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La muraille d'or

Titre original : Foxfire
  • 1955
  • Approved
  • 1h 32min
NOTE IMDb
6,1/10
621
MA NOTE
Jane Russell and Jeff Chandler in La muraille d'or (1955)
ActionDrameRomance

Ajouter une intrigue dans votre langueIn Arizona, during the 1950s, privileged white girl Amanda Lawrence marries half-Apache mining engineer Jonathan Dartland who dreams of finding gold in an old abandoned Apache mine.In Arizona, during the 1950s, privileged white girl Amanda Lawrence marries half-Apache mining engineer Jonathan Dartland who dreams of finding gold in an old abandoned Apache mine.In Arizona, during the 1950s, privileged white girl Amanda Lawrence marries half-Apache mining engineer Jonathan Dartland who dreams of finding gold in an old abandoned Apache mine.

  • Réalisation
    • Joseph Pevney
  • Scénario
    • Anya Seton
    • Ketti Frings
  • Casting principal
    • Jane Russell
    • Jeff Chandler
    • Dan Duryea
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    621
    MA NOTE
    • Réalisation
      • Joseph Pevney
    • Scénario
      • Anya Seton
      • Ketti Frings
    • Casting principal
      • Jane Russell
      • Jeff Chandler
      • Dan Duryea
    • 22avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos36

    Voir l'affiche
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    + 32
    Voir l'affiche

    Rôles principaux35

    Modifier
    Jane Russell
    Jane Russell
    • Amanda Lawrence
    Jeff Chandler
    Jeff Chandler
    • Jonathan Dartland
    Dan Duryea
    Dan Duryea
    • Hugh Slater
    Mara Corday
    Mara Corday
    • Maria - Hugh's Nurse
    Barton MacLane
    Barton MacLane
    • Jim Mablett
    Frieda Inescort
    Frieda Inescort
    • Mrs. Lawrence
    Celia Lovsky
    Celia Lovsky
    • Princess Saba
    Eddy Waller
    Eddy Waller
    • Old Larky
    • (as Eddy C. Waller)
    Robert F. Simon
    Robert F. Simon
    • Ernest Tyson
    Charlotte Wynters
    Charlotte Wynters
    • Mrs. Mablett
    Robert Bice
    Robert Bice
    • Walt Whitman
    Arthur Space
    Arthur Space
    • Foley
    Beulah Archuletta
    • Indian Woman
    • (non crédité)
    R.H. Baldwin
    • Hoist Operator
    • (non crédité)
    Lillian Bronson
    Lillian Bronson
    • Mrs. Potter
    • (non crédité)
    Mary Carroll
    • Mrs. Riley
    • (non crédité)
    James J. Casino
    • Miner
    • (non crédité)
    Albert Cavens
    Albert Cavens
    • Party Guest
    • (non crédité)
    • Réalisation
      • Joseph Pevney
    • Scénario
      • Anya Seton
      • Ketti Frings
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

    6,1621
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    Avis à la une

    horsegoggles

    Love this movie

    I think it's the sensational color and the locations that lure me to this film. The time period fits well into it also. The deeply saturated blue sky and the arid desert draw me in like a magnet. In 1955 I was ten years old, and numerous rail trips through the west, with stops in Tucumcari, New Mexico, are brought to mind with films like this one. I recently visited Oatman, Arizona, where much if not all of this film was shot, only because of the film. Of course as would be expected, I found nothing in Oatman identifiable with the film after all these years, except the deep blue sky and the arid desert. Jeff Chandler was always a favorite, and his role as a strong silent mining engineer of American Indian heritage, plays well with Jane Russell's role as a rich bored adventurous young woman, almost a forerunner of "Green Acres" without the laughs. All of these sensory elements entice my 10 year old's psyche to the surface. The film offers great release for me. In 1955 one of the railroads used a young Indian boy's image as a logo, and General Motors Pontiac division used a similar theme. I was fascinated by Indian lore at the time, and the mystery and remembrance of it all comes into relative focus with this film. Not a film for everyone, but as far as I am concerned, they made this one for me.
    8MoviePowell

    A true period piece

    I stumbled into this movie (thanks TCM) and figured I'd give it 5 minutes to see if caught my attention. I stayed until the end. From the very beginning, this is a movie full of stereotypes, melodrama, and over-the-top acting. The story ends up providing most answers (and a bit of education) over the course of 92 minutes. Chandler and Russell create steam and energy that propel the movie at a very entertaining pace. Taking it in context, this is a wonderful period piece.
    8d-goodman3

    A little gem

    I have just seen this film for the first time on TV. I thought it was a little gem of a film, with excellent roles filled by Jeff Chandler and Jane Russell. The authentic settings in Arizona also helped to make this an enjoyable and convincing film.

