La ruée sanglante

Robert Francis plays Army doctor Allan Seward who is posted to the remote outpost Fort McCullogh where his callowness and inexperience r incurs the enmity of the hard bitten Captain Blake (Phil Carey) .Blake is virulently anti-Indian and when Seward insists on treating Indians who have fallen victim to malaria Blake makes no bones about his antagonism ,feelings shared by the other troopers .He is arrested and faces a court martial while outside war is brewing over the determination of the Indians to leave their reservation and head for higher and healthier ground in the hill country.

Francis died tragically young and his strong performance shows what a loss he was to the movies .Carey is forceful and there are good turns from Donna Reed as the base Commnader's spoiled and coquettish daughter .Phil Karlson directs strongly and the movie is always entertaining if not quite top drawer One for western devotees in our midst

When I found this on YouTube, I discovered that it was chopped up into various highlight segments that altogether ran only about maybe 50 min., more or less. Still, I highly enjoyed what I saw with Robert Francis as the new Calvary doctor sticking with his oath of caring for all human beings including the American Indians forced into the reservation near him. That gets him in plenty of hot water with superior Philip Carey who already doesn't trust doctors since the previous ones were drunk or just plain unreliable. May Wynn, Francis' co-star from The Caine Mutiny, is a white woman who was raised on the reservation after her parents were killed. And Donna Reed is the initial flirt who eventually gets on Francis' side when the others call him an Indian lover (the actual name they called him was "woodhawk".) Quite compelling what I saw so I decided to review this here in case I don't have the chance to watch the whole thing. Still, if I do, I'll come back here and either add some comments or rewrite the whole thing...

Better than expected, with a complex script, lots of action (not all well-staged), and even some character development. Francis is fine as the idealistic young doctor whose dedication to his Hippocratic oath is greater than his oath to the army. As a result, he treats hostile Indians as equals, causing trouble for the cavalry when the tribe jumps the reservation. It's hard to tell if Francis's apparent unease is good acting or still a bit of stage fright for a newcomer. But whichever, it fits in perfectly with a tenderfoot trying to get his bearings in unfriendly surroundings.

At first I thought Donna Reed's super-coy little flirt was nothing more than star-casting that would ruin the movie. But the script deals intelligently with her development as the plot darkens. Carey's excellent as the no-nonsense Captain, who's the realist counterpoint to the doctor's idealism. Note how he's never treated with disrespect even though some of his decisions seem ethically callous. Too bad, however, the writers included the tiresome cliché of a whiskey- loving sergeant as comedy relief. Nonetheless, director Karlson, who would later excel at crime dramas, keeps things moving, and wonder of wonders, even has the Indians shrewdly shooting horses out from under the cavalry.

The movie's theme reflects the growing racial consciousness of the 1950's. I like the way a bond is established between the doctor and the medicine man in their common human concern with healing. But just as importantly, the screenplay manages to make its point without getting preachy. Sure, the production is low-budget, never getting out of greater LA, with an Indian encampment that looks about as real as a Disneyland tableau. Still, it's a thoughtful and generally well-executed little horse opera that's better than it ought to be.

Dr. Allen Seward (Robert Francis) is assigned to a western cavalry post, due to his predecessors failings he finds that he is instantly disliked, and even worse, not trusted. Things worsen when during a confrontation at an Indian Reservation, Seward attempts to help an ill Indian infant and befriends the tribe doctor. As the war with the Indians escalates, so does the hatred from the camp towards Seward, with the men even refusing his medical treatment, but with the support of the lovely Laurie MacKaye, and a bond formed with Manyi-ten, an Indian Bride, Seeward may just be the solution to end this troubled conflict?

They Rode West is nothing special in the pantheon of inspiring and intelligent Westerns, what it isn't is one of those boorish standard Cavalry Vs Indians shoot them ups. Playing out with a lot of heart and a purpose of intent, it's a film that has a nice colour sheen, has some real solid acting and doesn't outstay its welcome. Notable for being the first of only four films that a 25 year old Robert Francis would make before being tragically killed in an aeroplane crash, They Rode West will not excite those in search of wall to wall gunfights, it will however be of interest to those who like a story of humane conflict via verbal beliefs. Of the other notables in the cast, Donna Reed adds the required touch of prettiness as Laurie MacKaye and Philip Carey does a nice line as the grumpy commander, Captain Blake. Direction from Phil Karlson is as steady as you would expect for this type of production, to leave me only left to say that it's a recommended film to see the first work of an interesting actor in the making, and of course for a bit of nous in the story. 6/10

THEY RODE WEST is an idealistic Western in which an arny doctor manages to get US troops to come to peace with joint Kiow and Comanche forces.

In the process, poor Robert Francis (playing Dr. Sewer) has to suffer the vexation of being called an Indian lover, a woodhawk, and a renegade - but still he remains faithful to the Hippocratic oath and he continues to treat whites and Indians as plain human beings and nothing but.

Francis performs credibily and is clearly the good man here, surrounded by others who appear to have sinister and racist motivations, like Captain Blake (played by Phillip Carey), who actually shoots an Indian in the back and never gets punished for it, even though he nearly started a war by doing so.

The two women in this film, Donna Reed and May Wynn, are important to the story in that they can see the good in the doctor and help him advance the cause of peace. Donna Reed gets a strangely small part after winning the Best Supporting Actor Oscar the previous year.

All told, it is an enjoyable and highly moralistic Western.

Plenty of credibility holes.