Un homme est passé

A one armed stranger leaves the train at Black Rock Station, unbeknown this is a place built on damnation, past events have caused suspicion, in this place without contrition, as the locals build there walls to cause frustration. The atmosphere's caustic and quite tense, as the alien observes and starts to sense, that his mission will be scuppered, as a secret is discovered, and attack is swiftly dealt after defence. But there are locals who no longer will adhere, to the tragedy that happened yesteryear, prepared to take the bullies on, to correct the heinous wrong, and stand up to dread and terror, built on fear.

For the first time in 4 years the train stops at the small desert town of Black Rock. An one armed war veteran gets off looking for a man whose name causes hostility among the residents of the town, led by Reno Smith. Macreedy digs deeper to find a town hiding a shameful secret that they were too apathetic to deal with. But will they stand up now?

Most people will tell you this film is famous because it was one of the first times an American film acknowledged that, after Pearl Harbour, oriental Americans were abused and treated badly. However to me this film is a damnation to those who stand back and refuse to take a stand against wrong doing. The whole plot is hinged on whether or not people ill stand up and do the right thing with Macreedy. The film plays well as a moral fable but also as a tense thriller and both are enjoyable.

The film is quite short, but builds well from hostile locals to eventual violence and confrontation in the desert. The moral of taking a stand is weaved into it well without taking away from the main drama and tension. It isn't perfect as it is a bit simplified but in the desert heat of the small town the tension is really well recreated.

The cast is surprisingly deep in hindsight. Tracy is manners himself as the man who gets more irate by the apathy around him as he gets to uncover more and more of the town. Ryan is cool but a little too inhuman for my tastes. Jagger and Brennan are suitably trapped in their performances and represent those happy to watch bad things happen if they get a quiet life. In retrospect Borgnine and Marvin add star power and do well with what could have been just thug/heavy roles.

Overall this film worked for me on several levels. The heat of the desert adds to the tension in the actual drama story itself. However it also works as a moral fable with a very clear message – stand up for what is right or watch what you believe slip away at an alarming rate.

Spencer Tracy did not get an academy award for this film but he was compensated with a more important award--the Cannes Film festival award. It is always interesting that Europe recognizes the better Hollywood works than the Academy ("Thin Red Line" got the top award in Berlin, "Scarecrow" in Cannes--two geat American films ignored at the Oscar ceremonies).

I read a review of the film on IMDB pointing out the flaws in the script. They are all correct, if we go by rational thinking. But the merits of this film are the superb editing, the beautiful cinemascope photography and the arresting performances. Every time I see this film I am reminded of Spielberg's little known film "Duel" that had similar thrilling tension packed into less than 24 hours of screen time--a film I admire much more as good cinema than the recent box office outputs of Spielberg.

Compare this film with Sturges' "The Magnificent Seven." Sturges like King Vidor, seemed to pick up stories to film that looked at the oppressed and tried to present a world that could be better. "The Magnificent Seven," like this film, had a predominantly male cast. It appealed to most viewers. And some could see a social and even a political layer beneath these films.

What I find most appealing is the the ability of Sturges, Vidor, and the early unsung Spielberg's ability to use cinema to combine thrills, human values and craft in say 81 minutes as in this film. Spencer Tracy is not to be admired for the way he delivers his lines, but his body movements which remind you of majestic caged animal that can be deadly if provoked. Sturges brings to the fore evil in different ways--the dead buck strapped on the front of a vehicle, menace on empty roads by big vehicles (used in "Duel" to great effect), evil women when you expect them to be good, laws used in illegal ways (the hotel registration scene), etc. Sergio Leone made similar films in Europe--the famous spaghetti westerns--with laconic dialogues and emphasis on body movements and photography

In spite of its flaws, it is a film Hollywood can be proud of. I only hope TV reruns show the film in its original cinemascope grandeur, which grabbed me the first time I saw it decades ago.

A film of rare economy, elegance and stillness. Pretentious as it may sound, there's a perfect balance of tension and space about this film. Not a word or scene or character is wasted or unnecessary.

The other reviewers here give a plot outline and performance details. Tracy dominates the picture, his black and white appearance setting out the clarity of his moral position. The other main presence in this classic picture is the silence. Sturges SHOWS us silence, and what denial can do to a community.

I'd just like to make a recommendation to those who think that great cinema need sound and action - watch Bad Day at Black Rock, and sink yourself into its opening emptiness and cut-to-the-bone story.

9/10

Spencer Tracy had a wonderful gift for the theater, his on screen persona was often able to offer audiences quality entertainment. Regardless of the many characters, Tracy's talent always shown through and became memories for his many fans. Here is one exceptional example. The movie, Directed by John Sturges, is called " Bad Day at Black Rock. " It relates the story of John Macreedy, (Spencer Tracy) a U.S. Army veteran who decides to visit the town of Black Rock, the hometown of a Japanese friend killed during the war. However upon arrival, he is greeted with suspicion, resentment and apathy. The longer he stays, the more questions he has to ask. Unfortunately, everyone he questions has been told not to talk to him. Led by Reno Smith (Robert Ryan), others are intimated not to co-operate with the stranger, The exceptional cast includes Dean Jagger, Walter Brennan, Ernest Borgnine, Anne Francis and Lee Marvin. Though the vast scenic desert, surrounds this forgotten town, it nevertheless allows the foreboding atmosphere to commit itself to a linger secret which prevails and haunts the towns folks. An excellent film for a time when true drama could fit well into a pleasant afternoon. ****