capsules. Hit the Deck (1955), Roy Rowland's lavish adaptation of the 1927 stage musical, shines as a heartfelt homage to the mid-century American musical. It dances through moments of joy, romance, and camaraderie with a sense of purpose: to entertain. While it may lack the narrative finesse of MGM's greatest musicals, its exuberance, star-studded cast, and showstopping numbers make it a delightful-if imperfect-experience.

Hit the Deck carries a legacy that spans decades. Originally a stage musical in 1927 and based on Hubert Osborne's play Shore Leave (1922), it was a roaring success in its day. The story-about love and mischief during sailors' shore leave-captured the carefree spirit of the Roaring Twenties. The stage version's music, penned by Vincent Youmans, became an instant hit, with songs like "Sometimes I'm Happy" and "Hallelujah!" embedding themselves in popular culture.

The transition to screen began with RKO's 1930 adaptation, but MGM's 1955 version added new gloss. By then, the studio was desperate to revive a flagging genre, competing with the rise of television. Roy Rowland's film introduced CinemaScope technology and dazzling Technicolor to reinvigorate the classic material. The film wasn't just a rehash; it aimed to give a modern spin to its predecessors, resulting in a product both nostalgic and forward-looking.

The film's casting is an ode to MGM's star system, featuring legends Jane Powell, Debbie Reynolds, Ann Miller, and Tony Martin. While Powell and Reynolds brought youthful charm and vocal prowess, Miller's fiery energy and tap-dancing skills stole every scene she was in. Russ Tamblyn, despite not being a trained dancer, demonstrated an effortless athleticism that added an endearing spontaneity to his role as the impish Danny.

Behind the camera, choreographer Hermes Pan-Fred Astaire's long-time collaborator-imbued the musical numbers with a sense of joy and improvisation. The battleship finale reprise of "Hallelujah!" is a crowning achievement, blending spectacle with intimacy as sailors and civilians unite in a rousing, free-spirited celebration. The funhouse sequence with Reynolds and Tamblyn is another standout, echoing Fred Astaire's playful "Stiff Upper Lip" number from A Damsel in Distress.

The plot, while serviceable, was less memorable than the musical numbers. It follows three sailors on shore leave, their romantic entanglements, and the inevitable hijinks that ensue. The narrative feels like a patchwork quilt-disjointed but colorful-allowing the cast's charm and musical set pieces to take precedence over storytelling.

At its release, Hit the Deck struggled to recoup its substantial production costs. With box office losses of $454,000, it marked a decline in the MGM musical's golden era. Critics were lukewarm, praising the performances but pointing out the contrived plot and uneven pacing. Audiences, however, found joy in its dazzling musical numbers and the chemistry of its ensemble cast.

Over time, the film has garnered a loyal following among musical enthusiasts. Its inclusion in That's Entertainment! (1974) brought renewed attention, particularly to the finale sequence of "Hallelujah!" This number, celebrated for its improvisational charm, has been hailed as one of MGM's most freewheeling and joyous creations. Russ Tamblyn's athletic performance and Ann Miller's sizzling solo continue to be highlights for fans of classic Hollywood choreography.

The film also represents a bittersweet farewell for many of its stars. Jane Powell, Tony Martin, and J. Carrol Naish made their final MGM appearances here, while Debbie Reynolds and Russ Tamblyn stayed on for a few more years. Their performances encapsulate an era of cinematic magic that, while fading, left a lasting impression.

Hit the Deck may not be MGM's most polished gem, but it shines with the unrestrained joy and heartfelt performances that defined a bygone era. It reminds us of the sheer pleasure of escapist cinema-a kind that only classic Hollywood could deliver. If you're in the mood for vibrant colors, timeless melodies, and a touch of nostalgia, this musical is well worth revisiting.

Three sailors can't stay out of trouble. Be it with the girls, mom, or conniving dandies. Plenty of action is provided through song and dance routines where everyone gives fine performances. While this was not a great musical, it was still a nice little story with some good funny spots supplied by J. Carroll Naish and Alan King.

Another of MGM's sailors-on-leave musicals, a small-time 'On the Town' designed to utilize their formidable roster of singing and dancing talent. Tony Martin, Vic Damone and Russ Tamblyn are the sailors on leave in San Francisco. The girls they meet are Jane Powell, Ann Miller and Debbie Reynolds. With the Shore Patrol headed by comic Alan King, you can be sure everything's played for laughs before matters get straightened out.

The grand finale aboard ship is a show-stopping number and for this the letterbox format is used to take full advantage of the choreography and music staged by Hermes Pan. In the tradition of 'On the Town' and 'Anchors Aweigh' (but with much more modest results), this is a happy go lucky musical that aims to please but falls just a bit short of its mark. No fault of the performers--they're all fine. It's the weak script based on a 1927 Broadway smash, updated for so-so results.

Jane Powell and Vic Damone are in fine voice, and Russ Tamblyn and Ann Miller provide plenty of top-notch dancing. If you're in the mood for the shore leave kind of musical, this will do nicely.