Le Retour de Godzilla

Not the overpowering mandate against technological advances that Gozilla was, but nonetheless a good sequel that treats the Godzilla story reverently with realistic horrors of destruction, subtle humour, and interesting characters. The movie has some pockets of slow moving action, but the finale is a beautifully filmed scene of the creature being thwarted on an island of mountains and ice. The film has a Godzilla with a different look as well as another creature with a spiked back that destroy Osaka together. Characterization, as with the first Godzilla, lends the film some seriousness and realism. The destruction scenes in particular are nicely filmed, as they show a city in fear...and then destroyed. The film lacks Inshiro Hondo's directorial flair, but is well-shot and has a nice musical score to enhance it.

Picked up the remastered version recently released. It has the Japanese and American versions of the film. I watched the longer Japanese version which is oh so much better. Gone is the stupid narration. The voices actually match the characters and don't come off dopey. There are also scenes with silences, something the American version seemed afraid to have. I used to think this was a dull and boring film, but it actually held my attention this time out, even when my brother was kibitzing to get me to go shopping with him. If you like these sort of movies and get the chance watch this in Japanese and see it for the first time. (FYI- the new remasters do not allow toggling between versions because the Japanese versions are usually longer, even by a minute or two than the Americans so you can only see the differences by watching the versions back to back.)

Perhaps the real reason why "Godzilla Raids Again" is not as popular as the first film of the series is because most people are more familiar with the butchered and dubbed English version titled "Gigantis the Fire Monster". However, when you look at that disaster of a film and compare it to Toho's original Japanese version, with no dubbing, no narration, no music or sound effect changes, you have one of the best 1950s monster movies. "Godzilla Raids Again", or "Godzilla's Counterattack" as its original title literally translates, is a flawed film. But like the first Godzilla, it's an allegorical classic. It symbolizes a different kind of horror that wasn't expressed in the first film.

The original 1954 classic "Godzilla" symbolized the horrors of nuclear war and the way that it can ultimately change the lives of people forever. "Godzilla Raids Again" focuses on a different perspective. It symbolizes the struggles of people still trying to adapt to life after a war and recover and try to resume their normal lives again. Godzilla and his very first opponent, Anguirus, are like weapons of war. They strike, cause enormous damage, leave ruins, and the people have to rebuild and try to get back on line again, until the weapons of war come back to attack them again. And the people still live in fear of the atomic bombs and other nuclear weapons, for they have brought back more horrors from the past and continue to bring them upon the world. While "Godzilla Raids Again" is nowhere near as powerful and allegorical as the first film, it is still one of my favorite Godzilla films. But once again, only in its uncut and undubbed print.

The English language version of the film is just another example of why you should never tamper with somebody else's film. It is an example among other Godzilla films and also Sergio Leone's "Once Upon a Time in the West", in which the American distributors cut the film down until it wasn't as compelling. When "Godzilla Raids Again" was distributed, they tore the film apart and changed it all. The most horrendous dubbing of any Godzilla film was put in, there was a lot of narration that ruined the original feeling of the film's atmosphere. But what was worst of all, they changed the monsters themselves. Godzilla's name was changed to Gigantis, his dark, chilling roar was changed to Anguirus' roar most of the time. A lot of the great sound effects of the monsters as they fought in Osaka were replaced, as was Masaru Sato's original music score. It was replaced with stock B-music and for what reason, I do not know why. A lot of other sound effects were changed as well. In the original print, Godzilla's death ray creates a loud, destructive kind of sound. But in the dubbed version, for reasons unknown, it was replaced with a wispy sound effect, like a leak in a hose.

Ignoring the existence of "Gigantis the Fire Monster", the special effects used in "Godzilla Raids Again" are very fine for the age. Unfortunately, they weren't as good as the Japanese Academy Award-winning effects presented in the first Godzilla film. At times, Godzilla's head and neck seemed too slender and the hand-operated puppet used in the close ups is just plain not good-looking. However, the suits used for Godzilla and Anguirus in their epic, realistic battle in Osaka looked fantastic! And what I loved most about this battle, is that it was a traditional, physical fight. The monsters bite, claw, and slam each other like real animals. Unlike in the future, when the monsters would mostly just bump into each other and fight with "beam wars". Godzilla's death ray is more like a last resort kind of weapon, something he uses when he's got a sense of victory, and spends the rest of his time biting and clawing at Anguirus, who performs the same actions. And unlike in the English version, the monsters don't continuously roar at each other, they mostly growl and snarl when fighting and roar once they have a brief stand-off every now and again.

But still, "Godzilla Raids Again", while it's an amazing monster film, has its flaws. Mostly, it's the fact that the monsters of the film do not have a whole lot to do with the story. In fact, Anguirus screen time ends after the first third of the movie is over. Maybe, he could have been used a bit longer for a more effective first appearance into the series. Godzilla himself, while the main plot point of the story, doesn't get as much screen time and scenes as he should get. The storyline just strays from him after the battle for too long and he doesn't really get anything else until the ending of the film.

But that doesn't mean a whole lot. Yes, "Godzilla Raids Again" is not the most action-packed Godzilla film there is. But it is, in its original version, one of the best monster movies there is. It presents a great symbolic message and should be examined by everybody for this reason. It is a dark compelling film, not as great as the first Godzilla film, but definitely one of the best.

Another of Godzilla's species is discovered on an island, along with a spiky creature called Angilusaurus (or Angilus for short). Before long the two monsters are wrecking havoc.

Though this film was rushed out, it has the advantages of being made in the age when Godzilla films were serious-themed. The scenes in which city populations are told to turn their lights off to avoid Godzilla's attention at night are atmospheric and recall World War 2, when city lights were turned off to avoid the attention of enemy bombers. The music is haunting and the scenery, especially on the island, is suitably eerie. The film does tail away towards the end, but it's still one of the stronger sequels.

As with the original, and most other Godzilla films, the original non-dubbed version with subtitles is recommended.

This is an OK first sequel for Godzilla, which involves two pilots that discovered a new species of Godzilla battling a dinosaur named Anguirus on an island. Actor Takashi Shimura re-prises his role as Dr. Yamane from the previous Godzilla film. During a conference scene, he showed a film that depicts scenes of the first Godzilla's attack on Tokyo, as his listeners express concern on the new crisis involving the second Godzilla. The monsters then later venture their way to the city of Osaka, where all the monster action take place.

This film features Godzilla's first foe, Anguirus. The battle sequences between the two monsters are solid - pretty neat, fast-paced effect. I wished the monsters' first appearance in the movie was given a more intriguing entrance; they just simply appeared on cue.

Composer Masaru Sato did a good job on scoring this movie and I think his Main Title Theme for this film is one of the best non-Akira Ifukube music I've heard in Toho films. The scenes of the city of Osaka's blackout to prevent Godzilla from attacking is good comprehension and suspense.

The subplot of Koehi Yamaji's (Yukio Kasama) fishery and the relationship between Shoichi Tsukioka (Hiroshi Koizumi) and Hidemi Yamaji (Setsuko Wakayama) provided a good piece of drama and realism (especially during them figuring out how to pick up the pieces after the monster destruction), but they did drag the movie on after the much of the monster action as the latter part of the film was too concentrated on the human subplot, making the film on the dull side and taking the spotlight away from the more exciting monster theme.

Overall, it's an average film, which lacks a little of the sci-fi suspense due to the dragging human sub-plot. But, the monster scenes were great.

Grade C