Les indomptables de Colditz

People who watch The Colditz Story have probably seen The Great Escape as well and should bear in mind the fact that that camp where Steve McQueen, James Garner, and the rest was built to house all the big escape artists. Those really persistent offenders got incarcerated at the castle called Colditz. Those that is that didn't get summarily executed by the Gestapo as we well remember from The Great Escape.

What an incredible waste of manpower, but those guards had to be lucky because they could be at the Russian front. In The Colditz Story there are more guards than prisoners. When you think about it, it would have been easier for the Nazis to let this bunch be exchanged.

The protagonist of the story is later historian Pat Reid and he's played here by John Mills. Mills's character is the official British escape officer, there are French, Dutch, and Polish officers among those nationalities. Getting international cooperation here is about as easy as the alliance that defeated Nazi Germany with all the cracks and fraying in that endeavor.

There are two other standout characters, the senior British officer Eric Portman and Scot's Guard Christopher Rhodes. Rhodes had an interesting career, he and Stanley Baker probably were up for a lot of the same parts in British cinema. He played some very rough characters on film, some outright villains. Here he's just an incorrigible prisoner who's very rebelliousness endangers the escape plans of many. His is the best performance in The Colditz Story.

Made over 50 years ago, The Colditz Story holds up very well for today's audience. No flamboyant heroics like in The Great Escape, but some real situations in a story told simply and well.

THE COLDITZ STORY takes artistic license with facts and the sequence of events, as noted in the foreword, but manages to hold interest when it concentrates on the fortunes of its chief escape officer, JOHN MILLS, and his various experiences with the prisoners and their national rivalries with each other.

Aside from some stereotyped Nazi humor at the expense of stupid guards and the usual assortment of prisoners, the story maintains humor and suspense in equal measure as the men try to tunnel their way to freedom while under the scrutiny of their German captors. Characters are not deeply explored, but ERIC PORTMAN does a standout job as Colonel Richmond and JOHN MILLS is excellent as the real-life escape prisoner Pat Reid.

BRYAN FORBES, IAN CARMICHAEL and LIONEL JEFFRIES are fine in support. Unfortunately, ANTON DIFFRING has little to do as officer Fischer nor does THEODORE BIKEL as one of the POWs.

As escape films go, this POW film is taut with suspense toward the last escape try but a bit flabby in the telling for the most part. Other such films have managed to cover the same territory with more excitement and suspense.

You might call it a low-key story based on true incidents given a rather routine treatment despite some fine performances.

I hate to rain on the parade of the people here who think this film is so great, but I had to force myself to watch it until the end. It obviously comes from a time in British history when the attitude was "Good show, British boys. You stuck it out in the German POW camps and kept the Jerries busy with your escape attempts, and we're proud of you chaps." That kind of gung-ho, congratulatory feeling is everywhere in the movie. Unfortunately, it turns the story into something bordering on the farcical. The Germans are portrayed as hapless dupes, toothless blusterers, not quite comical but easily fooled and quite incapable of backing up their threats. They may begin by saying that any attempt at escape will be met with death, but none of that seems to ever happen, and when an escape attempt is broken up or an escapee is returned, nobody seems the worse for wear. When two German shepherd dogs jump on an escapee emerging from a tunnel, they don't bite. It's all a game for the prisoners, without any real danger, pretty much on the level of schoolboy pranks. Life in Colditz is cheery, without any privations that we can see. It looks like a better place to be than in training camp back in Britain, where discipline was tough and your day was gruelling.

The prisoners seem to have a very free hand in the castle, moving about almost at will. How did they manage to cut through all those steel bars that they removed so easily from a window? How did they put together several dozen German uniforms, good enough to fool the sentries the escapees walked past? How did they speak such accent-free German that no one noticed? The film claims that everything portrayed is factual, but that claim is difficult to believe.

There is no narrative. The story, such as it is, consists of one escape attempt after another, none of them particularly inventive. Nothing joins them together into a cohesive plot.

I suppose we're expected to forgive crass nationalism in war movies. The Americans always save the day in American films, the British show superior character in British films. For me, this kind of thing spoils a movie. The Colditz story has it in spades. Brits always respond to Germans with a cheekiness that I think in real life would have earned them a rifle butt to the head. And they make arrogant, contemptuous comments about other prisoners, French, Polish, or Belgian. That dissolved most of the sympathy I might have felt for them. Yet, when the credits roll at the end, we see that these others were in fact more successful than the British in their escapes.

I didn't like this movie at all.

This film is named after an actual German prison camp designated for incorrigible prisoners of war--those who had already attempted escapes from other camps. And, not surprisingly, the multinational inmates spend most of their time plotting to escape. And, by the end of the film, some actually make it. In fact, the statistics on actual escapes is pretty impressive. What surprised me about all this is that the Germans were actually VERY forbearing and didn't just shoot the prisoners because of this--and the difference between these camps and the death camps is striking.

It's odd. Although "The Colditz Story" is based on a true account of prisoners escaping from this German prison camp--yet I never was bowled over by the film. I must admit that normally my biggest complaint about historical films is their inaccuracy--and this one sticks pretty close to the facts--yet I didn't really love the movie. I am not saying it's bad--the acting is very good. But I just didn't get into this film as much as some of the fictional WWII British films like "In Which We Serve" or "The Life of Colonel Blimp". It is still well worth seeing.

Allied prisoners - that normal prison of war camps can't hold - are sent to a mountain stronghold that they are told is "escape proof."

Colditz Castle (in Germany) remains one of the most daunting and visited memorials of World War II. Looking a little like Count Dracula's castle from the outside the very sight of it must have made many a heart sink - especially those that didn't know if they were going to their deaths. Even when they found out that they weren't they still had to be vetted to see if they were not stool pigeons!

This was originally a book and in the fullness of time it would be turned in to this film, a TV series (and a very good one at that) and even a hit board game. The film has to scrap a great deal of the (excellently written) book and can only represent a few of the many plot lines. In truth the prisoners ran out of escape ideas near the end and had only one left - to build a glider to escape from the roof. The war ended before it was tested!

Anything with John Mills in is usually pretty good (ok - Who's That Girl, with Madonna falls short) and this is no exception. The prisoners realise that escape committee's are needed so escape attempts - between various nationalities - wouldn't cross one another. Everything here is based on a real incident, although some of the facts around it are fictionalised.

A good memorial to a tough place and some tough people that were prepared to risk machine guns and attack dogs to get over-the-wall to continue the war. While this type of movie always has many dramatic plus points built in, it is - still - one the top hundred British movies ever made and one of my top two hundred (made anywhere) films. There isn't a second of boredom in the whole movie.