Folle des hommes

This is quite an enjoyable vehicle for a mischievous Glynis Johns, who doubles up as a gymnastics teacher ("Caroline") who is left a remote house on the Cornish coast, and a mermaid ("Miranda") who lives with her equally cheeky friend "Berengaria" (Dora Bryan) in a cave underneath. The two characters have a common ancestor and look identical, so when "Caroline" heads off on a cycling trip, her mermaid cousin takes her place - and immediately starts to charm just about every man in the village. Many of us who recall later performances from (Sir) Donald Sinden may forget just how handsome he was as he falls for her; as does "Col. Barclay Sutton" (Nicholas Phipps) whose fiancée "Barbara" (Anne Crawford) tires of the endless flirtations and sets about trying to put a spoke in her wheel. Margaret Rutherford is her usual, ebullient, self as the enthusiastically game nurse who is in on the whole thing from the start. It's amusingly suggestive at times, and the dialogue quite witty but the film is way too long, and once the joke has worn off it drags a bit. It is better, I felt, than the rather more rigid, staid original from 1948 however, and well worth a gander.

Quite a nice little film, possibly inspired by the many mermaid fairy tales of old.

Glynis Johns always looked lovely in no matter what film she was in; and Dora Bryan made ample use of her comic talents as Glynis Johns's dotty mermaid companion.

Anne Crawford was also turned in good a performance as Glynis Johns's jealous adversary - it is a pity that such a talented actress died so young. However, I must say that I much better enjoyed its prequel, "Miranda", made 6 years earlier in 1948.

8 out of 10

I saw both this film and it's predecessor the charming "Miranda" in one sitting late at night and have to say I found both delightful. But the second in the series was a little bit more fun.

I don't know if the censorship was loosened between the two films but in Mad About Men , Miranda's character is far more suggestive and the jokes and sexual banter is far more risky (though nothing compared to today's standards.)

As with the 1st film, this one really shines when we see the women reacting to Miranda's siren ways and of course Margaret Rutherford as the natty nurse Carrie is splendid as always.

Mermaids make great movies, there should be more of them!

For a movie about a mermaid, the special effects are quite basic. All to the better though, really, since it allows the writers to concentrate on their spiffy, silly dialog. The viewer is never made to feel too uncomfortable over the possibility that the mermaid will get caught in her disguise. Any such threatening moments would be pointlessly manipulative of the audience anyway, this being an obvious fantasy flick, so why not just have a good time, right? Where the movie fails to ignite is in the dated chick-flickian rather-fall-in-love-with-a-good-looking-guy drill. It's monochromatic and not terribly involving (so the ending's a bit ho-hum), but it does make way for good, direct, innocent -- and occasionally spicy -- remarks from the mermaid. Watch for great facial expressions from Margaret Rutherford, the nurse, and a good physical workout for the old gal as well!

Mad About Men is a sequel to the innovative little British comedy Miranda. That film was about a mermaid coming out of water and befriending every male she met. This picks up some time after with Glynis Johns reprising her role not only as Miranda but also as stuffy teacher Caroline going to Cornwall to sell her house so she can marry snooty Peter Martyn. There she finds Miranda, realizes the two look just alike, and leaves Miranda in her place as herself. Naturally, Miranda is up to nothing but mischief, again befriending every male she meets. Brain surgeons are not needed to figure out how this all ends, but the film has a nice pace and keeps the whole thing afloat somehow. Like its predecessor, Mad About Men is charming, funny, and frivolous entertainment. Johns is breathtaking in colour. She exudes tons of sex appeal once again as the fishy nymphomaniacal mermaid looking for men. Margaret Rutherford reprises her role as the nurse who knows Miranda's secret and as always is a joy. The rest of the cast is very solid, and director Ralph Thomas does a more than workmanlike job creating some believability - a possible problem with this film, unlike Miranda, being in glorious colour.