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Hell and High Water is a great Fifties film with Richard Widmark and his handpicked crew of WWII veterans trying to foil a dastardly Communist plot to start WWIII.

Widmark is a former submarine commander who's been hired to check out a secret base that the Communist Chinese seem to be building in the islands north of Japan. The group that's hired him is some kind of consortium of western scientists who seem to be operating as a secret society. Like Captain Midnight or heaven forfend, the Tri-Lateral Commission.

Parts of the plot and definitely some of the footage is taken from another submarine picture that 20th Century Fox did, Crash Dive. It's so obvious, especially when you have Richard Widmark's voice with no closeups, over the footage from the previous film. That also concerned a secret Nazi base in the Atlantic and the submarine crew that went to clean them out.

Along for the ride in the submarine are scientists Victor Francen and his assistant Bella Darvi who was Darryl Zanuck's main squeeze at the time. Ms. Darvi had a short and tragic life and her story would make a real interesting picture.

Far more interesting than this, though I will say the submarine special effects are outstanding.

Richard Widmark {Capt. Adam Jones} stars in this Cold War thriller as the leader of a submarine expedition to the frozen depths of Alaska. His mission is to thwart the communist Chinese who are intent on kick starting World War 3.

Hell and High Water is one of the multitude of pictures that serve only as studio efforts made for made's sake. Take your leading actor, surround them with jobbing actors, and mold a picture together as best as you can. Sometimes a film can break free of its B and C movie roots to truly surprise, but others flounder to only serve as time fillers on terrestrial television. This film falls some where in between the two, not particularly bad exactly, but outside of a couple of tight sequences, not necessarily good either.

It was actually in premise, building up to be a promising film. Then we see a shapely pair of legs coming down the submarine stairs and we just know that this film will lose its edge, and sadly, where it's all going to end up. The insistence of many writers and film makers to shoe horn in a love interest in the grittiest of places rarely works, and here it most assuredly doesn't either. Not that Bella Darvi {owner of those shapely legs} is poor or is at fault for the film being average, it just takes the film in a direction that it didn't need to go. Tension is built up, with one face off submarine sequence being particularly hold your breath inducing, but the preposterous romantic angle on a submarine death mission is badly misplaced.

Tidy but unmemorable, and cribbing from Crash Dive released eleven years earlier, it's probably one for Widmark purists only. 5/10

While I was earnestly waiting for some of the moments of hilarity one of the reviewers wrote about (which I never found), I thought it would be worthwhile to point out some of the sillier criticism also made.

First of all the bucket scene happened before the ramming scene - not after. Plus, submarines have buckets on them. Isn't that strange. It seems the makers of submarines sort of figured stuff like that out - sometimes subs take on water and it must be moved. And yes, they would have lots and lots of buckets. More than one sub in WWII was saved because of them. The reviewer may also not have seen the part where the buckets are being returned.

He also comments on if the sub was already underwater, where were they taking the water. Again, submariners got that one figured out too. They were taking it to a place where there was a working pump to pump the water off the sub.

Overall it was a decent diversion. But then I'm a fan or Richard Widmark so I may be biased.

I saw this movie when it was released in theatre. I still remember how much fun it was to watch a submarine crew try to bring down a big bomber carrying the Atomic bomb with every weapon they could muster, including handguns. It had plenty of action for the time, although those used to long periods of action may find themselves disappointed. There are a couple of fairly exciting firefights, not including the final desperate attempt to save the US from being blamed for dropping an A-bomb on Korea and starting WW3. I'd like to see it again but haven't seen it in a long time..Hope it can be repeated on TV .I would definitely buy it if I had the chance..

This unusual Cold War adventure features a star whose life off-screen was far more fascinating than her roles on-screen.

Ex-submarine commander, Adam Jones (Richard Widmark), is hired by an international consortium of scientists, statesmen and concerned citizens to command an old WW2 Japanese sub to track down a group of nuclear scientists who have disappeared in a remote area north of Japan.

