Objectif Terre

This movie starts out in promising fashion. The first scene is nearly silent, with minimal use of a score, as the camera slowly pans across a woman lying in bed, a mirror, an open bottle of sleeping pills. The woman awakenings, her suicide unsuccessful. It could almost be the opening of a well-directed, stark 1950s melodrama.

Unfortunately, the best things about this movie are the first 5 minutes and the last 5 minutes (plus the fantastic poster art).

In between is a mishmash of C-grade romantic melodrama, crime melodrama, and military stock footage, blended with a few unimaginative scenes of a couple of government scientists working in a little low-budget brick room in a basement to find a way to defeat the enemy.

And of course the requisite sexism of the era. Our two main protagonists meet each other and bond over a man-on-woman slap, because, naturally, he perceives her as being hysterical. Fortunately, she apologizes, and they move on.

Regarding the latter, I don't blame this movie for being "a product of its time," but I nonetheless cannot understand why it has managed to stay in the consciousness of fans of 1950s American science fiction and Cold War pop culture. It is somewhat interesting as a post-apocalyptic Cold War melodrama, of which the movie Five is another example, and has obvious cultural relevance in that context. But there are so many other better, more interesting and entertaining examples. It might be worth one viewing for die-hard fans, but having seen it more than once now I can say it is certainly not worth repeated viewings.

The fifties were the decade for the teenager. He/she had money and time to spend on just about anything. So Hollywood stepped in to fill part of the void.

I like the fifties an sixties sci-fi and horror flicks because, not like today where special effects and schmaltz are a major part of the movie, in the fifties and sixties, things were a lot simpler and people "really"(?) had to act even in B movies.

There wasn't that much gore as there is today. The black and white film added to the atmosphere. Just enough of a monster scene was shown for your mind to fill in the blanks.

We didn't have to see bodies being blown apart.

This film was filmed during the Cold War and UFO paranoia and people just gobbled it up. One thing I like about these type of films and that is that somehow the enemy, whoever he or she is, will always get it in the end and our hero or heroes will come out on top.

Need I say more. For an interesting evening, try to get this movie, you won't be disappointed.

TARGET EARTH sounds like an epic sci-fi movie on paper: see! Earth attacked by an army of killer robots with death rays! Sadly, as is usually the case with these things, the real story is far more prosaic, and a dearth of money means that this is a typically cheap and plodding sci-fi pic with more in common with ROBOT MONSTER than WAR OF THE WORLDS.

Cult producer Herman Cohen delivers us a tale of a quartet of survivors trapped in a deserted city and at the mercy of a robot seemingly made out of cardboard boxes. A few scenes of military speak are interspersed with the main narrative, no doubt to pad out the running time a little. Whit Bissell plays in support.

Nothing much happens here. There are a few cheesy death scenes and attempts at suspense that will disappoint all but the smallest child. Needless to say there are few effects. I like 1950s B-movies but this really doesn't have much going for it, although Robert Roark is fun as the human villain of the piece, Richard Denning is the likable everyman hero, and Kathleen Crowley certainly fills out a form-fitting sweater. What more could you want?

Although dated, this science fiction thriller asks the question, "Is it possible for outer space aliens to invade our earth?" The script was well written and the acting was just as good. Richard Denning and Kathleen Crowley have been seen in other top notch "B" 50'S sci-fi and horror films. But this is one of the best.

A group of people wake up to find their city deserted due to an invasion of alien robots from Venus. While the military tries to figure out a way to fight back, these people hole themselves up in a hotel where they are safe. That is, until a psychopath shows up! After an impressive start, it drags some as they sit around the hotel room scared of the robots outside. The cast is decent, with stars like Richard Denning and Virginia Grey leading the way. Both were somewhat successful but should've been bigger than they were in their respective careers. Beautiful Kathleen Crowley and character actors Richard Reeves, Arthur Space, and Whit Bissell are also good. Robert Roark, however, is another story. According to the trivia section here on IMDb, he got this part because his father would only invest in the film if they cast him. I can believe that as he's the weakest part of the cast and seems to be imitating characters he saw in other movies.

The interactions between the group are pretty clichéd and cheesy but somehow I couldn't help but like them (except Roark) due to the charisma of the actors. It's kind of funny to watch Denning deduce the invaders are from Venus because of stuff he learned from reading his friend's sci-fi magazines in college. The inevitable romance between he and Crowley comes on super fast, with them falling for each other hard within hours of meeting. This is made all the more implausible when you see how much of a jerk he is to her in the first part of the film.

As others have pointed out, the special effects are limited. There's one rather silly-looking robot that they keep filming yet they tell us there's supposed to be a whole army. Look, '50s sci-fi was the best but sometimes its charm was in its goofiness. The robot here is pretty goofy. The actual invasion stuff takes place off-screen and stock footage is used a little too much. Still, despite its shortcomings, it's an entertaining movie.