Je suis un aventurier

In this very watchable and highly entertaining western {shot in Canadian Northwest} it plays with all the veracity and dishonesty that marked the 'OL WEST and Klondike rush of period.With breathtaking photography and backdrop of big unconquered Alaska,we are taken on tour with Jimmy Stewart and crew to witness the fervor and passion that marked the hunt for GOLD. Chock full of twists and turns and double crosses it both seeks to give dramatic portrayal and morality play lesson on life and times of grub-stake dwellers and their thirst for riches.Very notable,given it's place in history and importance during that era.Men were of all types,per usual,however their motivations for a pot of gold and better life was never better displayed with a western accent and horses Vs.Dogs as vehicle of transport. With a cast of significant players,John McIntire {Top Hat wearing local magistrate} and Walter Brennan {side kick and partner to Stewart} and lovely but too strong-willed independent lassie Ruth Roman on hand to make believably interesting ,the movie never fails to be fun and gripping.I couldn't find any weak spots,where either action or interest lulls.Very good sign of filmmaking,to let the movie play out with nary a weak or insignificant scene.One of the main reasons for my big approval of.The scenes all play and build upon one another,with such ease as to seem effortless.Another good sign. The actual filming of backdrop and landscape is as good as it gets for any picture.Whether it was shot in early Cinemascope or Technicolor ,it should have bragging rights for production value and credibility.The color was never truer or richer and as clear as that bell 'OL Walter kept talkin about,that he gave his fiercely self-reliant and sometimes cold of heart buddy-Stewart.Speaking of which,he goes thru kind of transformation during scenes and starts caring more about his fellow frontier blazing man,which can be both hazardous and rewarding for his character.Since Stewart personified the ordinary man,and his pursuit of happiness or just life,he doesn't fail to deliever the gods here,except to the extent upon which he is brazen about many men in general,since crooks,liers and killer's were in abundance.Who better than cinema's Jimmy to sing praises of or cast dispersions upon one's character. The action is very real and true to storyline,giving added impact to all characters where needed.I particularly liked McIntire as a scalawag who talks big and with authority and seems almost honest to a fault until his ulterior motives {as big as the landscape} become realized. He stands out as one of the best bad guys in this genre of film,ever. Ruth Roman tries to usurp her presence with a combination of riches and wily ways,and mostly to the chagrin of Stewart,who is caught up in the middle.But to ease his entanglements along the way and steer clear of ever present danger,is old timer Brennan to the rescue.He innocent enough and only wants the best for the two,being too easily pleased with condition of their fate,wanting only early place to retire and pot after pot of coffee.He adds element of moral support and buddy vehicle to film.Good touch.Other cast are authentic and visual,if not vocal upon command and lend to texture of storyline. I highly recommend this visual and gripping action yarn,with story and plot working in conjunction for an unique movie experience.I was never bored or lacked enthusiasm throuhgout.Which is not easy to say of action/western flicks. 5 out of 5 star or 10/10 for entertaining and true-felt action that beholds with view.

From Universal-international a breathtaking as well as rip-snorting Western that shows the greatness , the glory , the fury of the untamed Northwest frontier . Stars a tough , hardened adventurer guide who leads his herd challenging the gold-rich glory that was the Yukon full of white with snow , scarlet with sin , yellow with the dust that lured him on . As a self-minded , haunted cowboy (Jeff Webster) leads his herd to the Yukón , through Seattle , Scagway , Alaska , in hopes of huge profits accompanied by veterans Ben Tatum (Walter Brennan) and Rube (J.C.Flippen) transport cows by boat when they arrive in Scagway , subsequently to sell it them in Dawson City . While driving cattle to Dawson and in Scagway they have to escape from nasty land baron/judge Gannon (John McIntire) who carries out his peculiar justice acting as judge , jury and executioner . Jeff and his colleagues end up having herd back from the villain lawman . At last , they arrive in Dawson City , a bustling little town fiiled with prospectors and usual saloons : ¨Hash house¨ run by Grits (Kathleen Freeman) and ¨Hudson castle¨ run by Ronda Castle (Ruth Roman) . There takes place strong confrontations and Jeff , ultimately , avenging the deaths of his partners .