Like Cagney before him, Widmark always seemed to be shaping up to the world, and so it is with his Commander Jones who assembles a crew straight out of the Hollywood Submariner Stereotypes Manual. He also takes along a professor and his assistant, Denise Gerard (Bella Darvi).

The action doesn't stray too far from the Twentieth Century Fox sound stages, but does have a couple of exciting sequences with pretty good special effects - even if the atomic explosion at the end doesn't look like it had the scale to disrupt peak hour traffic.

Over the 60 years since it was made, I have learnt more about the stars and the filmmakers, and a reason for revisiting the film was to see Bella Darvi in another movie other than "The Egyptian".

She was Darryl Zanuck's mistress back in the day and he was besotted with her. Much of this is detailed in Leonard Moseley's "Zanuck: The Rise and Fall of Hollywood's Last Tycoon", but there is plenty of information on the Internet.

Zanuck put her in three movies but the public did not take to her. The critics shredded her performance as Nefer in "The Egyptian" claiming that her acting was wooden. I didn't mind it at all, although she was fairly unanimated. "Nefer was" was the bitchy comment from one co-star - being topped-off with a red fright-wig also didn't help.

But in "Hell and High Water", made before "The Egyptian", she is completely different. Warm and radiant, she displays a range of emotions as well as a sexy French accent; it is here that you can see the charm of the women who caused such turbulence in Darryl Zanuck's life. No doubt, the difference in the performances had a lot to do with the directors, Sam Fuller in this case.

Like other tragic stars, it is sad knowing that aged 42 she turned on the gas in her Paris apartment and exited a life that had probably always been on a downward spiral.

"Hell and High Water" is a competent piece of filmmaking from the Silver Age, but knowing a little about the stars and how it was made makes it far more compelling.

I thought the movie was good for it's era. Much better than some of the other fiction movies of it's time. The submarine scenes were very good. Especially the detail of water trickling down the periscope cylinder when they were submerged.

I too wondered where they were disposing of the buckets of water when they were supposed to be running silent. Again the scene was out of sequence.

Also the scene where Richard yells periscope up to look for the enemy sub, and they are surfacing. I thought it looked funny seeing the sub on top of the water and Richard is looking out the periscope.

Again good movie for it's time.

This exciting film contains cold war heroics , non stop excitement , and full of tension and intrigue . Pure entertainment from Fuller , it is set during the Cold War , a privately-financed scientist Prof. Montel (Victor Francen , though Charles Boyer was originally cast for this role) , his assistant (Bella Darvi) and colleagues hire an ex-Navy officer (Richard Widmark) to conduct an Alaskan submarine (Sub used was WW2 ex Japanese sub) expedition (including familiar faces , as sailors appear the followings : Cameron Mitchell , David Wayne and Gene Evans who helped Bella Darvi with her dialogue) in order to prevent a Red Chinese anti-American battle , as well as a deviously plotted plan that could trigger WW3 . As they fit a Japanese submarine to lead them to Arctic Circle . Along the way , they are pursued by a Chinese submarine , stalking each other , and intent on ramming the other .

The intriguing premise gets to satisfy completely , as it has breathtaking moments , including an explosive climax and as when two submarines stalk each other through the depths . It mixes a twisted tale with intrigue and schoolboy science-fiction about a scheme that may lead to World War III . This sometimes little objective film lacks a sense of definitive character undermining its important message . This picture is more a submarine movie than a Warlike or Cold war film . The scene from the attack on the first island was taken from the movie ¨Crash Dive¨ (1943) , particularly the ammo exploding in the depot and the burning fuel cascading over the short cliff into the sea . Nice acting by Richard Widmark as an ex-Navy officer assigned to a dangerous mission : to find a secret Chinese atomic island base . Victor Francen plays well the obstinate scientific who designs the risked operation to prevent a Communist plot . And the gorgeous Bella Darvi , this marked the feature film debut of Darryl F. Zanuck's muse Bella Darvi, whose stage surname was a combination of the first names of Zanuck and his wife Virginia . Darvi became a 50s symbol for one of the many movie "Cinderellas" playing ¨Sinuhe the Egyptian¨ , ¨The racers¨ and whose bright and beautiful Hollywood fairy tale would come crashing down, ending in bitterness and tragedy . Bella finally committed suicide in 1971 after turning on the gas stove in her apartment, she was only 42.

