Le Tueur de Londres

Man in the Attic is directed by Hugo Fregonese and adapted to screenplay by Robert Presnell Jr. and Barré Lyndon from the novel The Lodger written by Marie Belloc Lowndes. It stars Jack Palance, Constance Smith, Byron Palmer, Frances Bavier and Rhys Williams. Music is by Hugo Friedhofer and cinematography by Lee Tover.

1888, Whitechapel, London, and as the murders continue, perpetrated by the man known as Jack the Ripper, the mysterious Mr. Slade (Palance) rents out the upper rooms of the Harley household...

Jack the Ripper was popular for transference to film and literature even back when the 20th century was born, now in the 21st century nothing has changed. It's a name synonymous with dastardly slaying's in foggy Victorian London, a name that conjures up images of British coppers chasing their tails while Jolly Jack went about his bloody business, only to then vanish like a plume of smoke in the wind.

Marie Belloc Lowndes' novel has been mined a few times, with a couple of film makers following the source and choosing to reveal from the off the Ripper and put "him" front and centre as the antagonist. In fact for this version there is an out and out motive offered up. Fregonese's film lacks the class and quality of production that John Brahm's 1944 version has, or the twist of Hitchcock, but that doesn't mean Man in the Attic should be dismissed. And rightly so.

It lacks a mystery element for sure, that feeling of not knowing for sure the who, whys, motives and means etc, but it doesn't lack for atmosphere, period design or strong leading man performance. This is very much one for fans of fog bound cobbled streets, of gas lamps and watery canal side blackness. Where coppers sport a truncheon as their major weapon, the whistle their call to arms. That the murders are off screen and thrust into our mind's eye is also a select film fan requirement, as too is the odd leap of faith as regards stupidity of none Ripper characters. But this does a fine job for those inclined towards such Victorian eeriness.

Musical interludes halt the mood, even though they please (and stimulate as regards Smith's wonderful legs), yet it also brings to light a community trying to carry on with wine and a song as blood was adorning those cobbled streets outside. This is far from perfect as a Ripper thriller, yet still it has much to recommend for a viewing on a dark winters night. 7/10

There is no shortage of films based on London's most notorious serial killer, Jack the Ripper, but in spite of this fact: Man in the Attic is a welcome addition to the list of films concerning The Ripper. It can't be said that Man in the Attic is a great film, but it's certainly a good one and did everything I had hoped it would do. The plot here is basically the same one featured in Hitchcock's silent classic 'The Lodger', as well as a whole host of other films. We follow the plot as a mysterious man moves into a house owned by an elderly coupled and co-habited by their actress niece. The Jack the Ripper murders are happening around the same time, and it's not long before the lodger's strange nature leads the lady of the couple to believe that they may be renting their spare room to a serial killer! Director Hugo Fregonese gives the film a great atmosphere; the smoky streets of London look superb and really give this story a good place to take place in. There's also a great score that helps to add to the atmosphere. The film focuses more on Jack the Ripper himself and his situation, and there are very little details of the actual killings, and certainly no gore...which is something of a shame, but the way that the film sets its focus and sticks to it is to its advantage. The plot moves fairly slowly and the mystery is never overly exciting; but it's not too much of a problem because the characters are interesting and Jack Palance is spot on as the reclusive killer. Overall, Man in the Attic is a wholly satisfying yarn that entertains despite not being brilliant.

Not a very unique nor special film in any way, and very typical early 1950s Hollywood fare with a back-lot version of London, and plenty of French can-can style dancing for titillation.

Not boring either, and Jack Palance is fine as the mysterious lodger who may or may not be Jack the Ripper. But he's done better, and is not a good enough reason to pick up this film. In fact, the only particularly good reason to pick it up is if you wish to collect all varieties of Jack the Ripper films available, or if you want the double-feature Midnight Movie release of it because it also has the superior thriller, A Blueprint for Murder.

Fairly stylish and suspenseful 50's remake of "The Lodger", a story set during Jack the Ripper's reign of terror in London near the end of the 19th century. In one of his earliest film roles, the tall and handsome Jack Palance portrays a quiet and introvert pathologist on the lookout for a room in the center of London. He finds one in the house of Helen and William Harley where he spends most of the time working in the attic. His behavior becomes increasingly strange, especially when he falls in love with the singer/showgirl niece of his landlords. Suspicions arise that the distinguished Mr. Slade is the feared maniac Jack the Ripper. There's very little action in "Man in the Attic", but it's atmospheric and both acted & directed with devotion. Palance looks menacing and mysterious and he receives excellent feedback from his supportive cast, most notably from Rhys Williams as the cynical Mr. Harley. Too bad the film also features two overlong cabaret-like musical sequences, which are really misplaced, and I personally would have preferred some more info and details regarding the Ripper-killings. Not for nowadays horror-audiences, but worth a look in case you're a fan of classy, tension-driven thrillers.

This is a very well-made stylized thriller starring Jack Palance as Slade, the soft-spoken, quiet man (a research pathologist) staying up in the Harleys attic who is suspected by Mrs. Harley of being Jack the Ripper..Mr. Harley meanwhile thinks this is all nonsense caused by all the media attention caused by the recent Ripper murders. Palance is really quite good in this role as one never feels really certain of his character's intentions. There are times he seems quite normal and ordinary..simply a quiet lonely man but he does have some odd quirks such as a dislike of actresses and strong feelings of resentment towards his mother, a former actress, for leaving his father. Constance Smith is very charming in the role of Lily Bonner, the leading stage star of the local Parisian theater...a woman whom Mr. Slade soon finds himself unexpectedly involved with as she finds him to be quite interesting and attractive. While this is not quite as good as 1944's THE LODGER, it is nonetheless engaging entertainment.