One of a series made by star Stewart with director Anthony Mann , it features splendid Western vistas , fierce gun-play and fist-play , impressively busy crowd sequences and many other things . Adventure western movie in which a two-fisted cowboy leads his herd through Seattle , Scagway to Dawson , Yukón territory , pitting himself against the wilderness , bandits , mean prospectors , and an ambitious , corrupt lawman . The film is divided in two parts , the first one describes on rout to destination , Yukón , and second part dealing with the little town Dawson city . Set late XIX Century , 1898, it shows the moral obligation to build a civilized community and need to a collective effort , joining individuals against corrupt and selfish people . Interesting and stirring screenplay based on the novel by Ernest Haycox titled ¨Alder Gulch¨. Sympathetic as well as brave acting by the great James Stewart as the stubborn Webster who must fight frontier lawlessness and locks horns with a crooked judge , a top-hatted nasty , magnificently played by John McIntire . Stewart has top grade character written all over it . Nice Ruth Roman as the good-bad girl who must be forgiven in the end . Support cast is frankly extraordinary with a large plethora of illustrious names , such as : Chubby Johnson , Harry Morgan , Robert J. Wilke , Royal Dano , John Doucette , Steve Brodie , Jack Elam , Kathleen Freeman and special mention for Jay C. Flippen as the grizzled westerner and a show-stealing acting by the always great Walter Brennan.

Lyric and moving musical score by Hans J. Salter , Frank Skinner , Henry Mancini , and Herman Stein , all of them uncredited . Colorful cinematography in Technicolor William H. Daniels , Greta Garbo's usual cameraman , and the Yukón sets takes it out of the ordinary Western scenarios , being shot in Canada , mostly in Jasper National Park . The motion picture was stunningly directed by Anthony Mann and premiered Febrery 1 , 1955 . Being made during Mann's best period of work . The film forms a stunning diptych along with ¨Bend the river¨ by the awesome quartet : Anthony Mann , screenwriter Borden Chase , producer Aaron Rosenberg and James Stewart who made a great number of top-drawer films . This is another superbly powerful triumph from Anthony Mann who realized various Western masterpieces such as ¨The furies¨ , ¨Devil's doorway¨ , ¨Tin star¨ , ¨Man of the West¨ and several with his habitual star, James Stewart, as ¨Winchester 73¨ , ¨Bend the river¨ , ¨The far country¨ , ¨Man from Laramie¨ , ¨Colorado Jim¨ , ¨Thunder Bay¨ , ¨The Glenn Miller story¨. Rating : Above average ; it is probably one of the best Western in the fifties . Well worth watching .

The Far Country (1954)

Anthony Mann and Jimmy Stewart made a few movies together, and one is a cool black and white affair, but this is one of his searing Technicolor productions. It almost has a comic flair even as the world is cut and splintered in the first twenty minutes until the real story begins--cattle driving in Alaska. Stewart of course plays a congenial sort, but his character Jeff Webster has a history of killing a couple men and having a little vengeance in his heart, and when he is coerced into this new job you know it isn't going to go smoothly.

This is an odd story told with an odd tilt to it, and that's a good thing overall. And it's set in Alaska (near the Yukon), which gives it more of a frontier/prospecting feel than a standard Western. In addition to Walter Brennan who is his usual quirky best, the leading woman is Ruth Roman, who had a career something short of stardom, and she plays a tough but elegant frontier woman well. And there is a perky younger women (a French actress named Corinne Calvet), a kind of tomboy who has the hots for Webster. It doesn't quite work, but it's fun, and it's part of the series of conflicts all operating at the same time.

There are some small flaws you have to overlook, like the day for night that is more day than night (which is only emphasized by some brilliant night filming at the end of the movie, night for night done to perfection). But there is a bigger tension that keeps things really interesting, too. Two extremes of women after one singular guy--that's enough for any movie. And there is the sheriff and judge and power-monger in town who is ruthless with a laugh and cackle, and he makes a great villain.

I'm not interested in movies for their scenery, but it's worth noticing the amazing mountain country that is the setting here. There are also the standard moments that don't really add to the plot, but to the mood--some barroom singing, some riding through the scenery. But what really makes the movie is Stewart's role as an individualist, a man who is looking after himself first and last. Brennan acts as his conscience, reminding him to be a good guy, and Stewart, to his credit, listens.

Heroics come slowly in a Mann Western. You suspect Webster is a good person deep down, but his goodness has a slow coming out. And in a way, even by the end, the ambiguity is there--it's the good townspeople who rise up and get their justice.

A good movie, a very good Western.