The movie displays a colorful cinematography in CinemaScope by Joseph MacDonald . This was Twentieth Century-Fox's fifth CinemaScope production . Thrilling and stirring musical score by the prolific Alfred Newman . In this picture Samuel Fuller proved his talent of vision and intelligence . Fuller being especially known as filmmaker of such exploitation films as ¨Shock corridor¨ and ¨The naked kiss¨ . Fuller made various Western as ¨I shot Jesse James(49)¨, ¨The baron of Arizona (50)¨, ¨Run of the arrow¨ (56) , ¨Forty guns(58)¨, and ¨The meanest men in the West (76)¨ , but his most fluid and strongest work lies in his war films as ¨Steel helmet(51)¨ , ¨Fixed bayonets(52)¨, ¨Hell and high water (55)¨, ¨China gate (57)¨ , ¨Merrill's Marauders (62)¨ and ¨The Big Red One (80)¨. Being his best films : ¨Pick up on South Street¨(53) , ¨Underworld Usa¨(60) and ¨White Dog¨(82) . Rating : Better than average . Worthwhile watching .

This is an average post World War II movie that is by no means bad but also a very long way from being great. The film is the story of a group of international privately funded scientist who are on a humanitarian mission to discover if some unnamed communists are conducting nuclear tests in a remote area of the Artic. As a means to their end the scientists recruit Richard Widmark as Captain Jones to captain a sub-marine manned by mercenaries and a two scientists the lead scientist Professor Montell and his glamorous assistant Denise Gerrard (played by the doomed Bella Darvi). Things plod along nicely and for the time the are some tense submarine duel scenes once they engage the enemy. Denise Gerrard and Proffesor Montaell clash with Captain Jones as they have to enter his world though the female character really needed fleshing out. We have some battle as the tension mounts and the enemy base is located leading up to the final battle which works quite well. A few twists along the way add to the mix and some nice morals add to the ending. Worth a go.

Top mercenary submarine guy Richard Widmark is hired to take a converted Japanese submarine to seek out a communist held island base potentially making an atomic bomb. Along for the ride are a professor from central casting (Victor Frances), his assistant and Widmark love interest played by Bella Darvi and Widmark's favourite crew of tough, sweaty sub mariners.

Enjoyable enough action adventure, capturing the red menace fear prevalent in the fifties, featuring a solid enough impossible mission storyline. The effects are actually surprisingly good and director Fuller knows how to stage an action scene. The characters though are a bit dull and it's difficult to empathise with anyone really, including a one note Widmark. Adequate Sunday matinee stuff.

Yeah, it telegraphs all of the big "reveals", it has some overly dramatic acting, the major plot points are easy to see coming, the "red shirts" are obvious, the scenes are kinda cheesy, the characters are all one-dimensional, the plot motivators are simple ("he needs fresh air" or "we didn't have time to test the torpedo tubes") but dang I loved it! It was almost like a bond movie without the gadgets, the unbelievable stunts, or the bad double entendres. It is an instant classic in my book; it is just on the edge of something that you can take seriously. If you go in not expecting much and you realize that this was made many years ago before all of the methods used in it became trite due to overuse, then you will walk away with a smile. There are many worse submarine movies, some of which consist of "I'm in charge!"..."No I'm in charge", while this one has some strategy, some minor humor, some action, and some larger-than-life threats, and some explosions.. all in all worth the rental.

