Benny Goodman

This film is considered by many as being a pretty mediocre film, but I think this film is truly great. Maybe it's just a jazz-lover's point of view; Benny Goodman is my favourite artist, and is the man who inspired me to take up the clarinet. Steve Allen comes across as a likable Goodman, and manages to look the part. Donna Reed also does her job pretty well but the people in the film who will really catch your attention are the jazz musicians that are in the film, playing themselves. These musicians include: the very enthusiastic drummer Gene Krupa, the trombone player Edward "Kid" Ory, the vibraphone player Lionel Hampton and the famous band leader and drummer of the '20s Ben Pollack. Whether you like the film or not, you have got to like the music which includes such Goodman classics as "Don't be that way", "Sing, Sing, Sing", "Let's Dance" and "One o'clock jump". All in all, a highly enjoyable film which, as far as I am concerned, is better than the much acclaimed film "The Glenn Miller Story" starring James Stewart in the part of Miller. "The Benny Goodman Story" is a must-see for all jazz fanatics and all clarinet players. The film also features a very impressive rendition of Mozart's clarinet concerto (Goodman also gave classical music a try, as you can see, to great effect). I'd say that it is decidedly worth seeing. Enjoy!

Benny Goodman was known as the King of Swing, and his songs "Sing, Sing, Sing," "One O'clock Jump," "Stompin' at the Savoy," "Moonglow," "Goody Goody," and my favorite "And the Angels Sing" (performed in this film by Martha Tilton) helped define an era. He was still going strong when this movie was made and continued to play his clarinet until his death in 1986 at the age of 77. Portrayed as an adult by television pioneer Steve Allen, Goodman's band musicians perform in this film: Gene Krupa, Teddy Wilson, Ben Pollack, Edward "Kid" Ory, and Lionel Hampton. The film makes clear that Goodman was instrumental in breaking the racial barrier in American music. Gorgeous Donna Reed costars (and blessedly doesn't sing), and Sammy Davis Sr. plays Fletcher Henderson. And you'll love the scene where Goodman shows the music snobs that he can play Mozart's "Clarinet Concerto" with the best of them. ---from Musicals on the Silver Screen, American Library Association, 2013

Viewed from the point of view of a jazz fan interested in the history of swing, this movie is a treasure. There are moments all through when some of the true greats in jazz can be at least glimpsed, and some have ongoing parts: Buck Clayton, on trumpet, Teddy Wilson on piano, Gene Krupa, on drums, Lionel Hampton on vibes, Stan Getz on tenor saxophone (he was the farthest to the right on the front row--almost always cut out of the pan-and-scan print shown on TCM, but he has a great solo and closeup in one of the numbers, in the Palomar ballroom section). There are other stars who appear for one scene, but it's fun to see them, even briefly. Ziggy Elman plays his trumpet solo on "And the Angels Sing" glibly verbatim from the famous recording, but rushes, unfortunately. The plot is quite predictable, and there's no clinch at the end, just shining eyes. A must-buy for the jazz sentimentalist--but get the wide-screen version.

Writer, director Valantine Davies took on this musical challenge as a testimony to the legendary impresario Benny Goodman and what was then called 'Swing' music.' The film itself is called " The Benny Goodman Story " and it features the late great comic Steve Allen. The movie does a good job of incorporating the early life of the famed musician and the life-struggles he encountered. Striving from an early age to learn his instrument and then later to adapt it to create what he called a 'special' type of music for the era of Early Swing and later Jazz age. The movie does not lend itself any of Goodman's foibles or controversies as there were little in his life. Still it does take a few liberties with his personal history, but nothing which detracts from the established music which he help to initiate. Indeed, his ability to play his clarinet and entrance his audiences is what makes this movie and then the cast which includes Donna Reed, Berta Gersted and Barry Truex as Benny Goodman (at 16), is what marks this Bio-pic as a musical Classic and the late great Gene Cruppa on drums. In addition for any who love the legendary sounds of the Big Bands in the age which started them all, you can do no better than sit and enjoy this musical rendition which is a tribute to that era. Easily recommended. Well done.

I enjoyed the music in this film immensely but the thing that drove me absolutely crazy was the costumes. This film is supposed to take place from 1910 - 1938 yet Donna Reed is in full 1950's dress including her hair and makeup. It actually screws up your whole perception of when the story takes place. Would it have killed them to dress her and the other women in period dress? There is one sad attempt at a 20's outfit where Donna is at a speakeasy and has on a cloche hat with her bangs in spit curls but of course her dress is a total 50's Dior 'New Look' with a cinched waist and huge skirt. It's also sad that original Benny Goodman vocalist, Martha Tilton, is only on film for like 1 minute singing one short refrain.