Le clown est roi

Reports I've read state that "3 Ring Circus" was a very troubled production, ranging from stars Dean Martin and Jerry Lewis demanding a lot of script changes through filming to the fact that their partnership was at this stage becoming very strained. All of this turmoil may explain why the end results do not manage to be all that humorous. Much of the movie is surprisingly played in a lower key than usual; even Lewis doesn't go all out like he did in other movies. I will say that Lewis all the same is pretty good, especially when he's in clown makeup and performing in front of an audience. Martin does try, but the script for the most part makes him a kind of a heel instead of a humorous straight man, and often doesn't seem to know what to do with his character. There also isn't a heck of a lot of plot on display as well. The movie had potential, but this is definitely one case where everyone involved should have come to some sort of agreement first about how to do the movie - or simply not have done the movie at all.

Dean and Jerry are more relaxed in this film than in previous efforts. The comedy is also milder. It is also the first time Jerry indulges in his sentimental clown shtick. Hello, telethon Jerry! Dean has absolutely nothing to do in the film. He plays his usual heel character, but there is absolutely no depth to it. And where are the musical numbers? Only the woefully unfunny "That's My Boy" has less in the way of music! Dean and Jerry get to do one new number, "Puncinello", and Dean sings the standard "It's a Big, Wide Wonderful World" to a bunch of animals! (Hugh Shannon, the wonderful jazz singer-pianist who is most identified with this song, must have had a good laugh from Dean's version.) Dean has no ballads and hardly any screen time with his leading lady, Joanne Dru. It's all about Jerry, not silly, lovable Jerry, but a telethon Jerry, trying to become a clown. Actually, the film is quite amusing and heartwarming, but it's not Martin and Lewis. I do not know if Twenty-first Century youngsters would find this amusing, but I did when I was a kid. It is more endearing than "That's My Boy" and most of the solo Lewis films. It may be a bit slow for today's kids.

This is another Martin & Lewis movie I watched on YouTube. Like one of their previous films-The Stooge-there's some drama mixed in with the by-now familiar comedy associated with the team especially Jerry whenever he gets excited about something. But while I thought it was a mistake in The Stooge to have Lewis seem to still act naive most of the time, here he believably becomes a bit smarter as the narrative goes on. Also, since he does calm down here, he reverts to his natural voice whenever that happens which also contributes to a more natural mix of comedy and drama. It's also refreshing to see Dean be more of a supporter for Jer instead of occasionally treating him like dirt like in The Caddy. Likewise for when that does happen, it doesn't happen for long. He has two leading ladies this time: Zsa Zsa Gabor as the egotistical trapeze artist, and Joanne Dru as the circus owner who he calls "Boss Lady". Both are adequate enough in their roles. Then there's Gene Sheldon as the alcoholic star clown who Jerry seems to idolize despite his treatment by him. It's a good enough dramatic performance for him. Like I said, there are some expected outrageously hilarious comical scenes like when Jer has to tame some lions or when he convinces The Bearded Lady (Elsa Lanchester) to let him shave her. But this was also one of the more sentimental of M & L's movies as evidenced by the finale when Lewis in his clown makeup tries to cheer up a sad little girl in the audience. So on that note, I recommend 3 Ring Circus. P.S. Watch for occasional Lewis regular Kathleen Freeman as a victim of a custard.

As some of you may be aware, I’m no longer that much of a fan of Jerry Lewis – though I did acquire the Paramount 10-disc set of his vehicles recently; growing up I watched a number of them (and also a lot of his teamings with Dean Martin) on Italian TV – and, not having checked out the latter in ages, I was wondering how they held up. Since I can easily lay my hands on the films released on DVD, I opted to give another look to one which, for some reason, has yet to appear on the format and which had certainly been among the first I became acquainted with all those years ago.

I’ve watched scores of films over the years set inside a circus (and should be getting to one more, THE BIG CIRCUS [1959], presently); many comic stars had tried their hand at this exciting and evocative milieu – so it was natural for Lewis (and Martin) to get in on the act as well. Jerry, of course, wants to be a clown but has to go through the ropes first – therefore, we see him as a lion-tamer(!) and, with Martin in tow, sweeping the tents, washing the elephants and as an ice-cream vendor, etc. – inadvertently, he even does a tightrope routine on a bike(!). Soon enough, his antics are getting more laughs than those of the company’s star clown who, naturally, is jealous of all this attention – thus becoming mean in Jerry’s regard, and is generally so soused that he becomes unfit for work! Another clichéd turn-of-events is the fact that the circus (owned by Joanne Dru) would be impoverished if it weren’t for a star attraction in the form of trapeze artist Zsa Zsa Gabor; for this reason, she acts like a diva and, worse for Dru (who, surprise surprise, is attracted to Martin), holds him under her thumb! Helping Dru out is old-timer Wallace Ford – who purports to give the boys a hard time but, predictably, emerges to have a heart of gold underneath; also on hand are Sig Ruman as the veteran lion-tamer and Elsa Lanchester as The Bearded Lady!

Martin (and Lewis) gets to sing a couple of resistible tunes, one of them to a bunch of caged animals!; the soundtrack, then, includes his hit from the previous year “That’s Amore” (first heard in THE CADDY [1953]) and the Paramount standard “Lover” (from the superb Maurice Chevalier/Jeanette MacDonald musical LOVE ME TONIGHT [1932]). Anyway, at the bat of an eyelid, Lewis is awarded the spotlight of star clown (without having really demonstrated any outstanding comedic skills), while Martin – who introduces a spot of gambling to aid the circus – takes over the joint when Dru decides to call it a day. Eventually, Lewis and Martin also quarrel over the circus’ customary show at an orphanage – which Dru returns to compere…but, all’s well that ends well, as Dino has a change of heart and turns up to sing for the finale (following Jerry’s attempts to put a smile on a crippled girl’s face).

As can be seen, the formula is typical Martin & Lewis: songs, girls, sentiment and Lewis’ love-it-or-hate-it shtick; if anything, it’s certainly colorful and mildly entertaining along the way – but hardly a classic of screen comedy and, while clearly a popular title in the Lewis canon because he gets to don the clown make-up (the film, in fact, was re-issued in a shortened version entitled JERRICO, THE WONDER CLOWN!), not one of the better outings from the team.

There are some strange echoes of the real life bust up between Martin and Lewis in the script. It's saddled with Jerry's sincere but misguided belief that he is a natural clown and screen heir to Emmett Kelly, who's makeup he closely resembles in some scenes, imitation being flattery I guess. The buddies, newly discharged from the army and penniless head for the circus where Jerry, longing to become a clown instead has to apply to be a trainee lion tamer (as if..) the usual water squirting elephants and disgruntled, drunken clown lead us to the quease-inducing finale when Jerry as the clown succeeds in making a sad little girl (in leg irons, yet)smile at his tears. For 1954 audiences I'm sure it was a pleasure break from post war blues but it's well past it's sell by date. TRIVIA: Unless I'm much mistaken the sequence where Dean Martin does acrobatics on some low bars is doubled by Nick Cravat who appears elsewhere in the film and was an acrobatic partner of Burt Lancaster.