Les sept femmes de Barbe: Rousse

Adam Pontipee (Howard Keel) lives with his six brothers in a cabin in a remote area of the woods. He goes to town one day and convinces a girl named Milly (Jane Powell) to marry him. They return to the cabin, where she suddenly realizes he has six brothers.

Milly tries to teach them some manners after her initial shock, but they are not entirely keen to change their ways. They are, however, anxious to get wives of their own.

After Adam reads about Roman capturing of Sabine women, he hatches a plan for his brothers - kidnap whoever they want to marry and bring them back to the cabin.

"Seven Bridges for Seven Brothers" is, today, somewhat of a classic; Stanley Donen adapts the screenplay by Albert Hackett, Frances Goodrich and Dorothy Kingsley; their combined efforts are superb.

I have grown up on this film and was surprised at the fact that, after having seen it very recently, it continues to hold up as well as it did when I was younger. I recommend it to everyone of all ages - it's funny, charming, sweet-natured and very enjoyable.

Ok-will admit I'm to young to have seen this movie when it first came out-wasn't even born yet! But a friend of mine(who has GREAT taste) pursueded me to watch it one night. She thought, knowing I'm a big fan of musicals that I would like this.

I must confess I fought her on it-mainly because I, being the generation xer I am, prefer, generally more modern musicals. But I gave in and did watch it and am glad I did. This musical was very enjoyable! Despite the somewhat traditional feel to it, there's a quality that's very appealing and you really get into it. I liked it more then I thought I would.

Now, that still doesn't mean that this is my favorite musical but it is a pretty darn good one and appears to have a somewhat timeless quality to-the characters are sometimes zany and full of fun, the story is a clever one and it is the rare moment when your bored. That was good enough for me and I wouldn't be adverse to a second viewing.

I think this musical transcends the age factor and can appeal to people of all ages and that's a plus. I did enjoy this though my faves still run along the line of "Chicago" but this is a wonderfully inviting musical that anyone(as long as they like musicals) can enjoy.

Revisiting this film, I was immediately pulled in by Howard Keel's opening song Bless Your Beautiful Hide. Audacious even in it's day, there's a tenderness in Mercer's lyrics that makes it somewhat forgivable-remember suspending your reality for a musical? Handsome Howard Keel's virility doesn't hurt. Instead of recoiling over the idea of "finding a wife" I just rolled with it as a silly plot idea. Once I had put myself in the same fantasy mode as when watching a Busby Berkeley musical, I started enjoying it.

I really paid attention to the musical numbers, most notably the Barn Dance & Lonesome Polecat. Amazing. Not too many dances in movies were designed to actually TELL a story, showing what the characters were feeling so eloquently. The Barn Dance scene is the best example I've ever seen of this. The dancing styles of townies vs mountaineers, the girl's being hoisted up in the air, the colors, the acrobatics all contribute to a very coherent "story" in dance.

Lonesome Polecat is also just extraordinary. It has a low base line of something like 3/4 but the lyrics are sung in some odd time signature like 5/9. (help me here music experts) The choreography too, is just excellent- the men really stand out as athletic, as is typical in many cultures such as Indian & Hawaiian dances.

I was again struck by how awful crazy the story line is, but how easily it's vindicated by Keel's character explaining how tough life is for mountain settlers. And Janie Powell was so perfect as the sweet young pretty girl who makes lemonade out of a bunch of sour lemons. The entire story is really about how she orchestrates a success out of her bad situation. I like that she's physically tiny but controls the fate of everyone in the story, not with weak conniving but with strong confident guidance.

At first you think this is a terribly sexist story, but it's truly a pioneering and feminist story.

A permanent place in the history of film musicals is obviously the fate of 'Seven Brides for Seven Brothers' the minute Howard Keel begins to sing 'Bless Your Beautiful Hide'. His robust romantic presence and voice are perfectly suited to blend with Jane Powell's sweet soprano--the Nelson and Jeanette of the '50s era. Jane is as perky as can be as the girl who impulsively marries him only to find that she's expected to keep house for him and his seven handsome brothers. (Echos of 'Snow White and the Seven Dwarfs' here and a touch of political incorrectness). But all that can be forgiven, for what follows is the most outrageously entertaining musical treat from the MGM factory--singin' and dancin' like you've never seen before! The exuberant acrobatic dancing of the brothers is a special highlight--particularly during the barnraising sequence. And their wistful rendering of the carefully staged 'Lonesome Polecat' is another high point. Powell and Keel get to warble some enchanting tunes and both are totally charming and professional in their roles. Keel probably never had a better role--except perhaps 'Showboat' or 'Annie Get Your Gun', handsome, macho and utterly believable. By all means reward yourself with this gem--either in regular format or widescreen, it's certainly one of the greatest MGM musicals of the '50s. Perhaps, as others have noted, the only drawbacks are some of the obviously painted mountain backgrounds--but this never destroys the overall charm of the film. The songs are splendid and the dances are as zestful as any you're ever likely to see.

In 1850, in the Oregon Territory, the provincial farmer Adam Pontipee (Howard Keel) comes to the town to trade supplies and find a wife. When he meets the strong hard worker Milly (Jane Powell) working in a bar, he proposes her. Milly has a crush on Adam and marries him, expecting to have her own place with her husband. However, when they arrive in the distant farm, she leans that Adam is the eldest of seven unsophisticated and rude brothers. Milly educates the brothers, teaching them hygiene, good manners and how to win somebody's heart.

In the annual town picnic, Milly, Adam and his six brothers go to the party and each of his brothers fall in love for a girl. However, they have to return to the loneliness of their farm. In the winter, Adam reads Plutarch and tells his brothers about "The Rape of the Sabine Women", when the Roman men had abducted wives for themselves from the Sabine families. He travels with his brothers to the town and they kidnap their beloved girls. When they cross a gorge, they provoke a snow avalanche and block the narrow passage. However, Milly keeps the girls in the house and sends Adam and his brothers to the barn. But until the spring, when the passage will be open again, many things happen in the farm with Milly, Adam, his brothers and their "brides".

"Seven Brides for Seven Brothers" is a delightfully funny and entertaining musical, with a pleasant feel-good story, wonderful performances and awesome choreographies. Stanley Donen directs this unforgettable and awarded family entertaining with the remarkable support of the choreographer Michael Kidd, and the cinematographer George Folsey and a wonderful cast highlighting Jane Powell with a magnificent performance in the role of a strong young woman. All the six brothers are talented dancer and Jacques d'Amboise was the principal dancer of the New York City Ballet. Just as a curiosity, the catwoman Julie Newmar is the bride Dorcas Gailen. My vote is eight.

Title (Brazil): "Sete Noivas para Sete Irmãos" ("Seven Brides for Seven Brothers")