Les indomptables de Colditz

This was bundled with 'Ice Cold in Alex', 'The Dam Busters' and one other British war movie. Of the four, I found this the least satisfying, probably due to the brilliance of the other three. There's a TV mini series on Colditz which is far more enjoyable, probably due to its attention to detail. The movie lacks those details, of course, as it's relatively short. Nevertheless, it's still good but John Mills rather underplays his character, unlike his outstanding performance in, for example, 'Ice Cold in Alex'.

It's all a little unreal, really, considering Colditz was reserved for the most troublesome of allied prisoners. You just won't believe that some of the characters shown created trouble for their captors in this version.

However, as mentioned, it's still good to watch and better than the majority of movies with a similar theme churned out after 1960.

I hate to rain on the parade of the people here who think this film is so great, but I had to force myself to watch it until the end. It obviously comes from a time in British history when the attitude was "Good show, British boys. You stuck it out in the German POW camps and kept the Jerries busy with your escape attempts, and we're proud of you chaps." That kind of gung-ho, congratulatory feeling is everywhere in the movie. Unfortunately, it turns the story into something bordering on the farcical. The Germans are portrayed as hapless dupes, toothless blusterers, not quite comical but easily fooled and quite incapable of backing up their threats. They may begin by saying that any attempt at escape will be met with death, but none of that seems to ever happen, and when an escape attempt is broken up or an escapee is returned, nobody seems the worse for wear. When two German shepherd dogs jump on an escapee emerging from a tunnel, they don't bite. It's all a game for the prisoners, without any real danger, pretty much on the level of schoolboy pranks. Life in Colditz is cheery, without any privations that we can see. It looks like a better place to be than in training camp back in Britain, where discipline was tough and your day was gruelling.

The prisoners seem to have a very free hand in the castle, moving about almost at will. How did they manage to cut through all those steel bars that they removed so easily from a window? How did they put together several dozen German uniforms, good enough to fool the sentries the escapees walked past? How did they speak such accent-free German that no one noticed? The film claims that everything portrayed is factual, but that claim is difficult to believe.

There is no narrative. The story, such as it is, consists of one escape attempt after another, none of them particularly inventive. Nothing joins them together into a cohesive plot.

I suppose we're expected to forgive crass nationalism in war movies. The Americans always save the day in American films, the British show superior character in British films. For me, this kind of thing spoils a movie. The Colditz story has it in spades. Brits always respond to Germans with a cheekiness that I think in real life would have earned them a rifle butt to the head. And they make arrogant, contemptuous comments about other prisoners, French, Polish, or Belgian. That dissolved most of the sympathy I might have felt for them. Yet, when the credits roll at the end, we see that these others were in fact more successful than the British in their escapes.

I didn't like this movie at all.

THE COLDITZ STORY takes artistic license with facts and the sequence of events, as noted in the foreword, but manages to hold interest when it concentrates on the fortunes of its chief escape officer, JOHN MILLS, and his various experiences with the prisoners and their national rivalries with each other.

Aside from some stereotyped Nazi humor at the expense of stupid guards and the usual assortment of prisoners, the story maintains humor and suspense in equal measure as the men try to tunnel their way to freedom while under the scrutiny of their German captors. Characters are not deeply explored, but ERIC PORTMAN does a standout job as Colonel Richmond and JOHN MILLS is excellent as the real-life escape prisoner Pat Reid.

BRYAN FORBES, IAN CARMICHAEL and LIONEL JEFFRIES are fine in support. Unfortunately, ANTON DIFFRING has little to do as officer Fischer nor does THEODORE BIKEL as one of the POWs.

As escape films go, this POW film is taut with suspense toward the last escape try but a bit flabby in the telling for the most part. Other such films have managed to cover the same territory with more excitement and suspense.

You might call it a low-key story based on true incidents given a rather routine treatment despite some fine performances.

I don't think The Colditz Story is the best of the PoW films, but it is still a very well done film all the same. I don't think the film is flawless, I think it could have been longer to give more depth to the characters(though there is evidence of that) and the film could have focused a bit more on the psychology of imprisonment like the TV series did.

Any faults aside, what I did love about The Colditz Story was the action. The Colditz Story has a carefully-constructed story about the daring escapes of the prisoners, and the action that forms this story is very well played, with a perfect balance of being tense in some scenes and music-hall jolly in others. The dialogue is thoughtful and quite literate, while Guy Hamilton who went on to greater projects since(primarily Goldfinger, my personal favourite of the Bond films) does a solid job directing.

The Colditz Story is beautifully shot and has the suitably foreboding German prison of the title to add to any authenticity, and there is a stirring and evocative music score too and the pacing ensures that there is very rare a dull moment. The acting is very strong, John Mills is perfectly cast, and Eric Portman also gives a performance worth of note. Ian Carmichael, Bryan Forbes and Lionel Jeffries successfully portray their heroic prison inmate characters too.

All in all, a very well-done film that despite any small imperfections deserves to be better known. 8/10 Bethany Cox

Shot in stunning B&W Colditz is exactly what you'd want from a 1950s British war film - horrible conditions, very stiff upper lips, and lots of self-deprecation and self-deprecating humour.

THe surprise is how well it is directed and the acting - all of which are classic for its genre. Now overshadowed by bigger productions like the fictional Guns Of Navarone, Colditz is actually probably one of the truest to its source material, and is a rewarding view.

For this viewer it is notable because it is at times an uncomfortable watch - it really did try to understand what being in Colditz meant - and yet it is exciting, human, and full of wonderful moments.

Highly recommended.