La ruée sanglante

Better than expected, with a complex script, lots of action (not all well-staged), and even some character development. Francis is fine as the idealistic young doctor whose dedication to his Hippocratic oath is greater than his oath to the army. As a result, he treats hostile Indians as equals, causing trouble for the cavalry when the tribe jumps the reservation. It's hard to tell if Francis's apparent unease is good acting or still a bit of stage fright for a newcomer. But whichever, it fits in perfectly with a tenderfoot trying to get his bearings in unfriendly surroundings.

At first I thought Donna Reed's super-coy little flirt was nothing more than star-casting that would ruin the movie. But the script deals intelligently with her development as the plot darkens. Carey's excellent as the no-nonsense Captain, who's the realist counterpoint to the doctor's idealism. Note how he's never treated with disrespect even though some of his decisions seem ethically callous. Too bad, however, the writers included the tiresome cliché of a whiskey- loving sergeant as comedy relief. Nonetheless, director Karlson, who would later excel at crime dramas, keeps things moving, and wonder of wonders, even has the Indians shrewdly shooting horses out from under the cavalry.

The movie's theme reflects the growing racial consciousness of the 1950's. I like the way a bond is established between the doctor and the medicine man in their common human concern with healing. But just as importantly, the screenplay manages to make its point without getting preachy. Sure, the production is low-budget, never getting out of greater LA, with an Indian encampment that looks about as real as a Disneyland tableau. Still, it's a thoughtful and generally well-executed little horse opera that's better than it ought to be.

Directed by Phil Karlson who later helmed the excellent GUNMAN'S WALK, this one involves an army surgeon (Robert Francis) who is at odds against his commander (Philip Carey) over the treatment of a malaria outbreak amongst the Kiowa.

Carey hates army doctors as much as the Kiowa since the last three he's had on his post were drunkards who should never have been in the service to begin with, so he doesn't take too kindly to Francis and treats the guy with contempt. Francis also feels he has to step in order to prevent another Indian war and he disobeys a direct order from Carey to treat the Kiowa chief's ailing son.

It's fairly standard fare that could have been better if the dialog wasn't so silly and they avoided using old stock footage of battle scenes that looked out of place with the rest of the film. Not to mention the fact that the rest of it was filmed on the same Columbia ranch locations that we've seen a hundred times before. It makes the whole thing look more typical than it should be.

With Jack Kelly & James Best as the junior officers, and Donna Reed as the niece of the post commander who spends a lot of time flirting with the officers, I'd give this one a less than average rating than a subject treatment like this deserves.

4 out of 10

Dr. Allen Seward (Robert Francis) is assigned to a western cavalry post, due to his predecessors failings he finds that he is instantly disliked, and even worse, not trusted. Things worsen when during a confrontation at an Indian Reservation, Seward attempts to help an ill Indian infant and befriends the tribe doctor. As the war with the Indians escalates, so does the hatred from the camp towards Seward, with the men even refusing his medical treatment, but with the support of the lovely Laurie MacKaye, and a bond formed with Manyi-ten, an Indian Bride, Seeward may just be the solution to end this troubled conflict?

They Rode West is nothing special in the pantheon of inspiring and intelligent Westerns, what it isn't is one of those boorish standard Cavalry Vs Indians shoot them ups. Playing out with a lot of heart and a purpose of intent, it's a film that has a nice colour sheen, has some real solid acting and doesn't outstay its welcome. Notable for being the first of only four films that a 25 year old Robert Francis would make before being tragically killed in an aeroplane crash, They Rode West will not excite those in search of wall to wall gunfights, it will however be of interest to those who like a story of humane conflict via verbal beliefs. Of the other notables in the cast, Donna Reed adds the required touch of prettiness as Laurie MacKaye and Philip Carey does a nice line as the grumpy commander, Captain Blake. Direction from Phil Karlson is as steady as you would expect for this type of production, to leave me only left to say that it's a recommended film to see the first work of an interesting actor in the making, and of course for a bit of nous in the story. 6/10

Had he lived to make more than the four films he did Robert Francis might have done a lot of the roles Tab Hunter did. In his memoirs Hunter said that he did so many military based film that he could have qualified for veteran's benefits. The two looked like they could have been brothers and all four of Francis's films had a military background.

They Rode West is a cavalry western and Francis is a young doctor assigned to an army post out west where both the Kiowas and Comanches are pretty hostile. The Kiowas are coming down with malaria living near a swamp as are the military, but the Kiowas have been put there by the government.

Like William Holden in The Horse Soldiers, Francis sees himself as a doctor first and a soldier second. He helps the Indian sick and then commits the unpardonable sin in the military by disobeying orders and telling the tribe they have to move to higher ground.

Nevertheless his sincere concern for the health of the Indians later stands the cavalry in good stead.

Along with Francis are Donna Reed as the niece of the commanding officer, May Wynn as a white Indian maid captive and Philip Carey as his rival who has a more traditional frontier view of the Indians.

Francis acquitted himself well in his first film, sad indeed his career was so short.

I saw this one at the theater as a kid and was somewhat disappointed, probably too much story and not enough action to suit my taste at the time. However by today's standards, this one treats the Native American much more respectfully than other movies of it's time, most notably the God-awful "Arrowhead"(1953). The story moves along well and there really is enough action to go around and Francis shows that he had some real star quality, had he lived. Not a bad one.