Marianne de ma jeunesse

I wonder how it would be to watch this movie again. Probably I won't. I'd rather let the mysterious atmosphere of the film that obviously enchanted the other reviewers a bit too, untouched. Somehow funny that whilst I can remember only one particular scene from the movie (and it was a miracle that I even managed to find a title of the movie, since I didn't remember any relevant information about it but the name Marianne), I can still discern my feelings when watching the movie as if it was yesterday. The scene that is there in front of my eyes still very vivid, is the one in which Vincent pursues and eventually catches a deer with his bare hands. A triumphant Young man full of adrenalin and a deer, frightened to death.

I'm also a captive-fan of this movie. I watched it when I was 12 and I really didn't understand at all, but while I was growing I remember and learned many things about this movie and I kept yearning to watch again the movie or read Peter Mendelsohn's novel. As others commentaries I remember it as a dream or as a fantasy that perhaps never watched. There is a comment in the movie that I'll remember forever, the old man who Vincent suspect has Marianne imprisons tell him "nowadays there are no ogres keeping Princess, there are only old men with cloudy eyes by the tears" or something like that. Can someone help me find one or another, novel or movie? In the case of the movie I'll prefer the french version with English or Spanish subtitles or the English version and in the case of novel I'll like French, English or if exist Spanish version. Thank you.

...who tried to walk across the lake

Of course it was winter and all this was ice

They say the lake is as big as the ocean

I wonder if he knew about it.... (Yoko Ono,lyrics slightly modified)

In the early thirties ,it was usual to film the same movie in French and in German.Duvivier did it with "Les Cinq Gentlemans Maudits " ,his peer Robert Siodmak did the same for "Tumultes" ("Sturme Der Leidenschaft").In the mid-fifties ,it was less common,but anyway "Marianne" is unique,a movie which becomes stronger and stronger each time you watch it .I've received more messages about it than about any other Duvivier 's movie ...and than any other French movie!It's incredibly popular in Japan ,and if it so, it's because it's not a movie like the other ones ,it's not a movie like the other Duvivier (although the director had already shown lots of flair for mysterious dreamlike atmospheres as "La Charrette Fantome" and his best American film "Flesh and Fantasy" testify .

Like many Duvivier's buffs,I saw the French version first.When you compare the two movies,it's to state the obvious to write that Horst Buchholz is a better Vincent than Pierre Vaneck .He was often nicknamed the German James Dean and he is ideally cast as an adolescent -although he was 23- for his boyish good looks ,his "Actor Studioesque playing and his face which always looks strained work wonders.Marianne Hold plays in the two movies (like her female co-star Isabelle Pia)and Duvivier films her lovingly :she and Buchholz were par excellence the ideal couple.

"Marianne" is perhaps the most purely artistic work Duvivier ever created and in its own particular way,it stands with his best.The black and white cinematography is stunning and you go into raptures over these misty banks ,these forests full of deers ,this castle where boys have their first experience of friendship ,of love and of dreams;they are still dreaming of Prince Charming,of princesses in jeopardy,of villains waiting in the dark house across the lake which they say is haunted.The movie contains scenes that will have you on the edge of your seats : the concert ,beginning with a classical piece (Mozart) which seems to make the boys yawn their heads off and ending with a South American folk tune when the audience goes literally into a trance;Vincent ,beating the jealous girl ,an anti-romantic scene in the most romantic of all French movies of the fifties ;the storm which is not only around the castle -Duvivier had directed a similar scene in his portion of "destiny" for which he was not credited-;the mysterious mansion where they're preparing a feast complete with banquet ,flowers and altar but where nobody comes until...;and this extraordinary fair ,where the parade adds another disturbing touch...Are we in some Perrault's fairy tale?

"Marianne" is one of these rare movies which can mesmerize you.When it's over ,you ask to yourself:was it a dream? Was It a dream I had when I was younger,so much younger than today?

A Propos of Horst Buchholz : he did not make the career he deserved ,being too gifted for what the directors had to offer him.Who still remembers he was the physician in the concentration camp in "La Vita E Bella" ?At least he ended his career on a high note.

In a world as black as Duvivier's,"Marianne de ma jeunesse" seems like an anomaly.This movie was looked upon,for a while, as the film equivalent of Alain-Fournier's "le grand Meaulnes",but as so many movies of the fifties,it was overshadowed by the impending coming for the nouvelle vague.

Hindsight displays its charms.Pierre Vaneck portrays a young romantic high school student,in a remote castle on the misty banks of a lake.Across the lake,there lives a mysterious beautiful woman who seems to be in jeopardy.The atmosphere is dreamy,and the audience sometimes stops and wonders whether the story is a fairy tale or not.Sandwiched,in Duvivier's work,between two very noir films ,"l'affaire Maurizius" ,and "voici le temps des assassins" -which I urge everybody to see if he can-,"Marianne " seems like a truce, a quiet place where the man's soul remains chaste and pure.

The black and white cinematography is close to perfect.

Previous comments on this film that I have seen describe it as having a 'dreamy' character, with which I totally concur. It is indeed a young man's fantasy, my remembrances of it leaving me with feelings of profound melancholy; other reviewers have stated that they first saw it at the approximate age of 12 and of being totally captivated and romantically moved by it; surprisingly, these are my recollections of it, myself. I, too, saw it at about the same age, and I also recall being equally moved by the content of the film and the beauty as well as another quality about the lead actress, Marianne Hold,...something I remember as haunting and ephemeral...difficult to define. Many years later, I find that I am motivated to view it once again...and, this time, to read the book upon which it is based, as well. Will I find it equally captivating as I did decades ago, or will I find my memory of those 1950s and 1960s viewings, when I was able to find the B&W film on late-night-television, far exceeds their reality? (Does this description equally epitomize the anticipation vs. the reality of other aspects of one's physical/corporeal life? I wonder.)