Julie, une Américaine en vacances au Mexique, aperçoit une amibe géante dans l'océan. Quand elle essaie de prévenir les autorités, personne ne la croit. Elle fait finalement équipe avec un b... Tout lireJulie, une Américaine en vacances au Mexique, aperçoit une amibe géante dans l'océan. Quand elle essaie de prévenir les autorités, personne ne la croit. Elle fait finalement équipe avec un biologiste marin pour tenter de la détruire.Julie, une Américaine en vacances au Mexique, aperçoit une amibe géante dans l'océan. Quand elle essaie de prévenir les autorités, personne ne la croit. Elle fait finalement équipe avec un biologiste marin pour tenter de la détruire.
- Réalisation
- Scénario
- Casting principal
Avis à la une
This was a time when the psychotechnology of horror films was developing at its fastest, so you can see how the director (clumsily) tries to manipulate our fears. Crude films often teach us more than well-made ones.
As for the music, there's a distant similarity between Brummer's music and John Williams' Jaws theme, but I doubt the link is real.
Seeing the name Corman as producer, I naturally expected a cheeze fest, having spent my teens imbibing his silly drive-in roasts. Surprisingly, that's not the case here. In fact, the undersea monster gets only a couple of cameo appearances and are not that badly done. It may be that an exceptionally cheapo 28-grand budget limited the effects, along with a storyline that takes place almost entirely along the LA area coast. Though limited in area, these scenes from both top and bottom of the Pacific, are well-done and keep viewer interest alive amid a skimpy script.
Of course, it helps guy viewers that the curvaceous Kimbell, gets a lot of screentime in a goody swimsuit. Plus, she's quite a good actress, in an unfortunately brief acting career. In fact, the script delivery amid the five principals is much better than the usual Corman brand. Then too, the science vs nature comments make up something of an unusual Corman subtext, along with the female hero, a move in advance of its time.
Despite the comic book title and skimpy budget limitations, the flick almost amounts to a respectable B-movie rating. Clearly Corman is feeling his way along at career's outset; that is, before he found riches serving up fun-filled late-nighters to drive-in freaks like me. I'm glad that as of 2021, he's still with us. Good.
Le saviez-vous
- AnecdotesProducer Roger Corman got the idea for the movie while reading a "Los Angeles Times" article about a one-man submarine manufactured by Aerojet General. He phoned them and asked if he could use it in a film, telling them that he couldn't pay them but they'd get free publicity. According to Corman they were delighted.
- GaffesAs the film opens, and the camera pans to a landscape where "no white man has ever been," at the top right of the screen a car can be seen traveling down Pacific Coast Highway in Malibu, where this scene was filmed.
- Citations
Julie Blair: Why do you suppose there were no reports of this thing until 1946? What could have happened then to start the story?
Steve Dunning: 1946? Well that's when the Bikini underwater expeirments were set off, maybe that started something.
- ConnexionsFeatured in Aweful Movies with Deadly Earnest: Monster from the Ocean Floor (1969)
Meilleurs choix
- How long is Monster from the Ocean Floor?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- It Stalked the Ocean Floor
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 $US (estimé)
- Durée
- 1h 4min(64 min)
- Couleur
- Rapport de forme
- 1.37 : 1