The Millionaire

Nobody seems to remember that it wasn't actually random people to whom the million dollars was given. At the beginning of each show Tipton would send for his secretary, Michael Anthony. Tipton would say something pertaining to the person he'd decided to give the gift to, and say "Here's another Millionaire." He always knew some reason why the person needed the money or the lesson the money might teach. Anthony would fold the check into his portfolio and head out to deliver it. One episode I still remember had the money going to the young daughter of a contentious couple who needed the money. They found the million dollars notation in her bankbook and told her she shouldn't pretend and write things in the book. At the end of the show they hadn't yet discovered the money was real. It was a good show, fondly remembered.

"The Millionaire" is a show unfairly forgotten, today; as popular in it's time as "Queen for a Day", "Private Secretary", and "Our Miss Brooks", it offered a premise that would serve as an inspiration for series as varied as "Magnum P.I,", "Fantasy Island", "Stairway to Heaven", and the current 'Reality TV' craze; top-notch casts in half-hour morality tales; and 'common sense' resolutions that would keep it an audience favorite for five seasons.

Produced for CBS by Don Fedderson Productions (who would also give America "My Three Sons" and "Family Affair"), an unseen millionaire (with obviously WAY too much free time), John Beresford Tipton (voiced by one of TV and film's best-known voice actors, Paul Frees), would dispatch his associate, the ever put-upon Michael Anthony (Marvin Miller, in his best-known role), carrying a tax-free cashier's check for a million dollars, made out to 'random' individuals, on condition that they never attempt to discover who sent it, or reveal where the money came from, except to their husband or wife.

With the frequently bemused Anthony as an observer, the new millionaires would run the gamut of possible scenarios, discovering, ultimately, that money can't buy happiness, but CAN provide a half-hour of frequently engrossing drama. Each episode would generally end with Anthony summarizing the recipient's 'lesson learned' to a satisfied Tipton.

With casts often featuring future 'stars', the series was wise without ever being overly 'preachy', with good direction and strong production values. Frequently lampooned by comedy shows of the period, "The Millionaire" ultimately would have the last laugh, outlasting most of them.

While an attempt to 'reinvent' the show would fail, in 1978, the original certainly qualifies as a TV 'classic'...

In the days before lotteries, back when having a million dollars meant you were FABULOUSLY wealthy, this show had an interesting and effective premise. An unseen and mysterious multi-millionaire has his servant give a million dollars tax-free to a complete stranger, apparently picked at random. The only conditions were that he couldn't reveal to anyone how he got the money and how much money it was. The rest of the show would follow this person and show how his life was changed by the sudden wealth. The show worked so well because it's writers were able to create an interesting cross section of recipients and consequences. I actually haven't seen this show since it's syndication days in the sixties but it was interesting at the time and I remember it fondly.

Unfortunately, the original creator of THE MILLIONAIRE, who also authored the pilot, has not been given any credit here. His name was Walter Goetz, son of Harry Goetz (Paramount Pictures) and this wonderful series was his baby from the get-go. Due to some kind of disagreement over rights or royalties (I forget the details now) he left it all behind in the very beginning and has now, apparently, been completely forgotten. Just thought I'd mention it, having personally known him. Subsequent to his short-lived career in California, he made a living playing the music of Cole Porter, George Gershwin etc. etc. in piano bars and restaurants in Santa Fe, New Mexico. Lucky us. He was a wonderful man and it was truly an honor to know him.

When my grandparents broke down and got a television in the middle Fifties one of the first shows they liked was The Millionaire. I can still hear my grandmother, saying philosophically what a great thing it would be if Michael Anthony rang their doorbell and dropped a million tax free dollars in their laps. My grandparents were immigrants from the Ukraine and no one ever gave them anything. Still it was an entertaining fantasy.

As it was for any number of homes back in the day when the fabulously wealthy John Beresford Tipton whom we never saw, but whose voice was supplied by Paul Frees would summon his secretary Michael Anthony in played by Marvin Miller. With the spacious Tipton estate of Silverstone in the background, Tipton explains to Anthony who will be this week's beneficiary.

The next thing we see is Marvin Miller knocking on someone's door and giving them a check for a million dollars. What that individual did with it was the basis of the episode of that week. That in turn depended on the character of the individual. The variations on human character was the heart of each episode.

Tipton found 205 characters to be generous with for six seasons. Presumably he died or ran out of money. He might have had to sell Silverstone, from what little we saw of it, it looked as grand as San Simeon.

They were good episodes, The Millionaire crammed a lot of plot and character development into a thirty minute show. The players had to be good to convey it. I wish I could see some of those episodes on the TV Land Channel now.