Now, admittedly, I'm no ardent student of the genre. As a matter of fact, I've tended always to shy away from Westerns because, in spite of all their critical cachet as America's primal stories (or whatever), they seem to me to forever devolve into tiresome retreads of either "shoot up the Injuns," "the big gunfight," or "Hey, let's form a posse!" In other words, it always seemed to me a genre so rooted in and tied to convention, that it left precious little room for surprise or originality. (And yes, I HAVE seen at least some of the so-called "greats", and unapologetically lump them into this negative assessment - including Stagecoach, Rio Bravo, My Darling Clementine, and of course the infamous [but profoundly dull] Clint Eastwood-Sergio Leone teamups in the '60s.)

But when I saw this movie on TV - as part of a commemorative Jimmy Stewart weekend upon his death - I finally GOT IT: I understood, at least in theory, what the Western mythos has to offer as a serious thematic preoccupation (aside from just action and thrills). It is the push-pull between lawlessness and order; the American West represented freedom, but also the prospect of the wild, the untamed. Respectable folk could get hurt out there. Which, of course, meant that perhaps - just perhaps - it wasn't meant for respectable folk, and that the only residents should be the amoral and the shifty, those who dispensed justice strictly from the barrel of their revolvers, and where kill or be killed would ever be the law of the land. In such an environment, of course, the true heroes are the ones who are ornery and free-spirited enough to be out there in the first place (and so reject "society," at least as it manifested itself on the Eastern seaboard), and yet have enough sense of justice to believe that a society based on chaos and fear just IS NOT RIGHT. Catching and examining that disparity between law and disorder IN THE MAIN CHARACTER HIMSELF is, I believe (after seeing this movie), the highest and truest goal of any Western. Sadly, it is so often not the case, as the white hats are completely white, the black ones completely black (and let's not even get started talking about the Indians, ok) and there is precious little shades of gray in between.

Not in this one. Jimmy Stewart plays a blatant fortune hunter who follows the trail of miners before him into the Alaskan wilderness to prospect for gold. He is joined in this by his lifelong buddy, played by Walter Brennan (perhaps the Western cliché character to end them all - but nevertheless enjoyable here, as always) - and no one else. Pointedly, they are out for themselves, and while Stewart displays his patented charm (come on, we could never really dislike the guy, now could we?), we are left with little doubt that his is basically a self-centered, self-interested character: none of his "Gosh" or "Oh golly gee" humanism is allowed to come through. Or, rather, it has to be EARNED, by the end of the picture, in the way I described above. He must confront the lawlessness in himself, and weigh it against the need for order and justice which are so blatantly lacking in the border town which serves as the miners' starting point on their gold dust trail. This town is ruled tightly by its wicked sheriff, Mr. Gannon, played by John McIntire in one of the best "bad guy" performances I've ever seen. He comes on with so much charm and humor, and has such a relaxed and interesting rapport with Stewart, that it actually takes awhile to recognize that he *is* the bad guy - so that when it finally sinks in, it does so with double force. Further, by establishing a type of breezy (if necessarily guarded) camaraderie between McIntire and Stewart, the film plays up the notion of how close in temperament they really are - and so how far a moral distance Stewart must walk by the end of the film.

I won't go through all the twists and turns the plot takes - see those for yourself (as well as the rugged and gorgeous Alaskan scenery - filmed on location, mind you, not cheap painted stills that the studio made up). What's key here is how much this story focuses upon character, with great dialogue and character interaction substituting for gunplay much of the time - although the film has just enough action and adventure to prevent it from ever being static (read: "talky"). Definitely one of the greatest performances I've seen from Stewart, showing he could play the renegade, the "man's man" just as convincingly as the decent and upright guy next door. If anything, in fact, his "everyman" qualities lend greater strength to his characterization, making him seem less mythic or overblown - -like, say, Eastwood or John Wayne - and more a three-dimensional personage. His relationship with Brennan is well-played: understated, but nevertheless touching (with a faint suggestion of George and Lenny from "Of Mice and Men" - an altogether different type of "western").

I certainly have more Westerns to see, but this is for now my favorite, and the yardstick by which I will necessarily judge all the others. It deserves to be much better known and appreciated than it is.

Mann photographs the Alberta Rocky Mountains in a superb fashion, and Jimmy Stewart and Walter Brennan give enjoyable performances as they always seem to do.

But come on Hollywood - a Mountie telling the people of Dawson City, Yukon to elect themselves a marshal (yes a marshal!) and to enforce the law themselves, then gunfighters battling it out on the streets for control of the town?

Nothing even remotely resembling that happened on the Canadian side of the border during the Klondike gold rush. Mr. Mann and company appear to have mistaken Dawson City for Deadwood, the Canadian North for the American Wild West.

Canadian viewers be prepared for a Reefer Madness type of enjoyable howl with this ludicrous plot, or, to shake your head in disgust.