    I am a particular fan of films made in the 1950's and 1960's which I regard as the golden years, when films contained real 'stars' and this one certainly fits the bill for me. I am just surprised that I have not come across this film before. I can recommend it as an ideal film to watch on a wet afternoon. Pity it is not available on DVD. The storyline also deals sensitively with racial prejudices arising from relationships between white people and the native Indians even in the modern times in which the story is set.
    gregcouture

    Jane and Jeff - The kind of casting that kept U.-I. on the map!

    Universal-International was a busy little hive of audience-pleasing eye candy back in the Fifties and it probably employed more "starlets" and up-and-coming hunks in its stable of contractees than all of its major studio rivals combined. Some of U.-I.'s output contained some very worthwhile elements amidst the Technicolored trappings. This one offered some fairly well-considered insights on the marital tribulations encountered when two people from very dissimilar backgrounds and outlooks on life attempt to make of their marriage vows more than just a ritual they once pronounced when their union began.

    Jane Russell seemed well paired with the tall and handsome Jeff Chandler and the locations look authentic enough for the story to hold one's interest. Celia Lovsky, always an actress who could win an audience's favor in the briefest of roles (and, alas, she was never allotted more than a few scenes in most of her films), scores once again in "Foxfire." This is one to watch for if you notice it scheduled on a late-night or early afternoon TV broadcast.
    frdancer

    I loved it! J. Chandler's and J. Russell's characters have haunted me for 30 years.

    For the era of filmmaking, I felt that the subject of racial/cultural discrimination was handled well. Also, the director/writer explored the character, Dartland's, self-loathing and fear of being rejected because of his Native-American heritage -- all this intermingled with his life that is based on secrets, the desire to belong to an acceptable social class, dealing with a flourishing career, and the strained marriage with Russell. Loved it!

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was the last American motion picture to be photographed on the three-strip Technicolor camera (mid-'54) and the last in that process to be released (July '55).
    • Gaffes
      Princess Saba and some of the other Native American characters have overly done dark makeup applied, which was a norm in 1950s Hollywood with the casting non-Native American actors.
    • Citations

      Saba: [Indicating, to a tour group, a gathering of young Apache boys on the Reservation] A child here has little contact with his father who, in the old days, was usually away hunting. Today, the father is still much away. He works on the Reservation cattle range. As you see, the little boys play, and have few responsibilities. But there comes a day when they are twelve. Here is a little one, ready to leave his mother and go with the men. From now on, he will work and hunt with the men. Eat and live with the men. He will no longer call his mother "Mother." He will call her by her tribal name, and he will never again be alone with her.

      Woman Tourist: Why is that?

      Saba: It is our custom. A boy of 12 does not cry, or ask help from a woman. Nor has she need for him. They get along without each other. This is one of the differences in our cultures.

      Man Tourist: I had no idea those customs were still followed.

      Saba: In this way, we preserve our racial dignity. This little boy will never again cry or be weak. He will rely on his own strength and independence and have no further need of anyone. And now, if you will step this way, the ceremonial dances are about to begin.

    • Connexions
      Featured in Man in the Shadows - Jeff Chandler at Universal (2023)
    • Bandes originales
      Foxfire
      Music by Henry Mancini

      Lyrics by Jeff Chandler

      Sung by Jeff Chandler (uncredited)

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    FAQ15

    • How long is Foxfire?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 décembre 1955 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Foxfire
    • Lieux de tournage
      • Kingman, Arizona, États-Unis(mining town)
    • Société de production
      • Universal International Pictures (UI)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 32min(92 min)

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