When yet another atomic scientist goes missing behind the Iron Curtain, a private submarine expedition is put together to trail a freighter suspected of being able to lead the crew to what is believed to be the place where the Chinese are conducting nuclear research in preparation for a war. Former submarine commander Jones is contracted to lead the exhibition with a ragtag crew and a submarine in need of maintenance time that is not available to him. With Professor Montel technically in charge with his (female) assistant Professor Gerard by his side, the boat sets out on the mission of observation but with the ever present threat of danger in the hostile waters.

A bit of a romp this one as it revels more in the gaudy sweep of the telling rather than the tension from narrative detail. The plot doesn't really matter so much as it is a simple device for the voyage. Along the way we get personal conflicts, crew tensions and underwater stand-offs as well as some fire-fights. At no point was I hooked but it is rather entertaining in the way that school-boy adventure stories are – full of tough men, sacrifice and action. In this regard it suits the people making it and Fuller directs with simple but bright colours – easy to understand and engage with even if they are too simple to be real. So it is with the characters and plot but it still works. The romantic side of the story is a flop and I didn't see why a female character couldn't just be a character and had to be a love interest (well, obviously I understand why this decision is made, but I didn't see the value of it in the story).

The headlining of Richard Widmark is rarely a bad thing and he fits this tough action drama with his stern delivery and commanding presence. There is no doubting that Darvi is sexy and a good presence when it comes to being coy and flirtatious however when more is asked of her she is found wanting as she lacks the range. The rest of the cast fit in well around them – nobody brilliant of course but everyone able to be at the level required by the material.

Not that intelligent or complex a film but a solid enough wartime action film which will do the job if that's all you're looking for.

Nicely done picture dealing with a group of desperate men who recruit a former sub commander hoping he can stop a deadly threat on a remote island. Again Widmark shows us he is one of the top tough guys of the silver screen as he barks and growls his way to getting the crew he wants, and later on, the results he demands. Not content to do the job as the leading physicist insists, the rogue sailor cuts through all protests and does it his way. Although there were only a couple of big firefights, the story stayed interesting except for the standard love interest which must have been put in for the lady viewers. I felt the ending was weak though amusing as the crew opened up with all the hardware available at a very unlikely target.

One Wonders What Genius made the Decision to utilize the "New Toy" in Town "Cinemascope" for a "Submarine" Movie.

But the Real Pulp Genius is Sam Fuller who manages to Always be Over-the-Top with His Characters, Plot, and Dialog.

He Makes it Work on a Juvenile Level.

If You Want a more Adult, Serious, Cold-War Thriller from Fuller, See "Pickup on South Street" (1952). A B-Movie Masterpiece. It also Stars Richard Widmark.

Here We get a Civilian Conglomerate of Anti-Reds Willing to Invest Life, Limb, and Fortune Financing a Submarine Mission to Uncover Communist Playing with the A-Bomb.

It's All Out of Orbit Absurdity of the Pulp-Fiction Kind with a Knock-Out Beauty Scientist On Board the Sub to Boot.

What a Hoot.

It's Entertaining as All-Get-Out with some Good Battle Scenes and Two, count-em, Atomic Explosions that Book-End this Novelty Piece.

Worth a Watch for the Sam Fuller Touch, the Mesmerizing Face of Bella Darvi, and for some Fun-Stuff of the Sub at War Variety.

Richard Widmark is on quite good form here, as the veteran naval officer hired by a group of scientists to take a ramshackle old submarine from Japan to investigate some mysterious goings-on on an island under Chinese control, and where they think atomic experiments may be taking place. Setting sail with "Prof. Montel" (Victor Francen) and his assistant "Denise" (Bella Darvi) it soon becomes clear that their scarcely functioning vessel is not going to be the captain's only concern as they have to dodge enemy patrols and reach their target. I like submarine films, and this one isn't bad. Samuel Fuller takes a while to get us underway, but once he does the trip is quite exciting despite the odd romantic interlude. The ending is a bit daft, but the whole film still holds up quite well as a decent adventure with quite a fun underwater duel, an unique rendition of "Don't Fence Me In" and a suitably rousing score, too.

Script simplicity scratching dangerously along dullness

Well. Mission: search the nuke and destroy it. That's also the hole script with exactly one additional twist. Cinematography and special effects are decent for 1954. But still uncleared, if the bad guys were chinese or just north koreans.

A kiss of the obligate hottie avec accent français as the first climax at around 55mins, u-boat crew able to breath again at 70mins seemed to be the most thrilling events. The short take of two seals making their way probably was the culmination of originality of the whole movie. Frankly speaking of quite torturing boringness. Makes you wonder today how such filmmaking was able to fill up cinemas back then ...

Although she didn't make but three major Hollywood motion pictures, Bella Darvi had magnificent screen magnetism that made a man's pulse beat red hot. In this campy picture (her first film), she does a fine job in her first effort as a film actress, displaying good technique cinematically. She was, as they say, a natural.

The French accent, the smooth skin, the sharp facial bone structure, those arched eyebrows, that smoldering stare, and that oh-so-sexy slightly cross-eyed look just made a guy want and wonder. Her voice was strong and yet soft at the right moments. There was something about her that made a man want scoop her up into his arms and say, "Hey, baby, it's gonna be okay!"

It's too bad that she was perhaps a victim of her own sexuality as it is rumored that Mrs. Darryl Zanuck discovered there might have been some hanky-panky with Mr. 20th Century Fox.

Richard Widmark is fittingly commanding and cantankerous as the sub skipper, and Cameron Mitchell does what he did so well in playing the comic relief sidekick sonar guy.

The script and it's dialog is something straight out of a comic book, but you've got to love it. It's got all of the marbles in one bag: submarines, underwater battles complete with ramming full speed ahead, a silent running sweatout, crash dives, commando shore raids, evil Commies, a spy guy named Chin Lee, a B-29 bomber, and just to put the cherry on the Boston cream pie, the obligatory nuclear explosion.

Check Bella Darvi out opposite Kirk Douglas in "The Racers". There again, the lady is smokin' hot!

So, if you want a good time, pop some corn, pull up a chair, and watch "Hell and High Water"!!!

Certainly one the most fanciful Samuel Fuller's movie ever done, although it's plentiful watchable from the perspective of entertainment purpose only, the audience shall figures out where were the intelligence service of America and British at this moment, sleeping or something, upon this point the offering becomes just in a time filler, amusing indeed.

Surreptitiously a bunch of pacifistic worldwide scientists led by Victor Fransen hired a skilled sub commander of WWII Richard Widmark to pick up a select crew members to a private task in a junkyard unarmed submarine and to worst a female scientist Bella Darvi comes on board, aiming for clarifies on north pacific an island where nearby previously had a nuclear test bomb, at first glance a sort of kamikaze run.

A thousand of casting fulfilling the odd mission as the womanizer Cameron Mitchell, the stern Gene Evans, the frisky David Wayne, on guitar Wong Artarne and our beloved Chief Curley (Henry Kulky) from Voyage of the Bottom of the Sea, shot almost entirely in a Fox's sound stage quite noticeable, a massive use of stock footage neither, overall if you forget the silly plot it's fitting for a killing time, meanwhile Widmark trying a pinch in gorgeous Bella Darvi before Cameron Mitchell got her heart thru his sailor's tattoos.

Thanks for reading.

Resume:

First watch: 1989 / How many: 2 / Source: TV-Youtube / Rating: 7.

Sam Fuller's first in colour begins like 'Dr Strangelove' with a narrator solemnly intoning about atomic testing before very soon going underwater. It has a Cold War plot similar to 'The Bedford Incident' and even the same star, although this time Widmark is the pursued rather than the pursuer. When bearded scientist Victor Francen's assistant turns out to be a comely young female the crew all all look suitably astonished while the viewer sinks back in their chair with their hands over their eyes and sighs "What AGAIN!!"